Now available together for the first time, two of the best works—a novel and a short story—from Ooscar-nominated screenwriter Hanif Kureishi, one of the most original, celebrated, and prophetic voices in British fiction and film. First capturing the attention of audiences and critics in the 1980s with award-winning works such as The Buddha of Suburbia, and My Beautiful Laundrette, and recently described by The New York Times Magazine as “a kind of postcolonial Philip Roth,” Hanif Kureishi remains one of the most compelling artists of our time. These stunningly prescient earlier works of Kureishi’s are more timely and relevant than ever, and they’re now reissued in one volume. The Black Album, Kureishi’s second novel, is an exhilarating multicultural coming-of-age tale featuring Shalid, a sex, drugs, and rock ’n’ roll-loving Pakistani student torn between a love affair with a gorgeous free-spirited college professor and his desire to please his conservative Muslim community. In the story “My Son the Fanatic,” which is also an award-winning film, Kureishi reveals the shifting values between a father and son—two generations of immigrants struggling between assimilation and separatist fundamentalism. Praised as an author who “fully entertains while addressing wickedly complex social issues” (San Francisco Chronicle), Kureishi infuses these deft and vivid stories with his love of non-conformity and his understanding of the ties that bind us to family and culture.

This provocative collection of short stories charts the growth of a generation from the liberating irreverence of the late 1970s to the dilemmas of responsibility and fidelity of the 1990s. The stories resonate with Hanif Kureishi's dead-on observations of human passion and folly, his brilliant depiction of seedy locales and magical characters, and his original, wicked sense of humor.

The first book-length study of one of Britain's most successful young writers. His work in a range of genres, from drama to film, fiction and short stories, has elicited widespread critical acclaim and - at times - provoked sharp condemnation. Provides a detailed account of his work to date, from Kureishi's early involvement in 'fringe' theatre (an area generally ignored hitherto), to the short story collections. Locates Kureishi's work securely in its historical, social, cultural and critical contexts, as well as providing detailed readings of all the major works. Kureishi is an important writer due to his intervention into such modish topics as British identity, questions of race, aspects of gender and choice of genre.

Ranging from analyses of contemporary culture, postcolonial writing, political rhetoric and postimperial memory after 9/11, this collection demonstrates that far from being parochial and self-involved, the question of Englishness offers an important avenue for thinking about the politics of national identity.

Since his astonishing Academy Award-nominated film, My Beautiful Laundrette (1985), Hanif Kureishi has been recognized as a major writer who has both documented and profoundly influenced contemporary British culture. His first novel, The Buddha of Suburbia (1990), remains a key work in redefining our sense of what it means to be English in the postcolonial era. Hanif Kureishi: Contemporary Critical Perspectives brings together leading scholars of contemporary British fiction and culture to reassess the full range of the author's writings, from novels such as The Black Album, My Son the Fanatic and Something to Tell You to films such as Sammy and Rosie Get Laid, My Son the Fanatic and Venus. As well as exploring Kureishi's handling of such themes as Thatcherism, terrorism, race, class and sexuality, the book move moves beyond sociological and psychoanalytical approaches, examining the stylistic features of his most recent novel, The Last Word. The volume includes interviews with Stephen Frears, the director of My Beautiful Launderette, and with Hanif Kureishi himself, as well as a foreword by Roger Michell, who has directed several of the author's screenplays, most recently Le Week-End.

This interdisciplinary collection of critical articles seeks to reassess the concept of hybridity and its relevance to post-colonial theory and literature. The challenging articles written by internationally acclaimed scholars discuss the usefulness of the term in relation to such questions as citizenship, whiteness studies and transnational identity politics. In addition to developing theories of hybridity, the articles in this volume deal with the role of hybridity in a variety of literary and cultural phenomena in geographical settings ranging from the Pacific to native North America. The collection pays particular attention to questions of hybridity, migrancy and diaspora.

Religion is for the benefit of the masses, not for brain-box types like you. Those simpletons require strict rules for living, otherwise they would still think the earth sits on three fishes. But you mind-wallahs must know it's a lot of balls. An Asian kid from Kent goes to college in London and teams up with a sympathetic group of anti-racists. But it's 1989, the year of the fatwa, and as Shahid begins a hedonistic affair with his lecturer, his radical Muslim friends want to steer him away from the decadence of the West. We're not blasted Christians. We don't turn the other buttock. We will fight for our people who are being tortured anywhere - in Palestine, Afghanistan, Kashmir, East End! Hanif Kureishi's witty stage adaptation of his strikingly prescient and acclaimed novel, The Black Album, humorously considers how the events of 1989 have shaped today's world, where fundamentalism battles liberalism. A co-production with Tara Arts, The Black Album premiered at the National Theatre, London, in July 2009.

Shahid, a clean-cut young man from the provinces, comes to London after the death of his father. In the capital he falls in love with Deedee Osgood, a college lecturer, and finds himself passionately embroiled in a spiritual battle between liberalism and fundamentalism. The Black Album is set in the London of 1989, the year after the second summer of love and the year of the infamous fatwah was imposed on Salman Rushdie. It is a thriller for the rave generation by one of the most praised and influential writers of the times.

A much-needed introduction to the field of contemporary fiction studies. Introduces key areas of debate and offers in-depth discussions of the most significant texts. An ideal guide for those studying contemporary fiction for the first time.