"These art avengers...took on toxic debt culture—and won."—The Guardian "[They] want to blow up the whole financial system."—The New York Times Art hacks life when two filmmakers launch a project to cancel more than £1m of high-interest debt from their local community. Bank Job is a white-knuckle ride into the dark heart of our financial system, in which filmmaker and artist duo Hilary Powell and Dan Edelstyn risk their sanity to buy up and abolish debt by printing their own money in a disused bank in Walthamstow, London. Tired of struggling in an economic system that leaves creative people on the fringes, the duo weave a different story, both risky and empowering, of self-education and mutual action. Behind the opaque language and defunct diagrams, they find a system flawed by design but ripe for hacking. This is the inspiring story of how they listen and act upon the widespread desire to change the system to meet the needs of many and not just the few. And for those among us brave enough, they show how we can do this too in our own communities one bank job at a time.

Nell has been in foster homes all her life—most of them have been horrible. She finally gets moved to a home she likes, and the ministry threatens to close it down unless an expensive renovation is made to the house. Nell and the two boys in the home, Billy and Tom, decide to raise the funds themselves. How do kids get large amounts of money quickly? By robbing banks, of course. Their first few heists are successful, but when they almost get caught on their sixth robbery, the friends start to fight about whether they should continue. The bank jobs that were meant to keep their family together just might tear it apart.

Clint walks into a bank in the town of Truxton, Nebraska, performs a transaction with a bank teller he thinks he recognizes. It takes him about a day to realize that he once saw the teller robbing a bank in a Missouri town, several years before. Has the man gotten himself a job at this bank, planning to rob it? He then realizes that he also recognizes a woman who works in the saloon. They were all part of the same gang of robbers. He decided to approach the man in a saloon one night and tell him that he knows him. The man denies it at first, but then admits that they all used to be bank robbers, but now they live in this town, and have honest jobs. And he thinks it’s funny that he has a bank job. Still unsure, Clint goes to the local law, but the sheriff says he knows these people, they’ve lived in town several years, and he believes they’re honest. Clint decides to stay in town, watch the “former” gang members, and see what happens. Will they rob the bank? And if they do can he stop them, or catch them? And when someone tries to bushwhack him, he has to determine if it was them or someone else.

Meet Detective William Lorimer, the star of author Alex Gray's bestselling Glasgow-set crime series. The Bank Job is a gripping 3,000 word short story that reveals the dramatic event that inspired the young William Lorimer to become a policeman. Alex Gray's acclaimed series brings Glasgow to vivid life in all its grit and glory and this story is the perfect introduction to her winsome detective, as well as a treat for all fans of the series. Praise for Alex Gray's Lorimer series: 'Brings Glasgow to life in the same way Ian Rankin evokes Edinburgh' Daily Mail 'Gray is the new master of Scottish crime writing' Scottish Daily Express 'Cracking storylines and well-rounded relationships' Daily Record 'A gritty, fast-paced read' Sun

"The first published account of the 1931 robbery of the Hastings National Bank in Hastings, Nebraska"--

At first glance, the robbery in a small bank branch doesn't seem overly mysterious. After all, the CCTV footage clearly shows a masked robber threatening bank clerk Jim Carling with a gun before disabling the cameras. However, the robber knew a bit too much about the inner workings of the bank, so Detective Inspector Helen Shepherd quickly suspects that the robber had inside help. But who of the five bank employees is the insider? And what happened to Jim Carling after the robber took him hostage? This is a crime novelette of 9300 words or approx. 30 print pages altogether in the Helen Shepherd Mysteries series, but may be read as a standalone.

A washed-up, middle-aged British philosopher teams up with an incompetent, one-armed bank robber to plan the ultimate bank job.

When your high school classmate shows up on the FBI's Ten Most Wanted List, can your police career get any more interesting? Prospect, Tennessee's police chief Sam Jenkins handles a cold case robbery-homicide as a favor to a beautiful treasury agent and clears the forty-three year old mystery of THE GREAT SMOKY MOUNTAIN BANK JOB. In MURDER IN A WISH-BOOK HOUSE, Sam investigates the most grisly killing of his career. Then, in V IS FOR...VITAMIN?, he works with an eighty-four year old partner to solve a suspicious death in a nursing home where all the suspects are well beyond their prime. Hollywood meets the Smokies in FATE OF A FLOOZY when an academy award winner is murdered during her love affair with a much younger man. And HURRICANE BLOW UP and THE BUTLERS DID IT pits Jenkins against some very lethal characters when he tackles eastern European hoods who intend on causing mayhem in Prospect, and bank robbers who flee to the far corners of southern Appalachia to escape capture.

What is money, where does it come from, and who controls it? In this accessible, brilliantly argued book, leading political economist Ann Pettifor explains in straightforward terms history’s most misunderstood invention: the money system. Pettifor argues that democracies can, and indeed must, reclaim control over money production and restrain the out-of-control finance sector so that it serves the interests of society, as well as the needs of the ecosystem. The Production of Money examines and assesses popular alternative debates on, and innovations in, money, such as “green QE” and “helicopter money.” She sets out the possibility of linking the money in our pockets (or on our smartphones) to the improvements we want to see in the world around us.