For centuries the ceremonial order of the Knights of the Tarasque have met to bear the effigy of a mythical beast through the Provencal town of Taracson. But one summer's night the ceremony is broken by a gruesome discovery: a mutilated body found at the feet of the effigy, apparently torn apart by enormous teeth and claws. Can the monster of legend be more than just myth? The case draws an unwilling Michel de Palma, of the Marseille murder squad, into the dark heart of a Provence where mythology and untold history are part of everyday life. As more dismembered corpses continue to appear, de Palma falls into a world colored by murky financial intrigues and the tortured history of post-occupation France. It's a world where de Palma's uninvited investigations could soon see him in mortal danger.

Winner of the Global Humanities Prize A classic of modern Provençal literature, Jóusè d’Arbaud’s 1926 masterpiece “The Beast of Vacarés” (also known as “The Beast of Vaccarès”) is a haunting parable. Set during the fifteenth century, the tale is narrated by a solitary bull herder—known as a gardian—who stumbles upon a starving creature that is half man, half goat. Terrified, the gardian is nonetheless drawn to the eloquent Beast, a dying demigod who laments the loss of his glorious past even as he wields power over the animals around him. Torn between pity and fear, unable to understand his experiences and afraid he will be condemned for heresy, the gardian records his encounters in a journal, hoping that one day readers will make sense of what he cannot. Set in the vast, lonely landscape of the Camargue delta, where the Rhône meets the Mediterranean, The Beast seamlessly melds fantasy with naturalistic detail about the region’s flora and fauna. Three additional stories—“The Caraco,” “Pèire Guilhem’s Remorse,” and “The Longline”—explore the lives of twentieth-century gardians in the region. Each man succumbs to fears and social pressure, tragically losing what he most loves.

In the French Camargue?the delta surrounding the mouth of the Rhone River and part of the southern ?nation? of Occitania?the bull is a powerful icon of nationalism, literature, and culture. How this came to be?how the Camargue bull came to confront the French cock, venerable symbol of a unified and republican France?is the story told in this ingenious study. Robert Zaretsky considers how in fin-de-si_cle France the young writer Folco de Baroncelli, inspired by the history of the American West, in particular the fate of the Oglala Sioux and other Native American peoples, reinvented the history of Occitania. Galvanized by the example set by Buffalo Bill Cody, Baroncelli recast the Camargue as ?le far-west? of France, creating the ?immemorial? traditions he battled to protect. Zaretsky?s study examines the creative tension between center and periphery in the making of modern France: just as the political and intellectual elite of the Third Republic ?invented? a certain kind of France, so too did a coterie of southern writers, including Baroncelli, ?invent? a certain kind of Camargue. The story of how the Camargue bull challenged the French cock in this ideological and cultural Wild West deepens our appreciation of the complex dynamic that has created contemporary France.

Monty Python’s Flying Circus aired from 1969 until 1974, but the conclusion of the series did not mark the end of the troupe’s creative output. Even before the final original episodes were recorded and broadcast, the six members began work on their first feature-length enterprise of new material. Rather than string together a series of silly skits, they conceived a full-length story line with references to the real and imagined worlds of the mythical King Arthur, the lives of medieval peasants, and the gloomy climate of 1970s Britain. Released in 1975, Monty Python and the Holy Grail was a modest success but has since been hailed as a modern classic. In A Book about the Film Monty Python and the Holy Grail:All the References from African Swallows to Zoot, Darl Larsen identifies and examines the cultural, historical, and topical allusions in the movie. In this entertaining resource, virtually every reference that appears in a scene—whether stated by a character, depicted in the mise-en-scène, or mentioned in the print companion—is identified and explained. Beyond the Arthurian legend, entries cover literary metaphors, symbols, names, peoples, and places—as well as the myriad social, cultural, and historical elements that populate the film. This book employs the film as a window to both reveal and examine “Arthurian” life and literature, the historical Middle Ages, and a Great Britain of labor unrest, power shortages, and the common man. Introducing the reader to dozens of medievalist histories and authors and connecting the film concretely to the “modern” British Empire, A Book about the Film Monty Python and the Holy Grail will appeal to fans of the troupe as well as medieval scholars and academics who can laugh at themselves and their work.

Provence through the eyes of its writers -- those who wrote of it in Provençal or French and also those visitors who were moved by its beauty -- that is the inspiration behind A Literary Guide to Provence. In this compact travel guide, Marseilles native Daniel Vitaglione presents a literary panorama of the region of southern France from the Avignon of Mistral to Colette's St. Tropez. Including such sites as the birthplace of Nostradamus and the ruins of the Marquis de Sade's castle, A Literary Guide to Provence presents a thousand years of history entwined with maps and photos that provide readers on tour with a sense of the historical import of this most beautiful of regions even as they experience it firsthand. Both authors of Provençal ancestry and those who came to love and live in Provence are featured in this comprehensive and enchanting picture of the garden place of France. The Riviera enticed Virginia Woolf. Toulon inspired two novels by Georges Sand. Robert Louis Stevenson resided in Hyères, as did Edith Wharton. Le Lavandou was Willa Cather's favorite place. F. Scott Fitzgerald lived in St. Raphael and Juan-les-Pins, where he wrote Tender is the Night. This illustrated guide follows in these writers' footsteps, and the practical information on hotels and restaurants (phones, web sites, email, etc.) make it the ideal traveling companion for armchair tourists and those who cannot resist seeing Provence for themselves.

When Commandant Michel de Palma follows an anonymous tip-off to a gated mansion by the coast, he finds a body whose face is obscured by a fearsome tribal mask, beneath it a mysterious wound that could not have been caused by a bullet. Surrounded by scores of masks and painted skulls, de Palma hears the haunting strains of a primal flute from the floors above. With few leads to go on, de Palma delves into an account of the murdered doctor's voyage to Papua New Guinea seventy years earlier, accompanied by a fellow amasser of Oceanic art, Robert Ballancourt. As the doctor's attractive but distant granddaughter offers de Palma further insights into her grandfather's second life as an intrepid collector, he and his team stumble upon an art-smuggling ring working out of Marseilles' dilapidated docks. But when his chief suspect is found dead, killed by the same method as Dr. Delorme, even de Palma begins to wonder whether the bodies on his hands are the victims of spirits intent on revenge. The rituals of Papuan warriors and headhunters-whose traditional way of life endured until deep into the twentieth century-form the intriguing backdrop to The Voice of the Spirits, another subtle yet satisfying novel from one of France's most original and thought-provoking crime writers.

Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-