The Big Green Tent epitomizes what we think of when we imagine the classic Russian novel. With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable work tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. A man and his wife each become collaborators, without the other knowing; an artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward. Ludmila Ulitskaya’s novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: it is a work consumed with politics, love, and belief—and a revelation of life in dark times.

August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile.

One of Russia’s most renowned literary figures and a Man Booker International Prize nominee, Ludmila Ulitskaya presents what may be her final novel. Jacob’s Ladder is a family saga spanning a century of recent Russian history—and represents the summation of the author’s career, devoted to sharing the absurd and tragic tales of twentieth-century life in her nation. Jumping between the diaries and letters of Jacob Ossetsky in Kiev in the early 1900s and the experiences of his granddaughter Nora in the theatrical world of Moscow in the 1970s and beyond, Jacob’s Ladder guides the reader through some of the most turbulent times in the history of Russia and Ukraine, and draws suggestive parallels between historical events of the early twentieth century and those of more recent memory. Spanning the seeming promise of the prerevolutionary years, to the dark Stalinist era, to the corruption and confusion of the present day, Jacob’s Ladder is a pageant of romance, betrayal, and memory. With a scale worthy of Tolstoy, it asks how much control any of us have over our lives—and how much is in fact determined by history, by chance, or indeed by the genes passed down by the generations that have preceded us into the world.

Based on the Book of Genesis, Dinah shares her perspective on religious practices and sexul politics.

Novelist Ludmila Ulitskaya is a best-selling and critically lauded Russian writer who champions the values of liberalism and tolerance and critiques Putin's policies. This is the first English-language book about this important writer, placing her in the shifting landscape of post-Soviet society and culture.

'This world in which we have so much difficulty living is filled with misunderstanding at every level.' What can one man do, faced with such a world? Daniel Stein, Interpreter explores the lives of those affected by some of the worst conflicts of the twentieth century, from survivors of the ghetto and escapes of Soviet oppression to those caught up in the violence of the Arab-Israeli conflict. All of them have one thing in common: their lives are touched by Daniel Stein. Stein is a Polish Jew, who miraculously survives the Holocaust by working for the Gestapo as an interpreter. After the war, he converts to Catholicism, becomes a priest, enters the Order of Barefoot Carmelites, and emigrates to Israel. Despite this seemingly impossible progression, the life and destiny of Daniel Stein are not an invention – the character is based on the life of Oswald Rufeisen, the real Brother Daniel. Feeling his life has saved in the war for a reason, Stein dedicates himself to bringing understanding and reconciliation to a violent world, in his own compassionate and irreverent way. In an age of increasing mistrust between faiths, Daniel Stein, Interpreter serves as a timely and nuanced exploration of what it might mean to really try to understand each other. Staggering in scope, Daniel Stein, Interpreter is already seen by many as the great Russian novel of our time. Winner of the Russian National Literary Prize and the Prix Simone de Beauvoir, Ludmila Ulitskaya has earned accolades abroad for this courageous work, at last available in English. 'A feat of love and tolerance.' The Washington Post 'Ludmila Ulitskaya arrives here not just as a shrewd novelist, but as a wise and evocative artist.' The Philadelphia Inquirer 'A fascinating work . . . Achieves the height of virtuosity.' Le Monde

An unexpected, poignant, and personal account of loving and losing pets, exploring the singular bonds we have with our companion animals, and how to grieve them once they’ve passed. E.B. Bartels has had a lot of pets—dogs, birds, fish, tortoises. As varied a bunch as they are, they’ve taught her one universal truth: to own a pet is to love a pet, and to own a pet is also—with rare exception—to lose that pet in time. But while we have codified traditions to mark the passing of our fellow humans, most cultures don’t have the same for pets. Bartels takes us from Massachusetts to Japan, from ancient Egypt to the modern era, in search of the good pet death. We meet veterinarians, archaeologists, ministers, and more, offering an idiosyncratic, inspiring array of rituals—from the traditional (scattering ashes, commissioning a portrait), to the grand (funereal processions, mausoleums), to the unexpected (taxidermy, cloning). The central lesson: there is no best practice when it comes to mourning your pet, except to care for them in death as you did in life, and find the space to participate in their end as fully as you can. Punctuated by wry, bighearted accounts of Bartels’s own pets and their deaths, Good Grief is a cathartic companion through loving and losing our animal family.

When Petra Baron goes into the fortuneteller's tent at a Renaissance fair, she expects to leave with a date to prom. Instead, she walks out into Elizabethan England, where she meets gypsies, a demon dog and a kindred spirit in Emory Ravenswood. Emory must thwart the plans of religious zealots. His mission is dangerous, his enemies are fanatical, and Petra Baron is a complication that Heaven only knows he does not need. Or does he? Although Emory is on Heaven's errand, he learned long ago that Heaven does not always play fair. As Petra slowly falls for Emory, she wonders if he really is who he seems, or if he is just as lost as she is. How can they have a future while trapped in the past? Or is anything possible Beyond the Fortuneteller's Tent?

An orphaned poet, a gifted pianist and a budding photographer meet in a mid-20th-century Moscow school and eventually embody the heroism, folly, compromise and hope of the Soviet dissident experience.

This book of reflections present comments on the book by L. Ulitskaya – The Big Green Tent. The purpose of the commentary is to reveal the main idea of the novel – «What gives meaning to life, gives meaning to death». Comments lead the readers to the depths of author’s feelings and thoughts about time and about oneself. This is a fascinating journey «back to us as we were conceived», according to L. Ulitskaya. Bon voyage, dear readers.