The ï¬?rst full biography of the star Negro Leaguer and Hall of Famer James “Cool Papa” Bell (1903–1991) was a legend in black baseball, a lightning fast switch hitter elected to the National Baseball Hall of Fame in 1974. Bell’s speed was extraordinary; as Satchel Paige famously quipped, he was so fast he could flip a light switch and be in bed before the room got dark. In The Bona Fide Legend of Cool Papa Bell, experienced baseball writer and historian Lonnie Wheeler recounts the life of this extraordinary player, a key member of some of the greatest Negro League teams in history. Born to sharecroppers in Mississippi, Bell was part of the Great Migration, and in St. Louis, baseball saved Bell from a life working in slaughterhouses. Wheeler charts Bell’s ups and downs in life and in baseball, in the United States, the Dominican Republic, and Mexico, where he went to escape American racism and MLB’s color line. Rich in context and suffused in myth, this is a treat for fans of baseball history.

This illuminating biography introduces an authentic American sports hero and recaptures the mood and style.

NEW YORK TIMES BESTSELLER • The superbly researched, spellbindingly told story of athlete, showman, philosopher, and boundary breaker Leroy “Satchel” Paige “Among the rare biographies of an athlete that transcend sports . . . gives us the man as well as the myth.”—The Boston Globe Few reliable records or news reports survive about players in the Negro Leagues. Through dogged detective work, award-winning author and journalist Larry Tye has tracked down the truth about this majestic and enigmatic pitcher, interviewing more than two hundred Negro Leaguers and Major Leaguers, talking to family and friends who had never told their stories before, and retracing Paige’s steps across the continent. Here is the stirring account of the child born to an Alabama washerwoman with twelve young mouths to feed, the boy who earned the nickname “Satchel” from his enterprising work as a railroad porter, the young man who took up baseball on the streets and in reform school, inventing his trademark hesitation pitch while throwing bricks at rival gang members. Tye shows Paige barnstorming across America and growing into the superstar hurler of the Negro Leagues, a marvel who set records so eye-popping they seemed like misprints, spent as much money as he made, and left tickets for “Mrs. Paige” that were picked up by a different woman at each game. In unprecedented detail, Tye reveals how Paige, hurt and angry when Jackie Robinson beat him to the Majors, emerged at the age of forty-two to help propel the Cleveland Indians to the World Series. He threw his last pitch from a big-league mound at an improbable fifty-nine. (“Age is a case of mind over matter,” he said. “If you don’t mind, it don’t matter.”) More than a fascinating account of a baseball odyssey, Satchel rewrites our history of the integration of the sport, with Satchel Paige in a starring role. This is a powerful portrait of an American hero who employed a shuffling stereotype to disarm critics and racists, floated comical legends about himself–including about his own age–to deflect inquiry and remain elusive, and in the process methodically built his own myth. “Don’t look back,” he famously said. “Something might be gaining on you.” Separating the truth from the legend, Satchel is a remarkable accomplishment, as large as this larger-than-life man.

It is said that Josh Gibson is the only man ever to have hit a fair ball out of Yankee Stadium. Some claim he hit as many as seventy-five home runs in a season. All agreed he was a frightening hitter to face. What Satchel Paige was to pitching in the Negro leagues, Gibson was to hitting: their greatest star, biggest gate attraction, and most important symbol. Though Gibson is best remembered as "the black Babe Ruth," Ruth became a beloved symbol of the national pastime, while Gibson lived a life veiled in the darkness that came both from the shadow world of the Negro leagues and from within his own tortured soul. Mark Ribowsky, the widely acclaimed biographer of Satchel Paige, pulls no punches in his portrait of this magnificent, troubled athlete. This is the most complete, thorough, and authoritative account of the life of black ball's greatest hitter, and one of its most important stars.

The first complete biography of an important Negro League baseball player from Austin, Texas. Willie Wells was arguably the best shortstop of his generation. As Monte Irvin, a teammate and fellow Hall of Fame player, writes in his foreword, “Wells really could do it all. He was one of the slickest fielding shortstops ever to come along. He had speed on the bases. He hit with power and consistency. He was among the most durable players I’ve ever known.” Yet few people have heard of the feisty ballplayer nicknamed “El Diablo.” Willie Wells was black, and he played long before Jackie Robinson broke baseball’s color barrier. Bob Luke has sifted through the spotty statistics, interviewed Negro League players and historians, and combed the yellowed letters and newspaper accounts of Wells’s life to draw the most complete portrait yet of an important baseball player. Wells’s baseball career lasted thirty years and included seasons in Cuba, Puerto Rico, Mexico, and Canada. He played against white all-stars as well as Negro League greats Satchel Paige, Josh Gibson, and Buck O’Neill, among others. He was beaned so many times that he became the first modern player to wear a batting helmet. As an older player and coach, he mentored some of the first black major leaguers, including Jackie Robinson and Don Newcombe. Willie Wells truly deserved his induction into the Baseball Hall of Fame, but Bob Luke details how the lingering effects of segregation hindered black players, including those better known than Wells, long after the policy officially ended. Fortunately, Willie Wells had the talent and tenacity to take on anything—from segregation to inside fastballs—life threw at him. No wonder he needed a helmet. “Willie Wells: “El Diablo” of the Negro Leagues is well researched and well written, so the average baseball fan should find it to be an entertaining read.” —Dale Petroskey, president, National Baseball Hall of Fame and Museum “The story of Willie Wells opens another window on the conditions and constraints of Jim Crow America, and how painfully difficult it can be, even now, to remedy the persistent effects of discrimination. Every baseball fan will love this story. Every American should read it.” —Ira Glasser, executive director, American Civil Liberties Union, 1978-2001 “Reconstructing, indeed resurrecting, the career of a peripatetic Negro League baseball player is a daunting task. Negro and Major League great Monte Irvin tells us that his fellow Hall of Famer, shortstop Willie Wells, belongs on the same baseball page as Gibson, DiMaggio, Paige, and Feller. This fine biography by Bob Luke does a wonderful job in telling us why and how that is the case. We have here a Hall of Fame telling of the story of a true Hall of Famer.” —Lawrence Hogan, author of Shades of Glory: The Negro Leagues and the Story of African American Baseball

Winner of the Scotiabank Giller Prize Man Booker Prize Finalist 2011 An Oprah Magazine Best Book of the Year Shortlisted for the Governor General's Literary Award for Fiction Berlin, 1939. The Hot Time Swingers, a popular jazz band, has been forbidden to play by the Nazis. Their young trumpet-player Hieronymus Falk, declared a musical genius by none other than Louis Armstrong, is arrested in a Paris café. He is never heard from again. He was twenty years old, a German citizen. And he was black. Berlin, 1952. Falk is a jazz legend. Hot Time Swingers band members Sid Griffiths and Chip Jones, both African Americans from Baltimore, have appeared in a documentary about Falk. When they are invited to attend the film's premier, Sid's role in Falk's fate will be questioned and the two old musicians set off on a surprising and strange journey. From the smoky bars of pre-war Berlin to the salons of Paris, Sid leads the reader through a fascinating, little-known world as he describes the friendships, love affairs and treacheries that led to Falk's incarceration in Sachsenhausen. Esi Edugyan's Half-Blood Blues is a story about music and race, love and loyalty, and the sacrifices we ask of ourselves, and demand of others, in the name of art.

The biography of Oscar Charleston, a Negro Leagues legend and one of baseball’s greatest and most unjustifiably overlooked players.

Some say Satchel Paige was the greatest pitcher ever—and and certainly his dazzling record of perhaps as many as 2,000 wins, first in the Negro Leagues and then in the integrated major leagues, ranks as one of the most remarkable athletic feats of the century. He also became famous for the advice he freely offered others, including the now legendary "Don't look back, something might be gaining on you." Mark Ribowsky gives the best picture yet of life in the Negro Leagues as he brings to life a man whose act as a lovable eccentric with a golden arm masked a decidedly darker side as womanizer, hard drinker, and contract jumper always on the lookout for number one.

Before Jackie Robinson integrated major league baseball in 1947, black and white ballplayers had been playing against one another for decades—even, on rare occasions, playing with each other. Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn’t pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean’s "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other’s style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller—Rapid Robert—assembled his own teams to face Paige and other blackballers. By the time Paige became Feller’s teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade. These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game’s integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history—but that’s precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

Briefly traces the history of the Negro Baseball League, and identifies over four thousand of its players.