Available on its own for the first time: a second-chance romance from the #1 bestselling author of the Virgin River books—now a Netflix original series. Leigh Brackon is back home to look after her “ailing” mother. But she suspects maternal meddling when she finds her old flame John McElroy knee-deep in landscaping in her mom’s backyard. Leigh and John’s summer affair five years ago ended badly, and they’re both leery of relationships after their own failed marriages. But John has always been drawn to Leigh, even though the handyman doubts he’s good enough for the brilliant scientist and her twin boys. And Leigh has a secret that could change everything. Could they possibly have a real chance this time around? With a little help from the neighborhood matchmakers, they might see that it isn’t too late to find a way forward together. Originally published May 2001 in the Silhouette anthology To Mother with Love and November 2014 in the MIRA anthology ‘Tis the Season. Praise for Robyn Carr and her novels “For great storytelling and beautifully drawn characters, enter the world of Robyn Carr.” —Susan Elizabeth Phillips, New York Times–bestselling author “The Virgin River books are so compelling—I connected instantly with the characters and just wanted more and more and more.” —Debbie Macomber, #1 New York Times–bestselling author “No one can do small-town life like Carr.” —RT Book Reviews

A deeply felt first novel of family, choices, and coming to terms with the past. On a stifling Christmas Eve in 1967 the lives of the McDonald children-Deborah, Robert, James, and Meredith-changed forever. Their mother, Rosemarie, told them she was running out to buy some lights for the tree. She never came back. The children were left with their father, and a gnawing question: why had their mother abandoned them? Over the years, the four siblings have become practiced in concealing their pain, remaining close into adulthood, and forming their own families. But long-closed wounds are reopened when a chance encounter brings James face-to-face with Rosemarie after nearly forty years. Secrets that each sibling has locked away come to light as they struggle to come to terms with their mother's reappearance, while at the same time their beloved father is progressing into dementia. Veitch's family portrait reveals the joys and sorrows, the complexity and ambiguity of family life, and poignantly probes what it means to love and what it means to leave.

Charles Albert Murdock (1841-1928) left Massachusetts for California in 1855 with his mother, sister and brother. For many years he was editor of the Pacific Unitarian Magazine and one of the state's most distinguished printers. A backward glance at eighty (1921) begins with Murdock's memories of his trip west and reunion with his father, who had settled in Arcata on the Humboldt River. Murdock recalls life in the town and recounts stories of his father's early years on the Humboldt, the evolution of the region's Republican Party, acquaintance with Bret Harte, the printing business in San Francisco, 1867-1910, and the San Francisco Board of Education.

Focusing upon gay street life in London and New York, Mark Turner presents this gay urban history of male street cruising.

Edith Wharton, the first woman to win the Pulitzer Prize, vividly reflects on her public and private life in this stunning memoir. With richness and delicacy, it describes the sophisticated New York society in which Wharton spent her youth, and chronicles her travels throughout Europe and her literary success as an adult. Beautifully depicted are her friendships with many of the most celebrated artists and writers of her day, including her close friend Henry James.

Picoult's eeriest and most engrossing work yet delves into a virtually unknown chapter of American history--Vermont's eugenics project of the 1920s and 30s--to provide a compelling study of the things that come back to haunt those in the present, both literally and figuratively.

What if it is death that teaches us how to truly live? Keeping the end in mind shapes how we live our lives in the here and now. Living life backward means taking the one thing in our future that is certain—death—and letting that inform our journey before we get there. Looking to the book of Ecclesiastes for wisdom, Living Life Backward was written to shake up our expectations and priorities for what it means to live "the good life." Considering the reality of death helps us pay attention to our limitations as human beings and receive life as a wondrous gift from God—freeing us to live wisely, generously, and faithfully for God's glory and the good of his world.

'Feeling Backward' weighs the cost of the contemporary move to the mainstream in lesbian and gay culture. It makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. Love argues that instead of moving on, we need to look backward.

Edith Wharton, the first woman to win the Pulitzer Prize for Fiction with her novel The Age of Innocence, was also a brilliant poet. This revealing collection of 134 poems brings together a fascinating array of her verse—including fifty poems that have never before been published. The celebrated American novelist and short story writer Edith Wharton, author of The House of Mirth, Ethan Frome, and the Pulitzer Prize–winning The Age of Innocence, was also a dedicated, passionate poet. A lover of words, she read, studied, and composed poetry all of her life, publishing her first collection of poems at the age of sixteen. In her memoir, A Backward Glance, Wharton declared herself dazzled by poetry; she called it her “chiefest passion and greatest joy.” The 134 selected poems in this volume include fifty published for the first time. Wharton’s poetry is arranged thematically, offering context as the poems explore new facets of her literary ability and character. These works illuminate a richer, sometimes darker side of Wharton. Her subjects range from the public and political—her first published poem was about a boy who hanged himself in jail—to intimate lyric poems expressing heartbreak, loss, and mortality. She wrote frequently about works of art and historical figures and places, and some of her most striking work explores the origins of creativity itself. These selected poems showcase Wharton’s vivid imagination and her personal experience. Relatively overlooked until now, her poetry and its importance in her life provide an enlightening lens through which to view one of the finest writers of the twentieth century.