In the second volume of this trilogy, Duncan reunites with an uncle who appears from the East with tales of a holy relic called the Black Rood, the blood-stained remnant of the True Cross that is endangered by ruthless crusader barons. When tragedy strikes Duncan's life, he sets off to Jerusalem on his own pilgrimage.

A nineteenth-century Scottish lawyer receives mystic visions of epic adventures during the Crusades in this historical fantasy trilogy opener. Scotland, 1095. While his father and brothers follow Pope Urban II’s call to win Jerusalem from the infidels, Murdo Ranulfson stays behind to guard his family’s interests. But when his home is confiscated by greedy usurpers, Murdo is forced to follow the Crusades himself. Hoping to find his father and redeem his family’s land, Murdo sets off on a journey that leads him to the Mediterranean—the heart of civilization now threatened by barbarian hordes—and on to the fabled city of Constantinople and beyond, to the Holy Land. Amidst brutality and ambition, Murdo discovers what he seeks—and obtains a relic that will guide him and his descendants for centuries. Rich in heroism, treachery, and adventure, The Iron Lance begins an epic trilogy of Scottish noble family fighting for its existence and its faith during the age of the Crusades—and of a secret society whose ceremonies will shape history for a millennium. Praise for The Iron Lance “Lawhead’s . . . latest effort, the first in a series that combines historical fact with Christian legend, displays the author’s deep convictions as well as his storytelling expertise. A good choice for most fantasy collections.” —Library Journal “Lawhead displays considerable historical scholarship.” —Publishers Weekly

“LAWHEAD KNOWS HOW TO SPIN A TALE.” —Booklist A story rich in history and imagination, here is the final volume in Stephen R. Lawhead’s magnificent saga of a Scottish noble family and its divine quest during the age of the Great Crusades. A thousand years after its disappearance, the Mystic Rose—the fabled Chalice of the Last Supper—has been found, and the warrior monks of the Knights Templar, led by the ruthless and corrupt Renaud de Bracineaux, will stop at nothing to possess it. One brave, dauntless, noblewoman stands in their way . . . Born among the hills of Scotland, and raised on the Crusader tales of her grandfather, Murdo, and her father, Duncan, young Cait is determined to claim the Holy Cup for her own. Guided by a handful of clues gleaned from a stolen letter, Cait and a small band of knights follow a treacherous trail that leads from the shadowed halls of Saint Sophia into the heart of Moorish Spain and a world long unseen by Christian eyes. A journey whose end means victory . . . or death. “THOSE LUSTING FOR THE TRUE PATH WILL EAT IT UP.” —Kirkus Reviews

Most youth pastors find it a constant struggle to get enough money allotted to their ministry’s budget, and with the latest recession, they’re feeling the crunch now more than ever as churches are cutting costs anywhere they can. But a youth pastor doesn’t have to feel stuck. In this book, youth workers will find innovative ideas to help them discover useful resources in places they hadn’t looked before. In his 15 years of youth ministry, Lars Rood has had his share of tight budgets, and he found that by looking at things from a different perspective, he was able to make his ministry work with limited funds. Here, Rood helps youth workers discover resources in the things around them, or through partnerships and people around them. He offers hope and encouragement to (often) frustrated youth workers as he guides them toward a new perspective when it comes to their ministry budgets.

In bringing together these scattered witnesses to the sustained brilliance of Anglo-Saxon artistic achievement across several centuries, ?amonn ? Carrag?in has produced a study of great significance to Anglo-Saxon history.

Born to rule Although born to rule, Aidan lives as a scribe in a remote Irish monastery on the far, wild edge of Christendom. Secure in work, contemplation, and dreams of the wider world, a miracle bursts into Aidan's quiet life. He is chosen to accompany a small band of monks on a quest to the farthest eastern reaches of the known world, to the fabled city of Byzantium, where they are to present a beautiful and costly hand-illuminated manuscript, the Book of Kells, to the Emperor of all Christendom. Thus begins an expedition by sea and over land, as Aidan becomes, by turns, a warrior and a sailor, a slave and a spy, a Viking and a Saracen, and finally, a man. He sees more of the world than most men of his time, becoming an ambassador to kings and an intimate of Byzantium's fabled Golden Court. And finally this valiant Irish monk faces the greatest trial that can confront any man in any age: commanding his own Destiny.

The Dream of the Rood is a poem that has entranced generations of scholars. It is one of the greatest religious poems in English literature, the work of a nameless poet of superb genius. Immediately attractive, its poetic content is readily accessible to the modern reader, being in the mainstream of Western religious thought. Representative of the Golden Age of Anglo-Saxon culture, drawing on both visual and doctrinal motifs, it provides a ready introduction to its own intellectual and artistic milieu. This is underlined by intimate links with the Ruthwell Cross, the documentary context of the earlier version, and itself often regarded as one of the finest monuments of the Anglo-Saxon Age. This edition presents a conservative text with variant readings described in the notes. In his introduction Professor Swanton describes the Vercelli Book, in which the full text of The Dream of the Rood is found, and gives an account of the Ruthwell Cross, the sources for which are scattered and not normally familiar to students of Old English. The relationship between the two texts, the doctrine behind the poem and its style and structure are also discussed. The edition includes extensive notes and a glossary.

New readings demonstrate the centrality of the rood to the visual, material and devotional cultures of the Middle Ages, its richness and complexity.