Colours in the Steel, Volume One of the Fencer Trilogy, introduced a remarkable new voice in fantasy fiction. The Belly of the Bow confirms that rich promise and establishes K. J. Parker in the top rank of writers. The city of Perimadeia has fallen. Bardas Loredan, the man who was supposed to save it, is now living on the Island -- a recluce, living apart from his family in the mountains, with only a young apprentice for company. His life as a fencer-at-law is over. Instead, Loredon spends his days perfecting the art of bow-making. But his isolation will not last forever; and when the Island comes under attack, his skills as a soldier and general are once again called upon.

Featuring a beachful of bare-bellied hippos—including one tiny baby who can only say “Bee Bo”—the Belly Button Book is a quirky addition to the phenomenally successful Boynton on Board series. Every page captivates with Sandra Boynton’s inimitable illustrations and joyful rhyming text: Soon after dark, upon the beach, we sing a hippo song, and if you’re feeling in the mood, we hope you’ll sing along: “Belly Belly Button, you’re oh so fine. Ooo, Belly Button, I’m so happy you’re mine.” Shiny and sturdy, and featuring a great (navel-shaped, naturally) die-cut cover, the Belly Button Book provides enduring, giggly, read-aloud fun. Oversized lap edition also available—perfect for more reading aloud!

A “riveting historical page-turner” about a cellist caught up in the tumult and passions of early twentieth-century Spain (Booklist). A Library Journal Best Book of the Year I was almost born Happy . . . So begins The Spanish Bow and the remarkable history of Feliu Delargo, who just misses being “Feliz” by a misunderstanding at his birth—which he barely survives. The bequest of a cello bow sets Feliu on the course of becoming a musician, an unlikely destiny given his beginnings in a dusty village in Catalonia. When he is compelled to flee to anarchist Barcelona, his education in music, life, and politics begins. But it isn’t until he arrives at the court of the embattled monarchy in Madrid that passion enters the composition, thanks to Aviva, a virtuoso violinist with a haunted past. As Feliu embarks on affairs, friendships, and rivalries, forces propelling the world toward a catastrophic crescendo sweep Feliu along in their wake—in this haunting fugue of music, politics, and passion set against a half century of Spanish history, from the tail end of the nineteenth century through the Spanish Civil War and World War II, by the acclaimed author of Behave and Plum Rains. “Expertly woven throughout the book are cameo appearances by Pablo Picasso, Adolf Hitler, Francisco Franco, Bertolt Brecht, and others, but it is the fictional Feliu, Justo, and Aviva who will keep you mesmerized to the last page.” —The Christian Science Monitor “An impressive and richly atmospheric debut.” —The New York Times Book Review

This is a new release of the original 1942 edition.

No one knows for certain just when the bow and arrow came into use in America, but they were in use from the far North to the tip of South America when Europeans first arrived. Over the hemisphere the equipment ranged from very poor to excellent, with the finest bows of all being made in the Northwest of North America. Some of these bows rivaled the ancient classic bow in beauty of design and workmanship. The attitudes of whites toward Indian archers and their equipment have ranged from the highest of praise with mythical feats rivaling those of William Tell and Robin Hood-–o mockery and derision for the Indians' short, "deformed" bows and small arrows. The Laubins have found most of the popular conceptions of Indian archery to be erroneous-as are most of the preconceived notions about Indians—and in this book they attempt to correct some of these false impressions and to give a true picture of this ancient art as practiced by the original Americans. Following an introduction and history of Indian archery are chapters on comparison of bows, bow making and sinewed bows, horn bows, strings, arrows, quivers, shooting, medicine bows, Indian crossbows, and blowguns. Those wishing to learn something about the use of archery tackle by American Indians, something of the ingenuity associated with its manufacture and maintenance, and something about the importance of archery in everyday Indian life will find in this book a wealth of new, valuable, and important information.

The story of the enslaved West Indian women in the struggle for freedom The forgotten history of women slaves and their struggle for liberation. Enslaved West Indian women had few opportunities to record their stories for posterity. In this riveting work of historical reclamation, Stella Dadzie recovers the lives of women who played a vital role in developing a culture of slave resistance across the Caribbean. Dadzie follows a savage trail from Elmina Castle in Ghana and the horrors of the Middle Passage, as slaves were transported across the Atlantic, to the sugar plantations of Jamaica and beyond. She reveals women who were central to slave rebellions and liberation. There are African queens, such as Amina, who led a 20,000-strong army. There is Mary Prince, sold at twelve years old, never to see her sisters or mother again. Asante Nanny the Maroon, the legendary obeah sorceress, who guided the rebel forces in the Blue Mountains during the First Maroon War. Whether responding to the horrendous conditions of plantation life, the sadistic vagaries of their captors or the “peculiar burdens of their sex,” their collective sanity relied on a highly subversive adaptation of the values and cultures they smuggled from their lost homes. By sustaining or adapting remembered cultural practices, they ensured that the lives of chattel slaves retained both meaning and purpose. A Kick in the Belly makes clear that subtle acts of insubordination and conscious acts of rebellion came to undermine the very fabric of West Indian slavery.

This book is meant to be understandable and fun to use. The topics range from the beginnings to the end -- cutting and curing wood through building a selfbow of almost any type and finishing it. Selfbows are wooden bows with no laminations in the limbs. Both beginners and advanced bowyers should find the book usable and worthwhile. There are extensive descriptions and directions throughout, supported by over 200 individual color illustrations. Besides the how-to directions, there are sections on heat-bending, splicing billets, shaping handles, and treating problems like knots, cracks, etc. Several other useful topics are addressed, such as suggestions on how to make a bow with only a few measurements, reduce handshock, eliminate stack, stabilize arrow flight, shoot where you look, and increase arrow speed.

An easy-to-read title shows that bellies can be used for many things, such as dancing the hula and resting your cup, but it is important to feed them healthy foods, too.

The Belly of Paris (Le Ventre de Paris) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart, first published in 1873. It is a novel of the teeming life which surrounds the great central markets of Paris. The book was originally translated into English by Henry Vizetelly and published in 1888 under the title Fat and Thin. After Vizetelly's imprisonment for obscene libel the novel was one of those revised and expurgated by his son, Ernest Alfred Vizetelly. The heroine is Lisa Quenu, a daughter of Antoine Macquart. She has become prosperous, and with prosperity her selfishness has increased. Her brother-in-law Florent had escaped from penal servitude in Cayenne and lived for a short time in her house, but she became tired of his presence and ultimately denounced him to the police. Émile Zola (1840 – 1902) was a French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France.