Reel Art Press are pleased to announce the publication of Metallica: The Black Album in Black & White. This official collaboration with Metallica and photographer Ross Halfin is an epic celebration of one of the best-selling albums of all time, featuring classic and previously unpublished photographs. It includes introductions by Ross Halfin, James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted and Robert Trujillo.

Shahid, a clean-cut young man from the provinces, comes to London after the death of his father. In the capital he falls in love with Deedee Osgood, a college lecturer, and finds himself passionately embroiled in a spiritual battle between liberalism and fundamentalism. The Black Album is set in the London of 1989, the year after the second summer of love and the year of the infamous fatwah was imposed on Salman Rushdie. It is a thriller for the rave generation by one of the most praised and influential writers of the times.

Metallica: The $24.95 Book features an in-depth look at Metallica's cultural significance with chapters devoted to each member, each album, touring, fashion, books, film, influences, fandom, and more, exploring the band's ideologies along the way. With over 125 million records sold worldwide, Metallica is the biggest metal band of all time. Four decades into their unparalleled career, Metallica is a massive cultural force who drastically changed the sound of popular music by creating their own rules. Yet for all their popularity, Metallica can seem impenetrable, raising more questions and inspiring more discourse as their mythos grows. Metallica questions run deeper than what people find on the internet. Metallica questions deserve a book. Metallica, by dedicated fan and music journalist Ben Apatoff (including a foreword by What Are You Doing Here? author Laina Dawes), is that book, honoring Metallica’s history of fighting retail price gouging in the title. Metallica provides an in-depth look at the band and their music that both die-hard fans and Metallica beginners can enjoy.

A young man is caught between sexual fever and religious ferver in this hilarious, provocative novel by the acclaimed author of The Buddha of Suburbia. "Hanif Kureishi's book . . . crackles with identity politics, conflict, an d humor. . . . Kureishi handles it all with grace, wit, and generosity".--Dan Levy, San Francisco Chronicle Book Review.

Into the Black begins on the eve of the release of Metallica's massive breakthrough with the eponymous LP that became known as "The Black Album." Suddenly, at the dawn of the '90s, Metallica was no longer the biggest thrash metal band in the world-they were the biggest rock band in the world, period. But with such enormous success came new challenges, as Metallica ran the risk of alienating their original fan base. They were beset by controversy over musical stylistic shifts, supposed concessions to the mainstream, even their choice of haircuts. During this transformative era, journalists Paul Brannigan and Ian Winwood had unprecedented access to Metallica. They accompanied the band on tour and joined them in the studio, getting exhilarating eyewitness views into the belly of the beast. Together they amassed over 75 hours of interview material, much of it never in print before now. Through changes both musical and personal, Metallica struggled to maintain their identity and remain a viable creative force. A ferocious battle with the file-sharing company Napster saw the quartet attract the worst PR of their career. Meanwhile, communication breakdowns between James Hetfield, Lars Ulrich, Kirk Hammett, and Jason Newsted (who would leave the band in 2001) led to fierce internal arguments, as laid bare in the controversial documentary Some Kind of Monster. At the end of the century, Metallica had appeared to be a band teetering on the brink of self-destruction, but through setbacks and struggles they endured and thrived. From Load, Reload, and Garage, Inc. to the stunning return to form in Death Magnetic and the massive tours that accompanied them-including the real story behind the Big Four shows-Into the Black takes readers inside the heart of Metallica and concludes the saga of one of the greatest rock bands of all time.

Tells the story of the creation of the Master of puppets album and the subsequent tour.

Winner of the Whitbread Prize for Best First Novel "There was one copy going round our school like contraband. I read it in one sitting ... I'd never read a book about anyone remotely like me before."-- Zadie Smith "My name is Karim Amir, and I am an Englishman born and bred, almost..." The hero of Hanif Kureishi's debut novel is dreamy teenager Karim, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving - albeit with some rude and raucous results. With the publication of Buddha of Suburbia, Hanif Kureishi landed into the literary landscape as a distinct new voice and a fearless taboo-breaking writer. The novel inspired a ground-breaking BBC series featuring a soundtrack by David Bowie.

(Bass). This songbook features a variety of arrangements and transcriptions for 70 songs ranging from exact note-for-note transcriptions and easy bass melodies to solo bass arrangements and bass riffs. No matter what type of arrangement you prefer, you'll find many top hits to play in this collection! Songs include: All My Loving * Blowin' in the Wind * Bridge over Troubled Water * Canon in D * Crazy * Dust in the Wind * Every Breath You Take * Hallelujah * Head like a Hole * Let's Get It Started * Let's Go Crazy * Peter Gunn * The Pink Panther * Pride and Joy * Slow Ride * Stand by Me * Sweet Child O' Mine * Under Pressure * Yesterday * and more.

"...with the so-called civilised workers, almost without exception their civilisation was only skin deep." O. Pirow, quoting South African Prime Minister J. B. M. Hertzog For this book Santu Mofokeng collected private photographs which urban black working and middle-class families in South Africa commissioned between 1890 and 1950, a time when the government was creating policies towards those designated as "natives". Painterly in style, the images evoke the artifices of Victorian photography. Some of them are fiction, a creation of the artist in terms of setting, props, clothing and pose - yet there is no evidence of coercion. We believe these images, as they reveal something about how these people imagined themselves. In this work Mofokeng analyses the sensibilities, aspirations and self-image of the black population and its desire for representation and social recognition in times of colonial rule and suppression. The Black Photo Album / Look at Me: 1890-1950 is drawn from an ongoing research project of the University of Witwatersrand in Johannesburg.