Set in 2010, Hail Mary unfolds over 24 hours in Baghdad. The events of the novel take place around two characters from an Iraqi Christian family, drawn together under the same roof by the chaos in the country. Youssef is an elderly man who is alone. He refuses to emigrate and leave the house he built, where he has lived for half a century. He still clings to hope and memories of a happy past. Maha is a young woman whose life has been torn apart by the sectarian violence. Her family has been made homeless and become separated from her, resulting in her living as a refugee in her own country, lodging in Youssef's house; with her husband she waits to emigrate from a country she feels does not want her.

An intimate and remarkably human novel of modern Iraq by an acclaimed Arab-American author, shortlisted for the Arabic Booker Displaced by the sectarian violence in the city, Maha and her husband are taken in by a distant cousin, Youssef. As the growing turmoil around them seeps into their household, a rare argument breaks out between the elderly Youssef and his young guest. Born into sanctions and war, Maha knows nothing of Iraq's good years that Youssef holds dear. Set over a single day, The Baghdad Eucharist is an intimate story of love, memory, and anguish in one Christian family.

Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory Widely-celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory.

A risky and risqué prison memoir depicts the collective nightmare of life under Saddam.

How do we respond in the face of evil, especially to those who inflict grave evil upon us? Abducted in Iraq is Bishop Saad Sirop Hanna’s firsthand account of his abduction in 2006 by a militant group associated with al-Qaeda. As a young parish priest and visiting lecturer on philosophy at Babel College near Baghdad, Fr. Hanna was kidnapped after celebrating Mass on August 15 and released on September 11. Hanna’s plight attracted international attention after Pope Benedict XVI requested prayers for the safe return of the young priest. The book charts Hanna’s twenty-eight days in captivity as he struggles through threats, torture, and the unknown to piece together what little information he has in a bid for survival. Throughout this time, he questions what a post-Saddam Hussein Iraq means for the future, as well as the events that lead the country on that path. Through extreme hardship, the young priest gains a greater knowledge both of his faith and of remaining true to himself. This riveting narrative reflects the experience of persecuted Christians all over the world today, especially the plight of Iraqi Christians who continue to live and hold their faith against tremendous odds, and it sheds light on the complex political and spiritual situation that Catholics face in predominantly non-Christian nations. More than just a personal story, Abducted in Iraq is also Hanna’s portrayal of what has happened to the ancient churches of one of the oldest Christian communities and how the West’s reaction and inaction have affected Iraqi Christians. More than just a story of one man, it is also the story of a suffering and persecuted people. As such, this book will be of great interest to those wanting to learn more about the violence in the Middle East and the threats facing Christians there, as well all those seeking to strengthen their own faith.

These poems convey the sense of shock and horror at the human cruelty and waste of war in Iraq.

Born into a family of corpse washers, Jawad abandons tradition by enrolling in Baghdad's Academy of Fine Arts to study sculpting, but the conditions caused by Saddam Hussein's oppressive rule force a return home to the family business.

What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem’s powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal Zionist who is critical of the military occupation of the West Bank and Gaza, but nevertheless believes in Israel’s project and its national myth. Alaa is haunted by his grandmother’s memories of being displaced from Jaffa and becoming a refugee in her homeland. Ariel’s search for clues to the secret of the collective disappearance and his reaction to it intimately reveal the fissures at the heart of the Palestinian question. The Book of Disappearance grapples with both the memory of loss and the loss of memory for the Palestinians. Presenting a narrative that is often marginalized, Antoon’s translation of the critically acclaimed Arabic novel invites English readers into the complex lives of Palestinians living in Israel.

Looking at a wide variety of religions, this work offers an exploration of religious conversion. The phenomena is approached from a variety of disciplines, including psychology, sociology, theology and anthropology.

'Enthralling and moving. It is magical.'— Claudia Roden In the 1940s a third of Baghdad's population was Jewish. Within a decade nearly all 150,000 had been expelled, killed or had escaped. This graphic memoir of a lost homeland is a wordless narrative by an author homesick for a home she has never visited. Transported by the power of music to her ancestral home in the old Jewish quarter of Baghdad, the author encounters its ghost-like inhabitants who are revealed as long-gone family members. As she explores the city, journeying through their memories and her imagination, she at first sees successful integration, and cultural and social cohesion. Then the mood turns darker with the fading of this ancient community's fortunes. This beautiful wordless narrative is illuminated by the words and portraits of her family, a brief history of Baghdadi Jews and of the making of this work. Says Isaacs: 'The Finns have a word, kaukokaipuu, which means a feeling of homesickness for a place you've never been to. I've been living in two places all my life; the England I was born in, and the lost world of my Iraqi-Jewish family's roots.'