The Arvon Book of Crime and Thriller Writing is an essential guide to writing in these exciting genres. Part 1 explores the nature and history of the genre and helps you get started with ideas, planning and research. Part 2 includes tips by bestselling crime writers: Mark Billingham, S. J. Bolton, Alafair Burke, Lee Child, N. J. Cooper, Meg Gardiner, Tess Gerritsen, Sophie Hannah, Jim Kelly, Laura Lippman, Gayle Lynds, Alex McBride, Val McDermid, Dreda Say Mitchell, Sara Paretsky, Jill Paton Walsh, George Pelecanos, Ian Rankin, Peter Robinson, S. J. Rozan, Guy Saville, Yrsa Sigurðardóttir, Dana Stabenow, Andrew Taylor, Charles Todd and Laura Wilson. Part 3 contains practical advice--from shaping plots and exploring your characters to the meaning of writer's block, the power of the rewrite, and how to find an agent when your novel is complete.

This is the second book in the Arvon series of books on writing. Written by two distinguished writers in the field, Michelle Spring and Laurie R. King, the book reveals, with riveting honesty, why and how authors are drawn to write about crime. The book also features fascinating insights from twenty-six top crime-writing guests. The Arvon Book of Crime and Thriller Writing is a detailed, practical guide to writing every kind of crime story, from classic whodunits to fast-paced thrillers. The book's objective is to bring together some of the lessons and insights that the authors and contributors have learned over their careers, to help the readers to free their creative minds, while also studying the solid technique behind writing in this genre. The Arvon Book of Crime Writing captures the essence of Arvon teaching into a practical handbook for writers, packed with tips and advice from leading novelists as well reflections on the genre itself and practical instruction on great storytelling. The Arvon Foundation runs professional writing courses by published writers and provides expert tuition and creative support. Contributors from leading crime writers include: Lee Child, P.D James, and Ian Rankin. The Arvon Book of Crime Writing is divided into three sections: Part 1 - Essays on critical issues in the genre, Part 2: Guest Writers - 25 contributors offering advice and tips Part 3: How To Write Crime.

This volume addresses trauma not only from a theoretical, descriptive and therapeutic perspective, but also through the survivor as narrator, meaning maker, and presenter. By conceptualising different outlooks on trauma, exploring transfigurations in writing and art, and engaging trauma through scriptotherapy, dharma art, autoethnography, photovoice and choreography, the interdisciplinary dialogue highlights the need for rethinking and re-examining trauma, as classical treatments geared towards healing do not recognise the potential for transfiguration inherent in the trauma itself. The investigation of the fissures, disruptions and shifts after punctual traumatic events or prolonged exposure to verbal and physical abuse, illness, war, captivity, incarceration, and chemical exposure, amongst others, leads to a new understanding of the transformed self and empowering post-traumatic developments. Contributors are Peter Bray, Francesca Brencio, Mark Callaghan, M. Candace Christensen, Diedra L. Clay, Leanne Dodd, Marie France Forcier, Gen’ichiro Itakura, Jacqueline Linder, Elwin Susan John, Kori D. Novak, Cassie Pedersen, Danielle Schaub, Nicholas Quin Serenati, Aslı Tekinay, Tony M. Vinci and Claudio Zanini.

Jason Robbins and Helen Jenkins arrive at eerie Heron House in Carmarthenshire. Together they discover what dangers lurk behind the walls; how the post-war past bleeds into the present when the tormented soul of the young woman haunting them will stop at nothing to have her story told. But is the ghost's version of events to be trusted?

Writing Historical Fiction: A Writers' & Artists' Companion is an invaluable companion for a writer working in this challenging and popular literary genre, whether your period is Ancient Rome or World War II. PART 1 includes reflections on the genre and provides a short history of historical fiction. PART 2 contains guest contributions from Margaret Atwood, Ian Beck, Madison Smartt Bell, Ronan Bennett, Vanora Bennett, Tracy Chevalier, Lindsay Clarke, Elizabeth Cook, Anne Doughty, Sarah Dunant, Michel Faber, Margaret George, Philippa Gregory, Katharine McMahon, Valerio Massimo Manfredi, Hilary Mantel, Alan Massie, Ian Mortimer, Kate Mosse, Charles Palliser, Orhan Pamuk, Edward Rutherfurd, Manda Scott, Adam Thorpe, Stella Tillyard, Rose Tremain, Alison Weir and Louisa Young. PART 3 offers practical exercises and advice on such topics as research, plots and characters, mastering authentic but accessible dialogue and navigating the world of agents and publishers.

A dazzling literary mystery from prizewinning author Marcus Sedgwick, for fans of Scarlett Thomas, Carlos Ruiz Zafon and Patrick Suskind. In Paris, in the year 1899, Marcel Després is arrested for the murder of his wife and transferred to Salpêtrière asylum. And so the story might have stopped. But this is no ordinary patient: Marcel Després, Mister Memory, is a man who cannot forget. And it is no ordinary case: the hurried cover-up hints at dark secrets in the shadows. A policeman and a doctor decide to unravel the mystery...but the answers lie inside Marcel's head. And how can he tell what is significant when he remembers every detail of every moment of his entire life?

At the close of the year 1918, forced to flee England's green and pleasant land, Mary Russell and Sherlock Holmes enter British-occupied Palestine under the auspices of Holmes' enigmatic brother, Mycroft. "Gentlemen, we are at your service." Thus Holmes greets the two travel-grimed Arab figures who receive them in the orange groves fringing the Holy Land. Whatever role could the volatile Ali and the taciturn Mahmoud play in Mycroft's design for this land the British so recently wrested from the Turks? After passing a series of tests, Holmes and Russell learn their guides are engaged in a mission for His Majesty's Government, and disguise themselves as Bedouins--Russell as the beardless youth "Amir"--to join them in a stealthy reconnaissance through the dusty countryside. A recent rash of murders seems unrelated to the growing tensions between Jew, Moslem, and Christian, yet Holmes is adamant that he must reconstruct the most recent one in the desert gully where it occurred. His singular findings will lead him and Russell through labyrinthine bazaars, verminous inns, cliff-hung monasteries--and into mortal danger. When her mentor's inquiries jeopardize his life, Russell fearlessly wields a pistol and even assays the arts of seduction to save him. Bruised and bloodied, the pair ascend to the jewellike city of Jerusalem, where they will at last meet their adversary, whose lust for savagery and power could reduce the city's most ancient and sacred place to rubble and ignite this tinderbox of a land.... Classically Holmesian yet enchantingly fresh, sinuously plotted, with colorful characters and a dazzling historic ambience, O Jerusalem sweeps readers ever onward in the thrill of the chase.

New York, present day. Karen Brown, angry and frightened after surviving a kidnap attempt, has a harsh choice - being eliminated by government enforcer Jeffery Renschman or fleeing to the mysterious Roma Nova, her dead mother's homeland in Europe. Founded sixteen centuries ago by Roman exiles and ruled by women, Roma Nova gives Karen safety and a ready-made family. But a shocking discovery about her new lover, the fascinating but arrogant special forces officer Conrad Tellus, who rescued her in America, isolates her. Renschman reaches into her new home and nearly kills her. Recovering, she is desperate to find out why he is hunting her so viciously. Unable to rely on anybody else, she undergoes intensive training, develops fighting skills and becomes an undercover cop. But crazy with bitterness at his past failures, Renschman sets a trap for her, knowing she has no choice but to spring it...

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