This impressively researched book tells the important but little-known story of elite southern white women's successful quest for a measure of self-reliance and independence between antebellum strictures and the restored patriarchy of Jim Crow. Profusely illustrated with the experiences of fascinating women in Virginia and North Carolina, it presents a compelling new chapter in the history of American women and of the South. As were many ideas, notions of the ideal woman were in flux after the Civil War. While poverty added a harder edge to the search for a good marriage among some "southern belles," other privileged white women forged identities that challenged the belle model altogether. Their private and public writings from the 1870s and 1880s suggest a widespread ethic of autonomy. Sometimes that meant increased domestic skills born of the new reality of fewer servants. But women also owned and transmitted property, worked for pay, and even pursued long-term careers. Many found a voice in a plethora of new voluntary organizations, and some southern women attained national celebrity in the literary world, creating strong and capable heroines and mirroring an evolving view toward northern society. Yet even as elite southern women experimented with their roles, external forces and contradictions within their position were making their unprecedented attitudes and achievements socially untenable. During the 1890s, however, virulent racism and pressures to re-create a mythic South left these women caught between the revived image of the southern belle and the emerging emancipated woman. Just as the memoirs of southern white women have been key to understanding life during the Civil War, the writings of such women unlock the years of dramatic change that followed. Informed by myriad primary documents, Jane Turner Censer immerses us in the world of postwar southern women as they rethought and rebuilt themselves, their families, and their region during a brief but important period of relative freedom.

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… For Newport, Rhode Island’s high society, the summer of 1896 brings lawn parties, sailboat races…and murder. Having turned down the proposal of Derrick Andrews, Emma Cross has no imminent plans for matrimony—let alone motherhood. But when she discovers an infant left on her doorstep, she naturally takes the child into her care. Using her influence as a cousin to the Vanderbilts and a society page reporter for the Newport Observer, Emma launches a discreet search for the baby’s mother. One of her first stops is a lawn party at Mrs. Caroline Astor’s Beechwood estate. But an idyllic summer’s day is soon clouded by tragedy. During a sailboat race, textile magnate Virgil Monroe falls overboard. There are prompt accusations of foul play—and even Derrick Andrews falls under suspicion. Deepening the intrigue, a telltale slip of lace may link the abandoned child to the drowned man. But as Emma navigates dark undercurrents of scandalous indiscretions and violent passions, she’ll need to watch her step to ensure that no one lowers the boom on her…

Celebrated in his prime, forgotten in his final years, only to be championed anew by our greatest contemporary authors, Richard Yates has always exposed readers to the unsettling hypocrisies of our modern age. In Blake Bailey's masterful and entertaining biography, Yates himself serves as the fascinating lens into mid-century America, a world of would-be artists, depressed housewives, addled businessmen, high living, wistful striving, and self-deception. The story of Richard Yates here stands as a singular reminder of what the writer must sacrifice for his craft, the devil's bargain of artistry for happiness, praise for sanity.

V. 1. The colonial book in the Atlantic world: This book carries the interrelated stories of publishing, writing, and reading from the beginning of the colonial period in America up to 1790. v. 2 An Extensive Republic: This volume documents the development of a distinctive culture of print in the new American republic. v. 3. The industrial book 1840-1880: This volume covers the creation, distribution, and uses of print and books in the mid-nineteenth century, when a truly national book trade emerged. v. 4. Print in Motion: In a period characterized by expanding markets, national consolidation, and social upheaval, print culture picked up momentum as the nineteenth century turned into the twentieth. v. 5. The Enduring Book: This volume addresses the economic, social, and cultural shifts affecting print culture from Word War II to the present.

Consists of "accessions" and "books in foreign languages".

During the Civil War, some Confederates sought to prove the distinctiveness of the southern people and to legitimate their desire for a separate national existence through the creation of a uniquely southern literature and culture. Michael Bernath follows the activities of a group of southern writers, thinkers, editors, publishers, educators, and ministers--whom he labels Confederate cultural nationalists--in order to trace the rise and fall of a cultural movement dedicated to liberating the South from its longtime dependence on Northern books, periodicals, and teachers. By analyzing the motives driving the struggle for Confederate intellectual independence, by charting its wartime accomplishments, and by assessing its failures, Bernath makes provocative arguments about the nature of Confederate nationalism, life within the Confederacy, and the perception of southern cultural distinctiveness.