Contemporary sacred text scholarship has been stimulated by a number of intersecting trends: a surging interest in religion, sacred texts, and inspirational issues; burgeoning developments in and applications of literary theories; intensifying academic focus on diverse cultures whether for education or scholarship. Although much has been written individually about Tanakh, New Testament, and Qur’an, no collection combines an examination of all three. Sacred Tropes interweaves Tanakh, New Testament, and Qur’an essays. Contributors collectively and also often individually use mixed literary approaches instead of the older single theory strategy. Appropriate for classroom or research, the essays utilize a variety of literary theoretical lenses including environmental, cultural studies, gender, psychoanalytic, ideological, economic, historicism, law, and rhetorical criticisms through which to examine these sacred works.

In the book If Tropes, the author attempts to approach and then deal with some of the most basic problems for a theory of tropes. The investigation proceeds from three basic assumptions: (i) tropes (i.e. particular properties) exist, (ii) only tropes exist (that is, tropes are the only basic or fundamental kind of entities), and (iii) the main-function for tropes is to serve as truth-makers for atomic propositions. Provided that one accepts these assumptions the author finds that the trope-theorist will have to deal with two important matters. Some atomic propositions seem to require universal truth-makers and others seem to require concrete truth-makers. This means that universals and concrete particulars will need to be constructed from the material of tropes. Such constructions are attempted and it is argued that it is possible to deal at least with these basic issues while staying squarely within the boundaries of a purely trope-theoretical framework. The book is written in an untechnical language but requires some prior understanding of basic metaphysics.

NYT and USAT bestselling author and screenwriter, Cindy Dees, brings her formidable skills as a master storyteller and master writing teacher to this encyclopedic series analyzing the major tropes used in modern commercial fiction. In this volume, Cindy explores 33 iconic internal romance tropes, the stories of personal affliction, wounds, fears, and personality traits that form obstacles to love inside the hearts and minds of your characters. Written by a working writer for working writers, this is a comprehensive reference guide and brainstorming tool to help you quickly generate ideas, create characters and plot, revise and edit, brand and market your story. You’ll write faster, cleaner, and deliver your audience a story they’ll recognize and love. If you’re writing a novel, script, play, comic, graphic novel, video game script, or any other story format, this book is for you. If you’re writing a love story specifically, or you’re writing any genre of fiction in which you’d like to include a romantic relationship, this book is for you. Each trope entry includes: · a detailed definition and analysis · descriptions of all obligatory scenes necessary to structure this trope correctly · lists of additional key scenes important to this trope · an extensive list of questions to think about when writing this trope · an extensive list of traps to avoid when writing this trope · reasons why audiences love this trope · a list of similar tropes · a list of examples of each trope in action taken from television, film, and novels …every kind of writer in every genre of fiction is going to want these guides in their go-to reference books… …a tour de force how-to on creating stories audiences adore… …the books every writer has been waiting for—a comprehensive walk-through by an industry pro of everything to think about when building a story of pretty much any kind…

Talk is of central importance to politics of almost every kind—it’s no accident that when the ancient Greeks first attempted to examine politics systematically, they developed the study of rhetoric. In Tropes of Politics, John Nelson applies rhetorical analysis first to political theory, and then to politics in practice. He offers a full and deep critical examination of political science and political theory as fields of study, and then undertakes a series of creative examinations of political rhetoric, including a deconstruction of deliberation and debate by the U.S. Senate prior to the Gulf War. Using the neglected arts of argument refined by the rhetoric of inquiry, Nelson traces how everyday words like consent and debate construct politics in much the same way that poets such as Mamet and Shakespeare construct plays, and he shows how we are remaking our politics even as we speak. Tropes of Politics explores how politicians take stands and political scientists probe representation, how experts become informed even as citizens become authorities, how students actually reinvent government while professors merely model politics, how senators wage war yet keep comity among themselves. The action, Nelson shows, is in the tropes: these figures of speech and images of deed can persuade us to turn from ideologies like liberalism toward spectacles about democracy or movements into environmentalism and feminism. His argument is that inventive attention to tropes can mean better participation in politics. And the argument is in the tropes—evidence itself as sights or citations, governments as machines or men, politics as hardball or softball, deliberations as freedoms or constraints, borders as fringes or friends.

NYT and USAT bestselling author and screenwriter, Cindy Dees, brings her formidable skills as a master storyteller and veteran writing teacher to this encyclopedic series analyzing the major tropes used in commercial thriller fiction, film, television, and more. In this volume, Cindy does in-depth analysis of 40 iconic thriller tropes found across all sub-genres of thriller fiction. Written by a working writer for working writers, this is a comprehensive reference guide and brainstorming tool to help you quickly generate ideas, create characters and plot, revise and edit, brand and market your story. You’ll write faster, cleaner, and deliver your audience a story they’ll recognize and love. If you’re writing a novel, script, play, comic, graphic novel, video game script, or other story format that includes a thriller element, this book is for you. Each trope entry includes: · detailed definition and analysis · list of adjacent tropes · list of reasons why audiences love this trope · descriptions of all obligatory scenes necessary to structure this trope correctly · list of additional key scenes important to this trope · an extensive list of questions to think about when writing this trope · an extensive list of traps to avoid when writing this trope · examples of each trope in action taken from television, film, and novels …writers in every genre and format of fiction are going to want these guides in their shelf of go-to reference books… …a tour de force how-to on creating stories audiences adore… …the books every writer has been waiting for—a comprehensive walk-through by an industry pro of everything to think about when building a story of pretty much any kind…

NYT and USAT bestselling author and screenwriter, Cindy Dees, brings her formidable skills as a master storyteller and master writing teacher to this encyclopedic series analyzing the major tropes used in modern commercial fiction. In this volume, Cindy explores 33 iconic internal romance tropes, the stories of personal affliction, wounds, fears, and personality traits that form obstacles to love inside the hearts and minds of your characters. Written by a working writer for working writers, this is a comprehensive reference guide and brainstorming tool to help you quickly generate ideas, create characters and plot, revise and edit, brand and market your story. You’ll write faster, cleaner, and deliver your audience a story they’ll recognize and love. If you’re writing a novel, script, play, comic, graphic novel, video game script, or any other story format, this book is for you. If you’re writing a love story specifically, or you’re writing any genre of fiction in which you’d like to include a romantic relationship, this book is for you. Each trope entry includes: · a detailed definition and analysis · descriptions of all obligatory scenes necessary to structure this trope correctly · lists of additional key scenes important to this trope · an extensive list of questions to think about when writing this trope · an extensive list of traps to avoid when writing this trope · reasons why audiences love this trope · a list of similar tropes · a list of examples of each trope in action taken from television, film, and novels …every kind of writer in every genre of fiction is going to want these guides in their go-to reference books… …a tour de force how-to on creating stories audiences adore… …the books every writer has been waiting for—a comprehensive walk-through by an industry pro of everything to think about when building a story of pretty much any kind…

Tropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.

NYT and USAT bestselling author and screenwriter, Cindy Dees, brings her formidable skills as a master storyteller and master writing teacher to this encyclopedic series analyzing the major tropes used in modern commercial fiction. In this volume, Cindy explores 33 iconic backstory romance tropes, the stories made up of the lingering problems, scars, and needs from your hero’s and heroine’s pasts that must be overcome before they can achieve happiness and true love. . Written by a working writer for working writers, this is a comprehensive reference guide and brainstorming tool to help you quickly generate ideas, create characters and plot, revise and edit, brand and market your story. You’ll write faster, cleaner, and deliver your audience a story they’ll recognize and love. If you’re writing a novel, script, play, comic, graphic novel, video game script, or any other story format, this book is for you. If you’re writing a love story specifically, or you’re writing any genre of fiction in which you’d like to include a romantic relationship, this book is for you. Each trope entry includes: a detailed definition and analysis descriptions of all obligatory scenes necessary to structure this trope correctly lists of additional key scenes important to this trope an extensive list of questions to think about when writing this trope an extensive list of traps to avoid when writing this trope reasons why audiences love this trope a list of similar tropes a list of examples of each trope in action taken from television, film, and novels …every kind of writer in every genre of fiction is going to want these guides in their go-to reference books… …a tour de force how-to on creating stories audiences adore… …the books every writer has been waiting for—a comprehensive walk-through by an industry pro of everything to think about when building a story of pretty much any kind…

This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoes's poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeare's plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students' organisations, and from Byron, Baillie and London's illegitimate theatre to Schiller's and Tieck's highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoes's major and defining work, Death's Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Death's Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of 'life' and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoes's writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of B chner, Grabbe and a European theatre avant-garde. This innovative study of Beddoes's work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vorm rz studies, and to students and scholars of drama and theatre as well as Queer studies.