At the turn of the twentieth century, the United States was faced with a new and radically mixed population, one that included freed African Americans, former reservation Indians, and a burgeoning immigrant population. In The Autobiography of Citizenship, Tova Cooper looks at how educators tried to impose unity on this divergent population, and how the new citizens in turn often resisted these efforts, reshaping mainstream U.S. culture and embracing their own view of what it means to be an American. The Autobiography of Citizenship traces how citizenship education programs began popping up all over the country, influenced by the progressive approach to hands-on learning popularized by John Dewey and his followers. Cooper offers an insightful account of these programs, enlivened with compelling readings of archival materials such as photos of students in the process of learning; autobiographical writing by both teachers and new citizens; and memoirs, photos, poems, and novels by authors such as W.E.B. Du Bois, Jane Addams, Charles Reznikoff, and Emma Goldman. Indeed, Cooper provides the first comparative, inside look at these citizenship programs, revealing that they varied wildly: at one end, assimilationist boarding schools required American Indian children to transform their dress, language, and beliefs, while at the other end the libertarian Modern School encouraged immigrant children to frolic naked in the countryside and learn about the world by walking, hiking, and following their whims. Here then is an engaging portrait of what it was like to be, and become, a U.S. citizen one hundred years ago, showing that what it means to be “American” is never static.

From Plato to Rorty, A Brief History of Citizenship provides a concise survey of the idea of citizenship. All major periods are covered, beginning with Greece and Rome, continuing on to the Middle Ages, the American and French Revolutions, and finally to the modern era. Heater effectively argues that we cannot begin to understand our current conditions until we have an understanding of the initial idea of "the citizen" and how that idea has evolved over the centuries. Important topics covered include how citizenship differs from other forms of sociopolitical identity, the differences between nationality and citizenship, and how multiculturalism has changed our ideas of citizenship in the twenty-first century. This concise and readable book is an ideal introduction to the history of citizenship.

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

Based on rich oral histories, this is an engaging study of citizenship construction and practice in Liberia, Africa's first black republic.

This book examines the fascinating origins and the complex evolution of Italian national citizenship from the unification of Italy in 1861 until just after World War II. It does so by exploring the civic history of Italians in the peninsula, and of Italy's colonial and overseas native populations. Using little-known documentation, Sabina Donati delves into the policies, debates, and formal notions of Italian national citizenship with a view to grasping the multi-faceted, evolving, and often contested vision(s) of italianità. In her study, these disparate visions are brought into conversation with contemporary scholarship pertaining to alienhood, racial thinking, migration, expansionism, and gender. As the first English-language book on the modern history of Italian citizenship, this work highlights often-overlooked precedents, continuities, and discontinuities within and between liberal and fascist Italies. It invites the reader to compare the Italian experiences with other European ones, such as French, British, and German citizenship traditions.

Citizenship through Secondary History reveals the potential of history to engage with citizenship education and includes: a review of the links between citizenship education and the teaching and learning of history an analysis of how citizenship education is characterised, raising key issues about what could and should be achieved a critique of the discipline and the pitfalls to avoid in teaching citizenship through history case studies offering practical teaching suggestions. History teaching is at the vanguard of citizenship education - the past is the springboard from which citizens learn to think and act. This book offers positive and direct ways to get involved in the thinking that must underpin any worthwhile citizenship education, for all professional teachers, student teachers in history, policy-makers, heads of department and principals.

A major new narrative account of the long struggle of Northern activists-both black and white, famous and obscure-to establish African Americans as free citizens, from abolitionism through the Civil War, Reconstruction, and its demise Abraham Lincoln's Emancipation Proclamation is generally understood as the moment African Americans became free, and Reconstruction as the ultimately unsuccessful effort to extend that victory by establishing equal citizenship. In More Than Freedom, award-winning historian Stephen Kantrowitz boldly redefines our understanding of this entire era by showing that the fight to abolish slavery was always part of a much broader campaign to establish full citizenship for African Americans and find a place to belong in a white republic. More Than Freedom chronicles this epic struggle through the lived experiences of black and white activists in and around Boston, including both famous reformers such as Frederick Douglass and Charles Sumner and lesser-known but equally important figures like the journalist William Cooper Nell and the ex-slaves Lewis and Harriet Hayden. While these freedom fighters have traditionally been called abolitionists, their goals and achievements went far beyond emancipation. They mobilized long before they had white allies to rely on and remained militant long after the Civil War ended. These black freedmen called themselves "colored citizens" and fought to establish themselves in American public life, both by building their own networks and institutions and by fiercely, often violently, challenging proslavery and inegalitarian laws and prejudice. But as Kantrowitz explains, they also knew that until the white majority recognized them as equal participants in common projects they would remain a suspect class. Equal citizenship meant something far beyond freedom: not only full legal and political rights, but also acceptance, inclusion and respect across the color line. Even though these reformers ultimately failed to remake the nation in the way they hoped, their struggle catalyzed the arrival of Civil War and left the social and political landscape of the Union forever altered. Without their efforts, war and Reconstruction could hardly have begun. Bringing a bold new perspective to one of our nation's defining moments, More Than Freedom helps to explain the extent and the limits of the so-called freedom achieved in 1865 and the legacy that endures today.

Most of us want to be decent people in the world. Yet when it comes to sex, we so often stumble and contribute to sexual injustice. Think about it: are we really still blaming victims of sexual assaults? Can it truly be that there is a gender based orgasm gap? Are we actually labeling people based on the kind of sex they do or don’t have? Why do we insist on questioning if sex is consensual when someone’s passed out drunk? Our society is undergoing an evolution, and we should take this as a call to action to ensure that all people, regardless of gender identity, sexual orientation, ability, age, ethnicity, race, religion, or social class, are treated as humans worthy of respect. Good Sexual Citizenship asks us all to break down sexual hostility and build up something better. To promote understanding and empathy, Friedrichs includes a factual and historical backdrop covering gender disparities, women’s rights, sexual violence, prevention, and sex education, and challenges readers to use this insight, along with guided exercises, to examine their own potential for “good sexual citizenship.” Covering topics like consent, sexual assault, pleasure, double standards, casual sex, hook-up culture, and teen sex, she provides us with tools to navigate societal messages, sexually hostile climates, stereotypes, and outdated mentalities.

Portrayed by Leonardo DiCaprio in the Martin Scorsese movie The Aviator, Howard Hughes is legendary as a playboy and pilot—but he is notorious for what he became: the ultimate mystery man. Citizen Hughes is the New York Times bestselling exposé of Hughes’s hidden life, and a stunning revelation of his “megalomaniac empire in the emperor’s own words” (Newsweek). At the height of his wealth, power, and invisibility, the world’s richest and most secretive man kept what amounted to a diary. The billionaire commanded his empire by correspondence, scrawling thousands of handwritten memos to unseen henchmen. It was the only time Howard Hughes risked writing down his orders, plans, thoughts, fears, and desires. Hughes claimed the papers were so sensitive—“the very most confidential, almost sacred information as to my innermost activities”—that not even his most trusted aides or executives were allowed to keep the messages he sent them. But in the early-morning hours of June 5, 1974, unknown burglars staged a daring break-in at Hughes’s supposedly impregnable headquarters and escaped with all the confidential files. Despite a top-secret FBI investigation and a million-dollar CIA buyback bid, none of the stolen secret papers were ever found—until investigative reporter Michael Drosnin cracked the case. In Citizen Hughes, Drosnin reveals the true story of the great Hughes heist—and of the real Howard Hughes. Based on nearly ten thousand never-before-published documents, more than three thousand in Hughes’s own handwriting, Citizen Hughes is far more than a biography, or even an unwilling autobiography. It is a startling record of the secret history of our times.