Strange sagas of mysterious monsters and bizarre beasts have appeared all over the world for years. In this captivating volume, readers will come face to face with tales of the terrifying and just plain weird. A chronological approach addresses interest stemming from world events such as World War II, and the changing, developing research. Interviews, testimonies, photographs, and reports encourage readers to further scrutinize whether or not such strange stories are the stuff of myth or if there could be more reasonable, even scientific, explanations for the so-called unexplained.

From cinema's earliest days, being scared out of your wits has always been one of the best reasons for going to the movies. From B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampage across the Silver Screen. Landis also surveys the historical origins of archetypal monsters, such as vampires, zombies and werewolves, and takes you behind the scenes to discover the secrets of the special-effects wizards who created such legendary frighteners as King Kong, Dracula, the Alien, and Freddy Krueger. Monsters in the Movies by John Landis is filled with the author's own fascinating and entertaining insights into the world of movie-making, and includes memorable contributions from leading directors, actors and monster-makers. The book is also stunningly illustrated with 1000 movie stills and posters drawn from the unrivaled archives of the Kobal Collection. Contents Introduction by John Landis... Explore a timeless world of fears and nightmares as John Landis investigates what makes a legendary movie monster • Monsters, chapter by chapter... Feast your eyes upon a petrifying parade of voracious Vampires, flesh-eating Zombies, slavering Werewolves, gigantic Apes and Supernatural Terrors • Spectacular double-page features... Thrill to the strangest, scariest, weirdest, and craziest movie monsters ever seen • The ingenious tricks of movie-making... Marvel as the special-effects wizards reveal how they create movie magic • A monster-movie timeline... Discover John Landis's personal selection of landmark horror films

This richly illustrated guide to dozens of California filming locations covers five decades of science fiction, fantasy and horror movies, documenting such familiar places as the house used in Psycho and the Bronson Caves of Robot Monster, along with less well known sites from films like Lost Horizon and Them! Arranged alphabetically by movie title--from Ali Baba and the Forty Thieves to Zotz!--the entries provide many "then" and "now" photos, with directions to the locations.

Now, exactly fifty years after the publication of his first book, George Greenfield looks back over a memorable half-century in the book world. With humour and insight he comments on the businesses of publishing and agenting, and delightfully recalls many of the anecdotes and incidents accumulated during a distinguished career.

An Emmy Award-winning writer for The Colbert Report follows in the (big) footsteps of Bigfoot: I Not Dead. Monsters have it tough. Besides being deeply misunderstood, they suffer from very real problems: Mummies have body image issues, Godzilla is going through an existential crisis, and creatures from the black lagoon face discrimination from creatures from the white lagoon. At heart, these monsters are human; after all, you are what you eat. Quirkily illustrated, Sad Monsters hilariously documents the trials and tribulations of all the undead creatures monster-mad readers have grown to love, from vampires and werewolves, to chupacabras and sphinxes, and even claw-footed bathtubs.

This book, "traces the evolution of mythic symbols in American popular culture as shown in movies and on TV from 1939-1999."--dust jacket.

From Lisi Harrison, the New York Times bestselling author of The Clique and Alphas, comes a new series with a fresh twist on high school, romance, and the "horrors" of trying to fit in. The monster community has kept a low profile at the local high school, but when two new girls enroll, the town will never be the same. Created just fifteen days ago, Frankie Stein is psyched to trade her father's formaldehyde-smelling basement lab for parties and prom. But with a student body totally freaked out by rumors of monsters stalking the halls, Frankie learns that high school can be rough for a chic freak like her. She thinks she finds a friend in fellow new student Melody Carver-but can a "normie" be trusted with her big secret?

Everybody knows that the schools of the Ivy League -- universally touted as the pinnacle of American higher education -- have graduated countless political leaders, corporate titans, and global power brokers. But did you know these schools have also produced murderers, warmongers, traitors, plagiarists, slave traders, pederasts, and every other variety of moral reprobate? Whether you're a high school student grinding away in the hope of gaining admission to one of these institutions, a parent propelling a child toward Ivy glory, a current Ivy League undergraduate wondering "What the hell is this place?" -- or even an Ivy League alum, professor, administrator, or dropout -- this book was written specifically for you. As a warning. Because there are certain things -- monstrous things -- that go unmentioned in the catalog, campus tour, or employment package. And if your Ivy League application was rejected, here's compelling and consoling evidence of how lucky you are.

Beginning with celebrated classics, the author locates King Kong (1933) within the era of lynching to evince how the film protects whiteness against supposed aggressions of a black predator and reviews The Wizard of Oz (1939) as a product of the Depression's economic anxieties. From there, the study moves to the cult classic animated Sinbad Trilogy (1958-1977) of Ray Harryhausen, films rampant with xenophobic fears of the Middle East as relevant today as when the series was originally produced. Advancing to more recent subjects, the author focuses on the image of the monstrous woman and the threat of reproductive freedom found in Aliens (1986), Jurassic Park (1993), and Species (1995) and on depictions of the mentally ill as dangerous deviants in 12 Monkeys (1996) and The Cell (2000). An investigation into physical freakishness guides his approach to Edward Scissorhands (1990) and Beauty and the Beast (1991).