The “hush” of the title comes suddenly, when first Elizabeth Cady Stanton dies on October 26, 1902, and three years later Susan B. Anthony dies on March 13, 1906. It is sudden because Stanton, despite near blindness and immobility, wrote so intently right to the end that editors had supplies of her articles on hand to publish several months after her death. It is sudden because Anthony, at the age of eighty-five, set off for one more transcontinental trip, telling a friend on the Pacific Coast, “it will be just as well if I come to the end on the cars, or anywhere, as to be at home.” Volume VI of this extraordinary series of selected papers is inescapably about endings, death, and silence. But death happens here to women still in the fight. An Awful Hush is about reformers trained “in the school of anti-slavery” trying to practice their craft in the age of Jim Crow and a new American Empire. It recounts new challenges to “an aristocracy of sex,” whether among the bishops of the Episcopal church, the voters of California, or the trustees of the University of Rochester. And it sends last messages about woman suffrage. As Stanton wrote to Theodore Roosevelt on the day before she died, “Surely there is no greater monopoly than that of all men, in denying to all women a voice in the laws they are compelled to obey.” With the publication of Volume VI, this series is now complete.

The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.

In this lavishly illustrated volume, which features over 200 halftones and sixteen color plates from public and private collections, distinguished experts in history, art, and genealogy explore the important but often overlooked relationship between material culture and family history in New England during the seventeenth, eighteenth, and nineteenth centuries. The contributors examine a broad range of family record artifacts, including genealogical samplers, mouring embroideries, pen-and-ink family registers, gravestones, heraldica, textiles, furniture, silver, and portraiture. An indispensable resource on the world of decorative arts and its significance in preserving family identity, this beautiful work provides much valuable information and research clues for modern-day genealogists.

Frances Maria Goodman was born 28 July 1829 in Boston. Her parents were William Goodman and Margaret Adams. Her grandparents were Moses Goodman, Amy Seymour, Samuel Adams and Margaret Austin. She married Learner Blackman Harrison in Cincinnati, Ohio in 1853. Ancestors and relatives lived mainly in England, New England and Virginia.