Stop a terrible wrong or blindly follow her elders? What happens near Salem when Maggie must choose? Maggie Bradstreet is a curious girl of thirteen with a mind of her own, which can get her into trouble in Puritan New England. She wants nothing more than to prove to her brother's friend Job that she is no longer a child, but when witches are discovered in the community of Andover, Massachusetts, her world turns upside down. Maggie’s diary tells of excitement turned to horror as more and more people are accused of witchcraft, and her best friend's mother is taken off to jail. She tries to save her friends and in the end must save herself. The Book of Maggie Bradstreet is the untold and remarkable story of what happened to those accused of witchcraft in Andover, just a few miles from Salem. From a talented new voice in YA historical fiction, Gretchen Gibbs’ The Book of Maggie Bradstreet is companion to Anne of the Fens in the gripping Bradstreet Chronicles. The series—historical fiction based on written records about the author's own ancestors—can be read in any order. Each includes an afterword with additional historical content.

A tour de force about three friends affected by a campus murder, for readers of Donna Tartt, Meg Wolitzer, and Jeffrey Eugenides Georgia, Charlie and Alice each arrive at Harvard with hopeful visions of what the future will hold. But when, just before graduation, a classmate is found murdered on campus, they find themselves facing a cruel and unanticipated new reality. Moreover, a charismatic professor who has loomed large in their lives is suspected of the crime. Though his guilt or innocence remains uncertain, the unsettling questions raised by the case force the three friends to take a deeper look at their tangled relationship. Their bond has been defined by the secrets they’ve kept from one another—Charlie’s love and Alice’s envy, Georgia’s mysterious affair—and over the course of the next decade, as they grapple with the challenges of adulthood and witness the unraveling of a teacher's once-charmed life, they must reckon with their own deceits and shortcomings, each desperately in search of answers and the chance to be forgiven. A relentless, incisive, and keenly intelligent novel about promise, disappointment, and the often tenuous bonds of friendship, Bradstreet Gate is the auspicious debut of a tremendously talented new writer.

Should Anne risk arrest and scandal to help a fugitive escape? Her decision will change her life. In 1628, with England torn by conflict, fifteen-year old Anne Dudley helps a rebel escape from Tattershall Castle through the watery fens. Pursued by the sheriff and his men, who view her Puritan family as traitors to the king, Anne risks more than the loss of her reputation as the daughter of the earl's steward - she also risks death. Set in a period when women and men were burned or hanged for their religion, the novel tells the story of a girl who must cope with a woman’s feelings while she struggles with romantic turmoil, political danger, and doubts about her own beliefs. When she takes up her pen, we glimpse the grown Anne Dudley Bradstreet, whose Colonial writings are still loved and honored today. From a talented new voice in historical fiction, Gretchen Gibbs’ Anne of the Fens joins The Book of Maggie Bradstreet in The Bradstreet Chronicles. Records about the author's well-known ancestors give birth to her stories. Read the series—enriched by the historical content in each book's back pages—in any order.

An unprecedented literary landmark: the first comprehensive history of American women writers from 1650 to the present. In a narrative of immense scope and fascination, here are more than 250 female writers, including the famous—Harriet Beecher Stowe, Dorothy Parker, Flannery O’Connor, and Toni Morrison, among others—and the little known, from the early American bestselling novelist Catherine Sedgwick to the Pulitzer Prize-winning playwright Susan Glaspell. Showalter integrates women’s contributions into our nation’s literary heritage with brilliance and flair, making the case for the unfairly overlooked and putting the overrated firmly in their place.

This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.

WARNING! Contains moderate bloody violence against slavers and plantation owners!This pioneer vampire tale from 1819 spills revenge-cold blood as its narrator leads us through high gothic terror to radical outrage on the subject of slavery, reaching a blood-soaked conclusion dripping with 'biting' polemic vilifying the bankers who caused the economic recession of that same year.An anti-capitalist horror fable from 200 years ago, The Black Vampyre vilified the worst financial predation the capitalist world would ever see, decades before Karl Marx ― the enslavement of Africans in the New World.One dead man said no! And this is his story.The Black Vampyre; A Legend of St. Domingo tells the affrighting tale of a slave who is resurrected as a vampire after being killed by his owner; the slave seeks revenge by stealing the owner's son and marrying the owner's wife. The anonymous writer D'Arcy sets the story against the conditions that led to the Haitian Revolution.First published in chapbook form in New York in 1819, this emancipatory tale from literary New York in the 1810s arguably dates the birth of horror as know it!This edition features a new introduction as well as extensive notes and a guide to literary allusions.