The downfall of Jean Vanier due to the history of sexual abuse that came to light in 2020 has shocked everyone familiar with his life and work as the founder and leader of L'Arche. The authors in this book raise significant questions regarding his influential legacy and its relevance for theology and disability and for L'Arche in particular. Without any attempt to whitewash or downplay the seriousness of his transgressions, the question cannot be avoided to sort out the good and the bad in Vanier. It requires soul-searching on the part of his theological heirs and those who have been influenced by him. Finally, his work with and influence upon L'Arche raises the question of sustainability and how its communities might--or might not--be shaped by his tarnished legacy.

The downfall of Jean Vanier due to the history of sexual abuse that came to light in 2020 has shocked everyone familiar with his life and work as the founder and leader of L'Arche. The authors in this book raise significant questions regarding his influential legacy and its relevance for theology and disability and for L'Arche in particular. Without any attempt to whitewash or downplay the seriousness of his transgressions, the question cannot be avoided to sort out the good and the bad in Vanier. It requires soul-searching on the part of his theological heirs and those who have been influenced by him. Finally, his work with and influence upon L'Arche raises the question of sustainability and how its communities might--or might not--be shaped by his tarnished legacy.

In this unique collection, Yale literary critic Shoshana Felman and psychoanalyst Dori Laub examine the nature and function of memory and the act of witnessing, both in their general relation to the acts of writing and reading, and in their particular relation to the Holocaust. Moving from the literary to the visual, from the artistic to the autobiographical, and from the psychoanalytic to the historical, the book defines for the first time the trauma of the Holocaust as a radical crisis of witnessing "the unprecedented historical occurrence of...an event eliminating its own witness." Through the alternation of a literary and clinical perspective, the authors focus on the henceforth modified relation between knowledge and event, literature and evidence, speech and survival, witnessing and ethics.

At the end of World War II the Allies faced a threefold challenge: how to punish perpetrators of appalling crimes for which the categories of 'genocide' and 'crimes against humanity' had to be coined; how to explain that these had been committed by Germany, of all nations; and how to reform Germans. The Allied answer to this conundrum was the application of historical reasoning to legal procedure. In the thirteen Nuremberg trials held between 1945 and 1949, and in corresponding cases elsewhere, a concerted effort was made to punish key perpetrators while at the same time providing a complex analysis of the Nazi state and German history. Building on a long debate about Germany's divergence from a presumed Western path of development, Allied prosecutors sketched a historical trajectory which had led Germany to betray the Western model. Historical reasoning both accounted for the moral breakdown of a 'civilised' nation and rendered plausible arguments that this had indeed been a collective failure rather than one of a small criminal clique. The prosecutors therefore carefully laid out how institutions such as private enterprise, academic science, the military, or bureaucracy, which looked ostensibly similar to their opposite numbers in the Allied nations, had been corrupted in Germany even before Hitler's rise to power. While the argument, depending on individual protagonists, subject matters, and contexts, met with uneven success in court, it offered a final twist which was of obvious appeal in the Cold War to come: if Germany had lost its way, it could still be brought back into the Western fold. The first comprehensive study of the Nuremberg trials, The Betrayal thus also explores how history underpins transitional trials as we encounter them in today's courtrooms from Arusha to The Hague.

This book is comprised of two related pieces covering recent cases of informants and agent provocateurs in the US. Part one "Witness to Betrayal" is a long form interview with scott crow conducted by author Kristian Williams. In the interview crow bares all in his most comprehensive conversation about FBI informant Brandon Darby, their complicated relationship and the fallout from Brandon's actions personally and politically in wider movements. Part two is an essay by Kristian Williams "Profiles of Provocateurs" which analyzes recent case studies of the use of agents provocateurs in political prosecutions, offers some warning signs of agents in these cases and practical advice on taking care of ourselves in the face of repression.

A new account of one of the most famous scandals in sports history shows how the 1919 fixing of the World Series forever changed the way America's pastime was both managed and perceived.

While trauma theory has been adopted by contemporary literary and cultural studies as an ethical way to study depictions of suffering, there is a risk that its present use could cause more harm than good. By emphasizing inaccessible histories, unspeakable suffering, and unconscious witnessing, trauma theory may lead readers to claim others’ suffering through empathic identification. In With the Witnesses, Dale Tracy argues that poetry offers an alternative approach to engage with not only suffering in art but suffering in general. Examining the strategies of witness poetry, Tracy interrogates and reformulates the dominant models of trauma studies in which readers take over the witnessing position by identifying with the speaker as a witness. If the purpose of reading such poetry is to contribute to a chain of witnesses, what is the distinct role of a reader, and how does it differ from the role of the poem’s speaker? Tracy proposes that metonymy – a logic of nearness rather than likeness – is compassion’s formal manifestation. Analyzing poetry that emphasizes the contiguity of metonymy over the substitution of metaphor, she attends to the positions into which witnessing speakers invite readers. Poems that respond to diverse national and transnational contexts of atrocity, conflict, and marginalization guide With the Witnesses toward a compassionate response to suffering that involves feeling with – not as – another. Following each poem as a unique theory of compassion, With the Witnesses demonstrates that poems hold suffering signed as art, not claimable traces of suffering.

Gabriela Polit Dueñas analyzes the work of five narrative journalists from three countries. Marcela Turati, Daniela Rea, and Sandra Rodriguez from Mexico, Patricia Nieto from Colombia, and María Eugenia Ludueña from Argentina produce compelling literary works, but also work under dangerous, intense conditions. What drives and shapes their stories are their affective responses to the events and people they cover. The book offers an insightful analysis of the emotional challenges, the stress and traumatic conditions journalists face when reporting on the region’s most pressing problems. It combines ethnographic observations of the journalists’ work, textual analysis, and a theoretical reflection on the ethical dilemmas journalists confront on a daily basis. Unwanted Witnesses puts forward a necessary discussion about the place contemporary journalists occupy in the field of production, and how the risks they run speak directly about the limits of our democracies.

This volume traces the history of the idea of truth as an ethical movement, exploring those developments in Western thought, from Plato and Aristotle through Kant and Hegel, when ethics was separated from science and philosophy. At the heart of the project is a reexamination of the good, found in Plato as that which makes being possible, which gives authority to knowledge and beckons to art, preserved in Levinas as infinite responsibility. The idea of the good is interpreted as nature's abundance, giving beauty and truth as gifts. It gives rise to an ethics of inclusion.