For hundreds of years Westerners have been fascinated by stories of the Assassins, their mysterious leader and their remote mountain stronghold at Alamut in Northern Iran. The legends first emerged in the 12th and 13th centuries, when Crusaders in Syria came into contact with the Nazari Isma'ilis, one of the communities of Shi'ite Islam who, at the behest of their leader Hassan Sabaa (mythologized as the "Old Man of the Mountain"), engaged in dangerous missions to kill their enemies. Elaborated over the years, the tales culminated in Marco Polo's claim that the "Old Man" controlled the behaviour of his self-sacrificing devotees through the use of hashish and a secret garden of paradise. So influential were these tales that the word "assassin" entered European languages as a common noun meaning "murderer". Daftary traces the origins and early development of the legends - as well as investigating the historical context in which they were fabricated and transmitted. As such, this book reveals an extraordinary programme of propaganda rooted in the medieval Muslim world and medieval Europe's ignorance of this world. This book also provides the first English translation of French orientalist Silvestre de Sacy's famous 19th-century "Memoire" on the Assassins.

For hundreds of years Westerners have been fascinated by stories of the Assassins, their mysterious leader and their remote mountain stronghold at Alamut in Northern Iran. The legends first emerged in the 12th and 13th centuries, when Crusaders in Syria came into contact with the Nazari Isma'ilis, one of the communities of Shi'ite Islam who, at the behest of their leader Hassan Sabaa (mythologized as the "Old Man of the Mountain"), engaged in dangerous missions to kill their enemies. Elaborated over the years, the tales culminated in Marco Polo's claim that the "Old Man" controlled the behaviour of his self-sacrificing devotees through the use of hashish and a secret garden of paradise. So influential were these tales that the word "assassin" entered European languages as a common noun meaning "murderer". Daftary traces the origins and early development of the legends - as well as investigating the historical context in which they were fabricated and transmitted. As such, this book reveals an extraordinary programme of propaganda rooted in the medieval Muslim world and medieval Europe's ignorance of this world. This book also provides the first English translation of French orientalist Silvestre de Sacy's famous 19th-century "Memoire" on the Assassins.

From a master historian, the definitive account of history's first terrorists An offshoot of the Ismaili Shi'ite sect of Islam, the Assassins were the first group to make systematic use of murder as a political weapon. Established in Iran and Syria in the eleventh and twelfth centuries, they aimed to overthrow the existing Sunni order in Islam and replace it with their own. They terrorized their foes with a series of dramatic murders of Islamic leaders, as well as of some of the Crusaders, who brought their name and fame back to Europe. Professor Lewis traces the history of this radical group, studying its teachings and its influence on Muslim thought. Particularly insightful in light of the rise of the terrorist attacks in the U.S. and in Israel, this account of the Assassins -- whose name is now synonymous with politically motivated murderers -- places recent events in historical perspective and sheds new light on the fanatic mind.

One courageous and honorable man sets out to stop the reign of terror perpetrated by a ruthless emperor and his scheming, power-hungry, and ambitious assassin. Original.

“A fascinating history . . . The Medieval conflict between Christians and Muslims has many similarities to the Middle East today.”—Firetrench The Ismaili Assassins were an underground group of political killers who were ready to kill Christians and Muslims alike with complete disregard for their own lives. Under the powerful control of an enigmatic grand master, these devoted murderers often slayed their victims in public, cultivating their terrifying reputation. They assumed disguises and their weapon of choice was a dagger. The dagger was blessed by the grand master and killing with it was a holy and sanctified act; poison or other methods of murder were forbidden to the followers of the sect. Surviving a mission was considered a deep dishonor and mothers rejoiced when they heard that their Assassin sons had died having completed their deadly acts. Unsurprisingly, their formidable reputation spread far and wide. In 1253, the Mongol chiefs were so fearful of them that they massacred and enslaved the Assassins’ women and children in an attempt to liquidate the sect. The English monarch, Edward I, was nearly dispatched by their blades and Richard the Lionheart’s reputation was sullied by his association with the Assassins’ murder of Conrad of Montferrat. The Ismaili Assassins explores the origins, actions and legacy of this notorious sect. Enriched with eyewitness accounts from Islamic and Western sources, this important book unlocks the history of the Crusades and the early Islamic period, giving the reader entry into a historical epoch that is thrilling and pertinent. “An inherently fascinating, deftly written, and impressively informative read from beginning to end.”—Midwest Book Review

The so-called ' Assassins' are one of the most spectacular legends of medieval history. In the popular imagination they are drug-crazed fanatics who launched murderous attacks on their enemies, terrorising the medieval world. Since the tales of Marco Polo and others, the myths surrounding them have been fantastically embellished and the truth has become ever more obscure. Universally loathed and feared, they were especially frightening because they apparently had no fear of death. Bartlett's book deftly traces the origins of the sect out of the schisms within the early Islamic religion and examines the impact of Hasan-i-Sabbah, its founder, and Sinan - the legendary 'Old Man of the Mountain'. This popular history follows the vivid history of the group over the next two centuries, including its clash with the crusaders, its near destruction at the hands of the Mongols, and its subsequent history. Finally, and fascinatingly, we discover how the myths surrounding the Assassins have developed over time, and why indeed they continue to have such an impact on the popular imagination.

In this prequel to Assassin’s Creed Valhalla: Dawn of Ragnarök, follow Baldr, the valiant son of Havi on his quest to forge a lasting peace among the realms. War is about to break out between the two neighboring realms of Muspelheim and Svartalfheim. Surtr, lord of the Muspels, is gathering his army of fire giants. Determined to prevent such bloodshed, Baldr, son of Odin and god of light, enlists the help of the great trickster god, Loki. Will Loki betray Baldr and the rest of the Æsir? Or will Baldr win the heart of the daughter of the Surtr and forge a lasting peace between the Nine Realms? Written by Alex Freed (Star Wars: The Old Republic) and illustrated by Martin Tunica (Crossed + One Hundred, Assassin’s Creed: Valhalla - Song of Glory) with colors by Michael Atiyeh and letters by Jimmy Betancourt, this hardcover collection is an essential addition to the legendary universe of Assassin’s Creed! Collects Assassin's Creed Valhalla Series II #1–#3.

This book won the award for the best comic from the National Institute for Translation in 1986. Although more than 20 years have passed since then, there is still a great appreciation for this book. This book is based on the Chronicles of the Historian from the Han dynasty scholar Sima Qian. It includes the legends of the five assassins: Chaomu, Yurang, Juanju, Niezheng and Jingke, during the Spring and Autum Period. The comic is beautifully printed in full color. Chen Uen used traditional Chinese brushes, and he drew each page as one on special hand-made calligraphy paper. It really took a lot of skill to paint one panel after another on this kind of calligraphy paper. Only Chen Uen has the ability to use calligraphy skills to paint comics. There are 500 colorful paintings, from small to large, with exact and difficult-to-achieve details. He has to draw each page quickly, with skill in determination. If he makes a single mistake, the whole page is lost. There are a lot of special details in the facial expressions; his point is to try to express their fleeting emotions through their eyes, their brow and mouth. He gives lively personal characteristics through painting the five assassins in different circumstances, atmospheres, mindsets, emotions, and how they dedicated themselves to lethal missions with their cunning, bravery and nobility. It's quite captivating. Chen Uen is really modest to say that he drew the legends of assassins because he was moved by these stories. We were so touched by his depiction, that we asked his agreement to republish them and share them with everybody.

A New York Times Book Review Editors' Choice Pick By the internationally bestselling author of Bullet Train, the high-octane new thriller, set in Tokyo’s criminal underworld, pits an ordinary man against a group of talented and very unusual assassins Three Assassins is the high-stakes, high-style, and utterly propulsive follow-up to Kotaro Isaka’s international bestseller, Bullet Train, a Crime Reads "Most Anticipated Book of 2021." Suzuki is an ordinary man until his wife is murdered. To get answers and his revenge, Suzuki abandons his law-abiding lifestyle and takes a low-level job with a front company operated by the crime gang Maiden, who are responsible for his wife’s death. Before long, Suzuki finds himself caught up in a network of quirky and highly effective assassins: The Cicada is a knife expert. The Pusher nudges people into oncoming traffic. The Whale whispers bleak aphorisms to his victims until they take their own lives. Intense and electrifying, Three Assassins delivers a wild ride through the criminal underworld of Tokyo, populated by contract killers who are almost superhumanly good at their jobs.

Haydons lyrical sixth installment in her sweeping saga . . . While deftly managing a large cast of intriguing characters in a story thats both grand and intimate but never predictable, Haydon moves all the pieces into place for the next volume.--"Publishers Weekly."