Collects short stories by African American writers such as James Baldwin, Zora Neale Hurston, Gwendolyn Brooks, Ralph Ellison, and Alice Walker

In 1969, Little, Brown and Company published The Best Short Stories by Black Writers, edited by Langston Hughes - the classic compendium of African-American short fiction from 1897 to 1967. Now, a quarter of a century later, Gloria Naylor has compiled an encore volume, Children of the Night, bringing this extraordinary series up to date. Gathering together the most gifted black writers of our time - from 1967 to the present - Naylor has assembled a rich and varied collection of stories. The portrait that emerges of the African-American experience in the post-Civil Rights era is stirring, compelling, sometimes disturbing, and certainly provocative. Naylor has arranged the stories thematically so the reader focuses on a particular subject - slavery, for example, or the family. In the hands of different writers, these themes provide a wealth and variety of human experience. The stories are more than testimonies of the long battle for survival. From a young woman's struggles with her barren faith in Alice Walker's lyrical "The Diary of an African Nun" to an innocent man's involvement in a horrifying act of violence in Ann Petry's "The Witness", they are, as Naylor states in her introduction, "examples of affirmation: of memory, of history, of family, of being". They are stories for all of us "at the beginning: of mankind as a species; of America as a nation; of the African-American as a full citizen".

Offering diverse perspectives on the black experience, this anthology of short fiction spotlights works by influential African-American authors. Nearly 30 outstanding stories include tales by W. E. B. Du Bois, Zora Neale Hurston, Claude McKay, and Jamaica Kincaid. From the turn of the twentieth century come Alice Ruth Moore's "A Carnival Jangle," Charles W. Chesnutt's "Uncle Wellington’s Wives," and Paul Laurence Dunbar's "The Scapegoat." Other stories include "Becky" by Jean Toomer; "Afternoon" by Ralph Ellison; Langston Hughes's "Feet Live Their Own Life"; and "Jesus Christ in Texas" by W. E. B. Du Bois. Samples of more recent fiction include tales by Jervey Tervalon, Alice Walker, and Edwidge Danticat. Ideal for browsing, this collection is also suitable for courses in African-American studies and American literature.

“If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson

In this thought-provoking volume, David R. Roediger has brought together some of the most important black writers throughout history to explore the question: What does it really mean to be white in America? From folktales and slave narratives to contemporary essays, poetry, and fiction, black writers have long been among America's keenest students of white consciousness and white behavior, but until now much of this writing has been ignored. Black on White reverses this trend by presenting the work of more than fifty major figures, including James Baldwin, Derrick Bell, Ralph Ellison, W.E.B. Du Bois, bell hooks, Toni Morrison, and Alice Walker to take a closer look at the many meanings of whiteness in our society. Rich in irony, artistry, passion, and common sense, these reflections on what Langston Hughes called "the ways of white folks" illustrate how whiteness as a racial identity derives its meaning not as a biological category but as a social construct designed to uphold racial inequality. Powerful and compelling, Black on White provides a much-needed perspective that is sure to have a major impact on the study of race and race relations in America.

"With topics ranging from slavery to space travel, the impressive breadth of this anthology makes for a well-rounded survey. Readers, writers, and scholars alike will find great value here." — Publishers Weekly Starred Review A deluxe edition of new writing and neglected perspectives. Dystopia, apocalypse, gene-splicing, cloning and colonization are explored here by new authors and combined with proto-sci-fi and speculative writing of an older tradition (by W.E.B. Du Bois, Martin R. Delany, Sutton E. Griggs, Pauline Hopkins and Edward Johnson) whose first-hand experience of slavery and denial created their living dystopia. With a foreword by Alex Award-winning novelist Temi Oh, an introduction by Dr. Sandra M. Grayson, author of Visions of the Third Millennium: Black Science Fiction Novelists Write the Future (2003), and invaluable promotion and editorial support from Tia Ross and the Black Writers Collective and more, this latest offering in the Flame Tree Gothic fantasy series focuses on an area of science fiction which has not received the attention it deserves. Many of the themes in Sci-fi reveal the world as it is to others, show us how to improve it, and give voice to the many different expressions of a future for humankind. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure. Table of Contents: An Empty, Hollow Interview by James Beamon The Comet by W.E.B. Du Bois Élan Vital by K. Tempest Bradford The Orb by Tara Campbell Blake, or The Huts of America by Martin R. Delany The Floating City of Pengimbang by Michelle F. Goddard The New Colossuses by Harambee K. Grey-Sun Imperium in Imperio by Sutton E. Griggs Seven Thieves by Emmalia Harrington Of One Blood: Or, The Hidden Self by Pauline Hopkins Space Traitors by Walidah Imarisha The Line of Demarcation by Patty Nicole Johnson Light Ahead for the Negro by Edward Johnson e-race by Russell Nichols Giant Steps by Russell Nichols Almost Too Good to Be True by Temi Oh You May Run On by Megan Pindling Suffering Inside, But Still I Soar by Sylvie Soul The Pox Party by Lyle Stiles The Regression Test by Wole Talabi

This anthology first appeared in 1966 and contains 31 stories by and about black Americans.

Langston Hughes's stories about Jesse B. Semple--first composed for a weekly column in the Chicago Defender and then collected in Simple Speaks His Mind, Simple Takes a Wife, and Simple Stakes a Claim--have been read and loved by hundreds of thousands of readers. In The Best of Simple, the author picked his favorites from these earlier volumes, stories that not only have proved popular but are now part of a great and growing literary tradition. Simple might be considered an Everyman for black Americans. Hughes himself wrote: "...these tales are about a great many people--although they are stories about no specific persons as such. But it is impossible to live in Harlem and not know at least a hundred Simples, fifty Joyces, twenty-five Zaritas, and several Cousin Minnies--or reasonable facsimiles thereof." As Arnold Rampersad has written, Simple is "one of the most memorable and winning characters in the annals of American literature, justly regarded as one of Hughes's most inspired creations."

An unforgettable collection of fairy tales for grownups—from the Booker Prize-winning author of Possession. • “A delight.... provoking and alarming, richly yet tautly rendered.... [She] has the sheer narrative skill to raise the hairs on the back of your neck and make your pulse race.” —The New York Times Book Review Like Hans Christian Andersen and the Brothers Grimm, Isak Dinesen and Angela Carter, A. S. Byatt knows that fairy tales are for adults. And in this ravishing collection she breathes new life into the form. Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft.