(Piano Instruction). The authentic guide to traditional and modern blues keyboard playing, with rhythm and soloing concepts for piano and organ. Build your blues vocabulary with ideas for ensemble playing; intros, turnarounds, licks and endings; piano and organ accompaniment; phrasing and soloing; and much more. Written by Marty Sammon, keyboardist in Buddy Guy's band. This book includes access to audio demonstration tracks featuring Marty and his band playing the examples in the book.

The Blues Scale by Andrew D. Gordon is he feels, one of his most important books because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. The book consists of 20 grooves: Pop 2 Grooves Rock 3 Grooves Blues 2 Grooves Jazz 1 Groove Funk 3 Grooves R&B 1 Groove Latin 1 Groove Gospel 2 Grooves New Age 1 Groove Reggae 1 Groove Calypso 1 Groove Acid-Jazz 1 Groove Country 1 Groove Both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style, (the relative minor Blues scale is generally not used in minor keys.) Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses. The audio files contain recordings of all the blues patterns that are notated in the book recorded along with a rhythm section of piano, organ, guitar, bass and drums and on certain grooves percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available. The image to the right shows both the C and A (relative minor of C) Blues scales.Throughout the book there are patterns of these two scales both individually and together creating a huge library of improvisational melodic lines to choose from. The above R&B groove consists of 8 patterns, the first 3 patterns use the G Blues scale, the next 3 patterns use the relative minor of G which is the E Blues scale and the last two patterns consists of a combination of both the G and E Blues scale which is demonstrated throughout the book in the various styles. The image below shows both the C and A (relative minor of C) Blues scales.Throughout the book there are patterns of these two scales both individually and together creating a huge library of improvisational melodic lines to choose from.

Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano, Lesson Book 2) can dig right in and begin learning jazz right away. Spanning from the major scale and basic triad theory all the way through 7th chords, pentatonic scales and modulating chord progressions, this book features a full etude or tune demonstrating every new concept introduced. Beginning Jazz Keyboard breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. The DVD demonstrates examples and offers opportunity to play along.

Scales provide the basis for jazz improvisation and fill-ins. The scales presented in this book produce idiomatic sounds associated with many jazz styles. The jazz scales may be simply defined as those which do not fall into the traditional category. This book explores the jazz scales and examines their potential. While this is not a jazz improvisation method, the study of the material will certainly provide the player with additional resources in this area ... Each chapter includes charts with scales written in all keys with suggested fingerings and a list of chords which complement each scale. Music examples apply the scales to jazz chord progressions and compositions.

This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Lesson Book 2 continues where Level 1B finishes. This book introduces dotted half notes and dotted quarter notes, plus intervals of 6ths, 7ths and octaves. Teaches greater movement of the hands, including crossing two over one and scalework. Students will also learn more about triads, primary chords, and blocked and broken chords. Songs Include: 18th Century Dance * Alouette * Blue Scales * Calypso Carnival * The Can-Can * Cockles and Mussels * The Galway Piper * Get Away! * Got Lotsa Rhythm * Kum-ba-yah! * Lavender's Blue * London Bridge * Lone Star Waltz * Malaguena * Nick Nack Paddy Wack * Ode to Joy * Oh! Susanna! * On the Bridge at Avignon * Our Special Waltz * Prelude * Red River Valley * Sarasponda * Square Dance * When You Grow Up * Why Am I Blue?

(Faber Piano Adventures ). A comprehensive approach for the beginning blues player, featuring instruction in improvisation and theory, appealing pieces with improvisation options, and blues ear training.

Due to the high demand of two of Andrew D. Gordon's blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules, organs, software etc., to their array of instruments. This book consists of 96 riffs, in many different keys, and covers a wide range of blues organ styles including Blues, Funk, Gospel, Jazz & Rock. The music notation consists of the right and left hand parts as well as a bass line. Although primarily written and recorded with the organ in mind, pianists and keyboard players will also find the material in this book very useful. All the 96 examples have been recorded twice, the first time with the organ right and left hand parts, guitar rhythm, bass and drums. The second time, has the rhythm guitar part, bass and drums so that the keyboard player can practice along with the rhythm tracks.

(Educational Piano). The definitive source for blues riffs and licks! Features performance notes for and accompanying audio examples of fills and embellishments, turnarounds, tags and licks in the style of Ray Charles, Dr. John, Professor Longhair, and Johnny Johnson.

Learn to play the 12-bar blues using authentic techniques to get the real blues sound.