From biblical times to today, humans have found meaning and significance in the actions and symbolism of birds. We admire their mystery and manners, their strength and fragility, their beauty and their ugliness—and perhaps compare these very characteristics to their own lives in the process. Though admired today, the birds of Scripture are largely unseen and underappreciated. From the well-known image of the dove to the birds that gorge on the flesh of the defeated “beast” in Revelation, birds play a dynamic part in Scripture. They bring bread to the prophets. They are food for the wanderers. As sacrifices, they are the currency of mercy. Highlighting 10 birds throughout Scripture, author Debbie Blue explores their significance in both familiar and unfamiliar biblical stories and illustrates how and why they have represented humanity across culture, Christian tradition, art, and contemporary psyche. With these (usually) minor characters at the forefront of human imaginations, poignant life lessons illuminate such qualities as desire and gratitude, power and vulnerability, insignificance and importance—even as readers gain a better understanding that God’s mysterious grace is sometimes most evident in His simplest of creatures.

First written in the 12th century, Conference of the Birds is an allegory of extreme measures for extreme times -- the story of birds seeking a king is the story of all of us seeking God. Like the birds, we may be excited for the journey, until we realize that we must give up our fears and hollow desires, that our journey will be long and hard. Like the duck, we may not wish to leave the water. Like the nightingale, we may want to stay close to our roses. Direct and to the point, Masani's translation, made in the early part of the 19th century, is particularly apropos for our early 21st century times -- both are periods of intense spiritual seeking.

A whimsical tale based on a Bible story, Birds of the Air reminds young readers that God chooses the least among us for His great purposes.

2019 NAUTILUS GOLD WINNER In a time of rapid climate change and species extinction, what role have the world’s religions played in ameliorating—or causing—the crisis we now face? Religion in general, and Christianity in particular, appears to bear a disproportionate burden for creating humankind’s exploitative attitudes toward nature through unearthly theologies that divorce human beings and their spiritual yearnings from their natural origins. In this regard, Christianity has become an otherworldly religion that views the natural world as “fallen,” as empty of signs of God’s presence. And yet, buried deep within the Christian tradition are startling portrayals of God as the beaked and feathered Holy Spirit – the “animal God,” as it were, of historic Christian witness. Through biblical readings, historical theology, continental philosophy, and personal stories of sacred nature, this book recovers the model of God in Christianity as a creaturely, avian being who signals the presence of spirit in everything, human and more-than-human alike. Mark Wallace’s recovery of the bird-God of the Bible signals a deep grounding of faith in the natural world. The moral implications of nature-based Christianity are profound. All life is deserving of humans’ care and protection insofar as the world is envisioned as alive with sacred animals, plants, and landscapes. From the perspective of Christian animism, the Earth is the holy place that God made and that humankind is enjoined to watch over and cherish in like manner. Saving the environment, then, is not a political issue on the left or the right of the ideological spectrum, but, rather, an innermost passion shared by all people of faith and good will in a world damaged by anthropogenic warming, massive species extinction, and the loss of arable land, potable water, and breathable air. To Wallace, this passion is inviolable and flows directly from the heart of Christian teaching that God is a carnal, fleshy reality who is promiscuously incarnated within all things, making the whole world a sacred embodiment of God’s presence, and worthy of our affectionate concern. This beautifully and accessibly written book shows that “Christian animism” is not a strange oxymoron, but Christianity’s natural habitat. Challenging traditional Christianity’s self-definition as an other-worldly religion, Wallace paves the way for a new Earth-loving spirituality grounded in the ancient image of an animal God.

Stott's labor of loveBiblical lessons from a lifelong bird watcherJohn Stott traces his lifelong love of bird-watching back to boyhood country walks with his father, who told him to shut his mouth and open his eyes and ears. Because of these lessons in observation, Stott learned to carry his binoculars and camera with him wherever he travels. In this unique and intriguing book, he takes seriously Jesus' exhortation on the Sermon on the Mount, Behold the fowls of the air (Matt. 6:26). He reveals lessons on faith from the feeding of ravens, on repentance from the migration of storks, on freedom from the flight of the eagle, on joy from the song of the lark and more.Illustrated with full-color photographs taken by the author in his travels around the world, The Birds Our Teachers combines information about birds with biblical truths and personal anecdotes that will fascinate bird-lovers and Bible readers.DVD includes audio-visual footage from Stott's trip to the Falkland Islands, as well as a separate audio book track. Stott calls his work an introduction to the science of orni-theology.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

A perfect first Christmas book This inventive and fresh Nativity story is told from a bird's-eye view. On the morning of the first Christmas, the birds of Bethlehem gather in the fields--not only to eat but to share the exciting news. People from all over have descended on Bethlehem and an angel has appeared in the night sky. Something extraordinary is coming! The birds agree that they must find this wondrous thing, and off they fly to the stable where a child has been born. In simple language and dazzling pictures, beloved author-illustrator Tomie dePaola shares the awe and anticipation of the first Christmas. His cast of brightly colored, curious birds will appeal to young children, making this a perfect introduction to the story of Christmas.

The tragedy of extinction is explained through the dramatic story of a legendary bird, the Ivory-billed Woodpecker, and of those who tried to possess it, paint it, shoot it, sell it, and, in a last-ditch effort, save it. A powerful saga that sweeps through two hundred years of history, it introduces artists like John James Audubon, bird collectors like William Brewster, and finally a new breed of scientist in Cornell's Arthur A. "Doc" Allen and his young ornithology student, James Tanner, whose quest to save the Ivory-bill culminates in one of the first great conservation showdowns in U.S. history, an early round in what is now a worldwide effort to save species. As hope for the Ivory-bill fades in the United States, the bird is last spotted in Cuba in 1987, and Cuban scientists join in the race to save it. All this, plus Mr. Hoose's wonderful story-telling skills, comes together to give us what David Allen Sibley, author of The Sibley Guide to Birds calls "the most thorough and readable account to date of the personalities, fashions, economics, and politics that combined to bring about the demise of the Ivory-billed Woodpecker." The Race to Save the Lord God Bird is the winner of the 2005 Boston Globe - Horn Book Award for Nonfiction and the 2005 Bank Street - Flora Stieglitz Award.