A footprint of reality dwells in every pen a writer holds. Whenever it inks from one page to the next, it is inevitable for him to contribute a piece of himself to the narrative. The resemblance stays uncanny to the writer who writes from the heart and unconsciously reveals himself in his work. This research paper wanders beyond the walls of fiction as it exposes the reality of the dark life of the author, evident in every flip of his book, every plot in motion, every character in conflict, and every milieu in sight.

A footprint of reality dwells in every pen a writer holds. Whenever it inks from one page to the next, it is inevitable for him to contribute a piece of himself to the narrative. The resemblance stays uncanny to the writer who writes from the heart and unconsciously reveals himself in his work. This research paper wanders beyond the walls of fiction as it exposes the reality of the dark life of the author, evident in every flip of his book, every plot in motion, every character in conflict, and every milieu in sight.

A young man describes his torment as he struggles to reconcile the diverse influences of Western culture and the traditions of his own Japanese heritage.

Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writers--Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )--that assault the notion that comedy cannot be part of serious literature.

An essential selection of Moyra Davey's sly, surprising, and brilliant essays

“A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts.” —Yoko Ogawa, author of The Memory Police This second half of Lady Joker, by Kaoru Takamura, the Grand Dame of Japanese crime fiction, concludes the breathtaking saga introduced in Volume I. Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case that terrorized Japan for two years, Lady Joker reimagines the circumstances of this watershed episode in modern Japanese history and brings into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. As the shady networks linking corporations to syndicates are brought to light, the stakes rise, and some of the professionals we have watched try to fight their way through this crisis will lose everything—some even their lives. Will the culprits ever be brought to justice? More importantly—what is justice?

A Tokyo college student’s discovery and eventual obsession with a stolen handgun awakens something dark inside him. On a nighttime walk along a Tokyo riverbank, a young man named Nishikawa stumbles on a dead body, beside which lies a gun. From the moment Nishikawa decides to take the gun, the world around him blurs. Knowing he possesses the weapon brings an intoxicating sense of purpose to his dull university life. But soon Nishikawa’s personal entanglements become unexpectedly complicated: he finds himself romantically involved with two women while his biological father, whom he’s never met, lies dying in a hospital. Through it all, he can’t stop thinking about the gun—and the four bullets loaded in its chamber. As he spirals into obsession, his focus is consumed by one idea: that possessing the gun is no longer enough—he must fire it.

"It is a truth universally acknowledged that a single woman teetering on the verge of thirty must be in want of a husband." Not true for Manhattanite Elizabeth Scott. Instead of planning a walk down the aisle, she's crossing the pond with the only companion she needs—her darling dog, Bliss. Caring for a pack of show dogs in England seems the perfect distraction from the scandal that ruined her teaching career, and her reputation, in New York. What she doesn't count on is an unstoppable attraction to billionaire dog breeder Donovan Darcy. The London tycoon's a little bit arrogant, a whole lot sexy…and the chemistry between them is disarming. When passion is finally unleashed, might Elizabeth hope to take home more than a blue ribbon?

Reconciliation, published here for the first time in the English language, is an understated masterpiece of the Japanese ‘I novel’ tradition (a confessional literary form). Naoya Shiga’s novella is a quietly devastating reflection on all kinds of reconciliation: from his own familial reunion, to the universal need to reconcile ourselves to the inevitability of ageing, loss and death.