Profound changes were taking place in American society during the period of the 1960s and 1970s when legislation for the National Foundation for the Arts and the Humanities was enacted and the agencies went into operation. It was a period of soul-searching by the American public when the cherished prejudices and civil inequities of the past decades were wiped out and old wounds began to heal; at the same time, however, the Vietnam War was creating new fissures and antagonisms. Into this newly healing, newly questioning society, congressional action thrust the National Council on the Arts in 1964, and the National Endowment for the Arts in 1965. Their mission was to encourage and support the arts, and the men and women charged with this responsibility went about their work with the zeal and enthusiasm of religious converts. The idea of even a minute amount of federal financial assistance to the country's chronically beleaguered and often impoverished artists and arts organi zations seemed strange to a segment of the population that had existed in forgot ten independence from government intervention. Many of the nation's artists and arts leaders were wary, partly because of the uncertainties and constraints of previous patterns of governmental support.

This book depicts a group of Chicago patrons who sought to shape the city's identity and foster a uniquely American style, by supporting local artists who depicted the West.

Noting how Jackie's celebrity and devotion to privacy have for years precluded a more serious treatment, Perry's story illuminates Kennedy's immeasurable impact on the institution of the first lady. Perry illustrates the complexities of Jacqueline Bouvier's marriage to John F. Kennedy, and shows how she transformed herself from a reluctant political wife to an effective, confident presidential partner. Perry is especially illuminating in tracing the first lady's mastery of political symbolism and imagery, along with her use of television and state entertainment to disseminate her work to a global audience.

The Western is the quintessential American epic--a mythic story of nation building, triumphs, failures, and fantasies. This book accompanies the first major exhibition to examine the Western genre and its evolution from the mid-1800s in fine art, film, and popular culture, exploring gender roles, race relations, and gun violence--a story that is about more than cowboys and American Indians, pursuits and duels, or bandits and barroom brawls. From 19th-century landscape paintings by Albert Bierstadt and Frederic Remington to works by Andy Warhol, Ed Ruscha, and Kent Monkman; from the legends of "Buffalo Bill" Cody and Billy the Kid to John Ford's classic films and Sergio Leone's spaghetti Westerns and recent productions by Quentin Tarantino, Ang Lee, and Joel and Ethan Coen, The Western observes how the mythology of the West spread throughout the world and endures today.

When Flint Lockwood discovers that his most infamous invention, the FLDSMDFR, is now creating giant 'food beasts' that threaten to destroy civilization, he knows he's the only one who can stop it.

This oversized hardcover is jam-packed with gorgeous artwork and captivating stories from today's heavy hitters in both mainstream and indie comics. Greg Pak and Tom Raney deliver a poignant tale of police officer returning to duty thanks to a

Writer/illustrator Darwyn Cooke's critically acclaimed masterpiece DC: THE NEW FRONTIER is celebrated in this new edition featuring story pages, detailed annotations, alternate sequences and an extensive gallery of sketches, pinups, action figure art and much more! In the 1950s, Cold War paranoia has resulted in the mystery men of the Golden Age being outlaws. Stalwarts such as Batman, Superman and Wonder Woman continued to fight for truth and justice, but as the world hurtles toward an uncertain future, it would take a new breed of hero to define the American Way. DC: THE NEW FRONTIER takes readers on an epic journey from the end of the Golden Age of heroes to the beginnings of the legendary Justice League of America. For the first time, DC collects the entire epic DC: THE NEW FRONTIER in a single collection, along with sketch and background material from the absolute edition. Collects DC: THE NEW FRONTIER #1-6, JUSTICE LEAGUE: THE NEW FRONTIER SPECIAL #1 and material from ABSOLUTE DC: THE NEW FRONTIER.

Art of the American Indian Frontier examines an incomparable collection of nineteenth-century Native American art from the North American Woodlands, Prairie, and Plains. The collection resulted from the efforts of Milford G. Chandler and Richard A. Pohrt, whose early childhood fascination with the Indian frontier past evolved into a deep and comprehensive interest in Native American ceremonies, beliefs, and art. Though neither was wealthy or enjoyed the sponsorship of a museum, they traveled extensively early in the twentieth century, buying or trading for objects they could not resist. This volume presents the Detroit Institute of Art's Chandler-Pohrt collection with detailed documentation and commentary. Clothing and accessories of porcupine quill and buckskin, woven textiles, bags, beadwork, necklaces, rawhide paintings, smoking pipes, tools, vessels and utensils, pictographs, and visionary paintings are portrayed in 220 stunning color plates. Complementing the illustrations are essays dealing with historical context, ethnographic issues, and the lives and philosophies of the collectors.