The award-winning, #1 New York Times bestselling novel from Alan Gratz tells the timely--and timeless--story of three different kids seeking refuge. A New York Times bestseller! JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world... ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America... MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he and his family begin a long trek toward Europe... All three kids go on harrowing journeys in search of refuge. All will face unimaginable dangers -- from drownings to bombings to betrayals. But there is always the hope of tomorrow. And although Josef, Isabel, and Mahmoud are separated by continents and decades, shocking connections will tie their stories together in the end. As powerful and poignant as it is action-packed and page-turning, this highly acclaimed novel has been on the New York Times bestseller list for more than four years and continues to change readers' lives with its meaningful takes on survival, courage, and the quest for home.

#WELCOME TO EPIC: PRESS START TO PLAY#. On New Earth, Epic is not just a computer game, it's a matter of life and death. If you lose, you lose everything; if you win, the world is yours for the taking. Seeking revenge for the unjust treatment of his parents, Erik subverts the rules of the game, and he and his friends are drawn into a world of power-hungry, dangerous players. Now they must fight the ultimate masters of the game -- The Committee. But what Erik doesn't know is that The Committee has a sinister, deadly secret, and challenging it could destroy the whole world of Epic.

From the creators of Ice Age and Rio, Epic tells the story of a hidden civilization. The battle between good and evil rages until a teenage girl is magically transported into this forest kingdom to help save their world, and ours. The Jinn are tiny forest creatures who love all growing things. Their enemies, the Boggans, want to destroy the forest by spreading decay. When a human girl named M.K. magically shrinks and joins forces with the Leafmen— the brave warrior Jinn—the Jinn may have a chance of survival. Join M.K., the Leafmen, and other curious creatures on a dangerous journey to save this miraculous forest world! Epic: The Junior Novel retells the whole exciting story and features eight pages of full-color images from the movie!

Expand your BONE library with the final volume of these collectible gift editions! Discover the epic conclusion to the BONE series with this brilliant, full-colour gift edition. Included are BONE #7: Ghost Circles, BONE #8: Treasure Hunters, and BONE #9: Crown of Horns, the final three books in Jeff Smith's incredible graphic novel saga. The Bone cousins, Gran'ma Ben, and a baby rat creature are on a dangerous trek to Atheia, the old city of the royal family, to bring Princess Thorn to safety. Once there, they reunite with old friends and plan to thwart the coming of The Lord of the Locusts. Then, it's full-fledged war as Briar, the rat creatures, and the Pawan army storm the city.

Reproduction of the original: The Book of the Epic by H.A Guerber

The fifth and most popular book of the Ramayana of Valmiki, the Sundarakanda, recounts the adventures of the monkey hero Hanuman in leaping across the ocean to the island citadel of Lanka. Once there, he scours the city for the abducted Princess Sita. The poet vividly describes the opulence of the court of the demon king, Ravana, the beauty of his harem, and the hideous deformity of Sita's wardresses. After witnessing Sita's stern rejection of Ravana's blandishments, Hanuman reveals himself to the princess and restores her hope of rescue. The great monkey then wreaks havoc on the royal park and fights a series of hair-raising battles with Ravana's generals. Permitting himself to be captured by the warrior Indrajit, Hanuman is led into the presence of Ravana, whom he admonishes for his lechery. His tail is set ablaze, but he escapes his bonds and leaping from rooftop to rooftop, sets fire to the city. Taking leave of Sita, Hanuman once more leaps the ocean to rejoin his monkey companions. This is the fifth volume translated from the critical edition of the Valmiki Ramayana. It contains an extensive introduction, exhaustive notes, and a comprehensive bibliography.

Epic into Novel looks at Henry Fielding's adaptation of classical epic in the context of what he called the 'Trade of . . . authoring'. Fielding was always keen to stress that his novels were modelled on classical literature. Equally, he was fascinated by—and wrote at length about—the fact that they were objects to be consumed. He recognised that he wrote in an age when an author had to consider himself 'as one who keeps a public Ordinary, at which all persons are welcome for their Money.' In describing his work, he alludes both to Homeric epic and to contemporary cookery books. This tension in Fielding's work has gone unexplored, a tension between his commitment to a classical tradition and his immersion in a print culture in which books were consumable commodities. This interest in the place of the ancients in a world of consumerism was inherited from the previous generation of satirists. The 'Scriblerians'—among them Jonathan Swift, John Gay, and Alexander Pope—repeatedly suggest in their work that classical values are at odds with modern tastes and appetites. Fielding, who had idolised these writers as a young man, developed many of their satiric routines in his own writing. But Fielding broke from Swift, Gay, and Pope in creating a version of epic designed to appeal to modern consumers. Henry Power provides new readings of works by Swift, Gay, and Pope, and of Fielding's major novels. He examines Fielding's engagement with various Scriblerian themes—primarily the consumption of literature, but also the professionalisation of scholarship, and the status of the author—and shows ultimately that Fielding broke with the Scriblerians in acknowledging and celebrating the influence of the marketplace on his work.