The bone gatherers found in the annals and legends of the early Roman Catholic Church were women who collected the bodies of martyred saints to give them a proper burial. They have come down to us as deeply resonant symbols of grief: from the women who anointed Jesus's crucified body in the gospels to the Pietà, we are accustomed to thinking of women as natural mourners, caring for the body in all its fragility and expressing our deepest sorrow. But to think of women bone gatherers merely as mourners of the dead is to limit their capacity to stand for something more significant. In fact, Denzey argues that the bone gatherers are the mythic counterparts of historical women of substance and means-women who, like their pagan sisters, devoted their lives and financial resources to the things that mattered most to them: their families, their marriages, and their religion. We find their sometimes splendid burial chambers in the catacombs of Rome, but until Denzey began her research for The Bone Gatherers, the monuments left to memorialize these women and their contributions to the Church went largely unexamined. The Bone Gatherers introduces us to once-powerful women who had, until recently, been lost to history—from the sorrowing mothers and ghastly brides of pagan Rome to the child martyrs and women sponsors who shaped early Christianity. It was often only in death that ancient women became visible—through the buildings, burial sites, and art constructed in their memory—and Denzey uses this archaeological evidence, along with ancient texts, to resurrect the lives of several fourth-century women. Surprisingly, she finds that representations of aristocratic Roman Christian women show a shift in the value and significance of womanhood over the fourth century: once esteemed as powerful leaders or patrons, women came to be revered (in an increasingly male-dominated church) only as virgins or martyrs—figureheads for sexual purity. These depictions belie a power struggle between the sexes within early Christianity, waged via the Church's creation and manipulation of collective memory and subtly shifting perceptions of women and femaleness in the process of Christianization. The Bone Gatherers is at once a primer on how to "read" ancient art and the story of a struggle that has had long-lasting implications for the role of women in the Church.

Bone Gatherers is a Beacon Press publication.

Against the flamboyant background of the "Golden Spread," the oil-rich Panhandle of the late 1950s, Al Dewlen has poised a full-scale and truly original novel of one Texas family--the Mungers of Amarillo. The six Munger siblings are the heirs of hard-drinking, hardscrabble farmer Cecil Munger, who in one generation brought his family from Dust Bowl poverty to unfathomable wealth. Wayward humor, warmth and passion, vigorous and imaginative revelation silhouette their individual rebelliousness against the debilitating restrictions of the family empire.

Holocene Hunter-Gatherers of the Lower Ohio River Valley addresses the approximately 7,000 years of the prehistory of eastern North America, termed the Archaic Period by archaeologists.

Challenges the preconceptions that hunter-gatherers were Paleolithic relics living in a raw state of nature, instead crafting a position that emphasizes their diversity.

Based on detailed excavation data, the author reconstructs the paleography of the Santa Barbara coast ca. 8500 years ago, makes comparisons to other early California sites, and applies his findings to current theories of hunter-gatherers and coastal environments. With an emphasis on paleographic reconstructions, site formation processes, chronological studies, and integrated faunal analyses, the work will be of interest to a wide range of scholars working in shell middens, hunter-gatherer ecology, geoarchaeology, and coatal or aquatic adaptations.

The city has killed most of your ancestors, and it's probably killing you, too - this book tells you why. Imagine you are a hunter-gatherer some 15,000 years ago. You've got a choice – carry on foraging, or plant a few seeds and move to one of those new-fangled settlements down the valley. What you won't know is that urban life is short and riddled with dozens of new diseases; your children will be shorter and sicklier than you are, they'll be plagued with gum disease, and stand a decent chance of a violent death at the point of a spear. Why would anyone choose this? This is one of the many intriguing questions tackled by Brenna Hassett in Built on Bones. Using research on skeletal remains from around the world, this book explores the history of humanity's experiment with the metropolis, and looks at why our ancestors chose city life, and why they have largely stuck to it. It explains the diseases, the deaths and the many other misadventures that we have unwittingly unleashed upon ourselves throughout the metropolitan past, and as the world becomes increasingly urbanised, what we can look forward to in the future. Telling the tale of shifts in human growth and health that have occurred as we transitioned from a mobile to a largely settled species. Built on Bones offers an accessible insight into a critical but relatively unheralded aspect of the human story: our recent evolution.

This book explores the archaeology of the Acacus massif and surrounding areas in southwestern Libya over approximately 2500 years of the Early Holocene, utilising fresh theoretical approaches and new explanations of the social and cultural processes of the area. Archaeological and rock art evidence, much of which is unpublished until now, is used to explore the crucial period that encompasses the onset of the “Green Sahara” to the introduction of domestic livestock. It provides a basis for understanding the original cultural and social developments of hunter-gatherers and foragers of the central ranges of the Sahara. The work also bears upon the wider area informing the reconstruction of the environment and cultural dynamics and stands as key reference point for the larger Sahara and North Africa. The book, rich in illustrations, provides a critical synthesis and overview of the developments of central Saharan archaeology within the broader African framework. The book is invaluable to archaeologists, palaeoenvironmental scientists, and rock art researchers working on the Sahara and North Africa and as comparative work for researchers in African archaeology in general.

The original chapters in this volume examine cultural areas on five continents where there is archaeological, ethnographic, and historical evidence for hunter-gatherer conflict despite high degrees of mobility, small populations, and relatively egalitarian social structures.