Will Ashurst provides tangible answers as he delves deep into the music industry. With sensible goals and pitfalls to avoid, this book will guide you through the fog that stands between you, your demo and your deal! 10,000 unsigned bands are desperate for recognition from recording and publishing companies. All bands in this position, whether or not they have the requisite talent, are certainly missing one vital commodity - information. In a jargon-free, easy-to-understand, practical style, the This is the updated third edition which also covers the developments and changes that have occured in the Music Industry since the first edition was published as well as an updated list of useful contacts.

(Vocal Selections). Winner of the New York Drama Critics' Circle Award for Best Musical, The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name. This vocal selections folio features 11 vocal line arrangements with piano accompaniment composed by David Yazbek: Answer Me * The Beat of Your Heart * Haled's Song About Love * It Is What It Is * Itzik's Lullaby * Omar Sharif * Papi Hears the Ocean * Something Different * Soraya * Waiting * Welcome to Nowhere.

On 14th April 1912 the Titanic struck an iceberg on her maiden voyage and sank. Fifteen hundred passengers and crew lost their lives. As the order to abandon ship was given, the orchestra took their instruments on deck and continued to play. They were still playing when the ship went down. The violinist, 21 year-old Jock Hume, knew that his fiancée, Mary, was expecting their first child, the author's mother. One hundred years later, Christopher Ward reveals a dramatic story of love, loss and betrayal, and the catastrophic impact of Jock's death on two very different Scottish families. He paints a vivid portrait of an age in which class determined the way you lived - and died. An outstanding piece of historical detective work, AND THE BAND PLAYED ON is also a moving account of how the author's quest to learn more about his grandfather revealed the shocking truth about a family he thought he knew, a truth that had been hidden for nearly a hundred years.

Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.

This study examines in detail the experiences of three countries that have in recent years operated exchange rate systems of "crawling bands," similar in spirit to the target zones that the author has recommended in the past. Williamson compares the succcessful experiences of 3 countries that have operated crawling bands with 15 similar countries and concludes that the crawling band exchange-rate policy has been an important element in their success. The study includes a manual for managing crawling bands.

As defined by Wikipedia, beach music also known as Carolina beach musi and, to a lesser extent, beach pop is a regional genre that developed from various musical styles of the forties, fifties, and sixties. These styles ranged frombig-band swing instrumentals to the more raucous sounds of blues/ jump blues, jazz, doo-wop, boogie, rhythm and blues, reggae, rockabilly, and old-time roc k and roll. Beach music is closely associated with the style of the swing dance known as the shag or the Carolina shag, which is also the official state dance of both North Carolina and South Carolina. Recordings with a 4/4 blues shuffle rhythmic structure and moderate-to-fast tempo are the most popular music for the shag, and the vast majority of the music in this genre fit that description.

Fifteen young adult authors and one real-life rock star band together for one epic—and interconnected—take on a memorable high school rite of passage. A daughter of rock ’n’ roll royalty has a secret crush. A lonely ticket taker worries about his sister. An almost-famous songwriter nurses old wounds. A stage manager tires of being behind the scenes. A singer-songwriter struggles to untangle her feelings for her best friend and his girlfriend. In this live-out-loud anthology, the disparate protagonists of sixteen stories are thrown together for one unforgettable event: their high school’s battle of the bands. Told in a harmonic blend of first- and third-person narrative voices, roughly chronological short stories offer a kaleidoscopic view of the same transformative night. Featuring an entry from Justin Courtney Pierre, lead vocalist of Motion City Soundtrack, Battle of the Bands is a celebration of youth, music, and meeting the challenges of life head-on. With stories by Brittany Cavallaro, Preeti Chhibber, Jay Coles, Katie Cotugno, Lauren Gibaldi, Shaun David Hutchinson, Ashley Poston, Jenny Torres Sanchez, Sarah Nicole Smetana, Eric Smith, Jenn Marie Thorne, Sarvenaz Taghavian, Jasmine Warga, Ashley Woodfolk, and Jeff Zentner, and featuring Motion City Soundtrack’s Justin Courtney Pierre.