Since The Little Book of Hollywood Cliches was first published the author has been flooded with new contributions and, along with some of his own insights, has combined the best of old and new in this expanded compendium of movie cliches, stereotypes and obligatory scenes.

An expanded glossary of movie clichés from the Pulitzer Prize–winning film critic. The popular film critic offers a compilation of witty and wise observations about the film lexicon, including “Fruit Cart,” a chase scene through an ethnic or foreign locale, or “The Non-Answering Pet,” referring to a dead pet in a horror movie.

The purpose of art, according to the artist Banksy, is to comfort the disturbed and disturb the comfortable. The purpose of that creative practice called “theory” is to disturb everyone-to perpetually unsettle all our staid assumptions, all our fixed understandings, all our familiar identities. An alternative to the typically large and unwieldy theory anthology, Adventures in Theory offers a manageably short collection of writings that have famously enacted the central purpose of theory. Adventures in Theory takes readers on a steadily unsettling tour, spanning the most significant thought provocations in the history of theoretical writing from Marx and Nietzsche through Foucault and Derrida to Butler, Zizek, and Edelman. Engagingly lean and enjoyably mean, this is a minimalist anthology with maximal impact.

What is the contemporary legacy of Gramsci’s notion of Hegemony? How can universality be reformulated now that its spurious versions have been so thoroughly criticized? In this ground-breaking project, Judith Butler, Ernesto Laclau and Slavoj Žižek engage in a dialogue on central questions of contemporary philosophy and politics. Their essays, organized as separate contributions that respond to one another, range over the Hegelian legacy in contemporary critical theory, the theoretical dilemmas of multiculturalism, the universalism-versus-particularism debate, the strategies of the Left in a globalized economy, and the relative merits of post-structuralism and Lacanian psychoanalysis for a critical social theory. While the rigor and intelligence with which these writers approach their work is formidable, Contingency, Hegemony, Universality benefits additionally from their clear sense of energy and enjoyment in a revealing and often unpredictable exchange.

Can you fall in love like they do in the movies? It's Evie Summers's job to find out. Because if she can't convince her film agency's biggest client, Ezra Chester, to write the romantic-comedy screenplay he owes producers, her career will be over. The catch? He thinks rom-coms are unrealistic--and he'll only put pen to paper if Evie shows him that it's possible to meet a man in real life the way it happens on the big screen. Cynical Evie might not believe in happily ever after, but she'll do what it takes to save the job that's been her lifeline . . . even if it means reenacting iconic rom-com scenes in public. Spilling orange juice on a cute stranger? No problem. Leaving her number in books all over London to see who calls? Done. With a little help from her well-meaning friends--and Ben and Anette, the adorable father-daughter duo who keep witnessing her humiliations--Evie is determined to prove she can meet a man the way Sally met Harry. But can a workaholic who's given up on love find a meet-cute of her very own?