“A darkly funny novel about betrayal, loneliness and the surprising pleasure of being single again” from the author of The Best Exotic Marigold Hotel (Good Housekeeping). At sixty-nine years old, Pru has found herself alone for the first time in her life. Her grown children are out of the house, and her husband, Greg, has filed for divorce. She attributes Greg’s betrayal to a cancer scare and a more-than-midlife crisis, but that doesn’t make her feel any better—or less lonely. It seems that nothing—not even her eccentric, free-spirited best friend, Azra—can pull her out of her depression. Until Pru sees a black dress in a thrift store window . . . Its sleek silhouette calls to mind long-gone days of cocktail parties and sophisticated conversation. And it gives Pru a brilliant idea: where better to wear a black dress—and find age-appropriate single men—than at a funeral? As Pru combs through the obituaries and attends masses and wakes, she finds comfort among the bereaved. After all, they’re all grieving someone they have lost. But Pru’s about to discover that though her new dating plan may get her out of the house and back on the market, the life she’s so desperately trying to leave behind isn’t done with her yet . . . “With dry wit and observation, Moggach tackles the perils of ageing with brutal honesty.” —Daily Express “This page-turner is like the best wakes, it will make you feel hungry and alive.” —The Times (London) “As ever with Moggach, the joy is in her witty observations of middle-class life and bracingly tart portrayal of family relationships.” —Daily Mail

In the spirit of Anne Lamott and Nora Ephron comes Janze's hilarious and moving memoir about a woman who returns home to her close-knit Mennonite family after a personal crisis.

A selectively curated overview of the little black dress in the twentieth and twenty-first centuries, organized by Vogue contributing editor and fashion force André Leon Talley and published on the occasion of an exhibition at the SCAD Museum of Art (Savannah College of Art and Design), André Leon Talley Gallery. Featuring an impeccably selected group of about sixty dresses from many of the most eminent fashion houses, the book is a celebratory tribute to the iconic little black dress and its deeply resonant cultural and social significance in the modern era. Defined by the simplest parameters—color and shape—yet voluminous in possibility, the little black dress is personalized by the designer who imagined it and the woman who wears it. In one silhouette it can capture a woman's allure, and in one evening worn provide her with a reservoir of memories. It can sum up in one wardrobe reconnaissance the way you wore the way you were. A little black dress in any other color could dent a reputation; in black it can only elevate one. Whether made from the most superior fabrics, or designed in cutting-edge neoprene, the little black dress maintains its status as the game-changer, the free spirit and pleasure-seeker (Audrey Hepburn in Givenchy in Breakfast at Tiffany's), the career-launcher (Elizabeth Hurley in Versace), the going-for-broke risk-taker (Virginie Gautreau as Madame X), inevitably revealing truths about the women who have chosen to wear one. Three original essays offer personal histories in praise of the little black dress. An introduction by André Leon Talley and a foreword by Paula Wallace complete this exquisite volume. Together with a stunning collection of images, this book presents a singularly elegant portfolio.

The Black Dress is the incredible story of Mary MacKillop, an unconventional young woman born into a time and a religion bound by convention. What Mary did with her life would change the course of Australia's history.

An essential piece of clothing in a woman's closet, the little black dress has maintained its popularity thought all trends because it is always the "right" thing to wear. It is a timeless classic and all great designers have created their own variation. Didier Ludot owns the most famous vintage clothing store in Paris, the fashion capital of the world. The store, La Petit Robe Noire, is housed in the prestigious Palais Royal, just steps away from the Louvre. Ludot has meticulously built and maintained a collection of black dresses, which features designs by Chanel, Balmain, Balenciaga, and Gaultier, among others. Photographs of these dresses are juxtaposed with archive photos of Romy Schneider, Catherine Deneuve, Jeanne Moreau, Sofia Loren, Edith Piaf, Paloma Picasso, Marilyn Monroe and Elizabeth Taylor - all in their black dress finest. Ludot's collection is a delightful tour of the black dress from yesterday to today.

Since Audrey Hepburn"s show-stopper in Break fast at Tiffany"s, the littlelack dress has become more th an an item of clothing. This book looks at theistory of th is loaded fashion symbol which is a cultural icon that stand sor a woman"s identity. '

A young girl is lost in a mystic world. She tries to search for her close ones and led into a journey of secrets and discoveries...

The Little Black Dress is also called LBD, and it distinguishes itself from other black dresses through a number of special properties. By recognizing these properties, you may discover your own special LBD. Of course, suggestions are presented on how the dress should fit your figure.This dress has been an enormous success ever since its conception in 1926, and it still is! How this is possible, and what stories this dress carries with it, may all be discovered in this special book.The book consists of two parts.Part 1 concentrates on the explanations and backgrounds of the Black Dress, while part 2 presents insight into those personal details of your figure that allow you to find the right dress for you.

If you could have only one dress, wouldn't you make it a black one? Glamorous or modest, seductive or practical, chic and versatile, elegant, powerful, modern, and never out of style, the black dress has been the foundation of a woman's wardrobe for centuries. The allure of the black dress has captured the imagination of generations of couturiers and artists and served as the signature of society's most enviably dressed women. The Black Dress is a lush visual celebration of this fashion classic. With an essay and images selected by Dr. Valerie Steele, Director and Chief Curator of the Museum at the Fashion Institute of Technology in New York City, this volume features page after uniquely designed page of some of the most compelling dresses in the history of fashion. The diverse imagery includes fine art, runway shots and design sketches, stills from classic films and vintage fashion plates, and, above all, gorgeous evocations of the black dress from the world's greatest designers, illustrators, and photographers. These include paintings by Peter Paul Rubens, Pierre-Auguste Renoir, Edouard Manet, and John Signer Sargent; illustrations by Georges Barbier and Ruben Toledo; and iconic images of movie goddesses such as Audrey Hepburn and Rita Hayworth. The world's foremost fashion designers, from Coco Chanel to Christian Dior, Yohji Yamamoto to Boudicca, are featured in full color throughout, their designs accompanied by quotes on black from writers, artists and fashion personalities. Extended captions at the back of the book provide details one ach dress and its place in fashion history.