Craftsmen have always held an honoured place in Burmese society and have taken great pride in their creative abilities. In pre-colonial Burma, all sections of the population - from royalty to the monkhood to the common folk - used finely crafted objects in their everyday lives. Prehistoricand Historic evidence indicates that the inhabitants of Burma have been fashioning objects of beauty and utility for over 2,000 years.Buddhism over the centuries has been the prime inspiration for much of Burma's artistic endeavour. This, in combination with a thriving body of pre-Buddhist animistic beliefs, a rich oral and vernacular literature, and a love of detailed surface embellishment, have culminated in the production ofdistinctive works of art.In this work, the author introduces the reader to the scope and beauty of Burmese crafts by exploring the historical background, the foundations of Burma's artistic traditions, and the temple and pagoda arts of brick, stucco, sculpture, and painting, before embarking on a systematic survey of thedevelopment and evolution of Burma's major crafts, such as bronze and ironwork, wooden architecture, wood-carving, gold, silver, and jewellery, ceramics, lacquer, textiles and costume, books, paper, baskets, mats, and umbrellas.The author has lived and worked in Asia as a writer and educator for over twenty-five years and has written numerous articles and books about Asian arts and crafts.

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.

Myanmar Style is the first book to encompass the amazing diversity of architecture, design, and arts and crafts in Myanmar. Ranging from the monumental pagodas of Bagan (Pagan) to contemporary Yangon (Rangoon), both religious and secular buildings are presented in extraordinary detail. Buddha images, lacquerware, paintings, ceramics, wood carvings, bronzes, textiles, costumes and other arts are illustrated, with countless examples of superb objets d'art. Written by the region's authorities on design, art and archaeology, Myanmar Style's text offers readers a fascinating glimpse into an alluring land.

With over 500 full-color photographs and expert insights provided by leading archaeological authorities, Burmese Design & Architecture is a must-have for serious connoisseurs of architecture, design or Burma itself. It is the first book to showcase the amazing diversity of architecture, design and art found in Burma (Myanmar). Ranging from the monumental pagodas of Pagan (Bagan) to the architectural heritage of Rangoon (Yangon), religious as well as contemporary secular buildings are presented in rich detail. A series of authoritative essays by archaeological experts highlight the major influences and styles found throughout the country, while chapters on Myanmar's rich art and craft traditions provide a wealth of information on Buddha images, lacquerware, painting, ceramics, woodcarving, bronzes, textiles, costumes and much more. Burmese design, heavily influenced by its proximity to China and India, is a many-layered thing, interwoven with spiritual, religious and political messages. Burmese Design & Architecture takes an in-depth look at the entire span of Burmese design, from arts and crafts to both religious and secular architecture.

The culture of the Shan peoples of Burma and their rulers is extensively explored in this volume. Shan courts flourished in the late British colonial period, and in this book rare early photographs, never before published, document life in the courts and in the hill regions of Shan dominion.As in her previous book Silken Threads Lacquer Thrones P Lan Na Court Textiles, acclaimed for its groundbreaking discoveries of the culture of the Lan Na kingdom, Susan Conway focuses again on dress and the use of textiles in the Shan states, as well as on historical chronicles, to define a fascinating people of old Burma. Lavish illustrations bring to life a rich cultural tradition of mainland Southeast Asia.

This book presents up-to-date information about museums and museology in present-day Asia, focusing on Japan, Mongolia, Myanmar, and Thailand.Asian countries today have developed or are developing their own museology and museums, which are not simple copies of European or North American models. This book provides readers with carefully chosen examples of museum activities—for example, exhibition and sharing information, database construction, access to and conservation of museum collections, relationships between museums and local communities, and international cooperation in the field of cultural heritage. Readers are expected to include museum professionals and museology students.Throughout the course of this book, the reader will understand that a museum is not only a place for collecting, representing, and preserving cultural heritage but also plays a fundamental role in community development. This book is highly recommended to readers who seek a worldwide vision of museum studies.The peer-reviewed chapters in this volume are written versions of the lectures delivered by selected speakers at the international symposium "New Horizons for Asian Museums and Museology" held in February 2015 at the National Museum of Ethnology, Japan.

This new edition of Myanmar: Politics, Economy and Society provides a sophisticated yet accessible overview of the key political, economic and social challenges facing contemporary Myanmar and explains the complex historical and ethnic dynamics that have shaped the country. Thoroughly revised, the book analyses the context and tragic consequences of the military coup in February 2021 and the COVID-19 pandemic. With clear and incisive contributions from the world’s leading Myanmar scholars, this book assesses the policies and political reforms that have provoked contestation in Myanmar’s recent history and driven both economic and social change. In this context, questions of economic ownership and control and the distribution of natural resources are shown to be deeply informed by long-standing fractures among ethnic and civil-military relations. The chapters analyse the key issues that constrain or expedite societal development in Myanmar and place recent events of national and international significance in the context of its complex history and social relations. The book provides detailed analysis of the coup, which overturned a decade of political and economic reforms and threw the country into chaos. It explains the drivers for the coup, how it has impacted on the country and the future prospects for accountability and justice. Filling a gap in the market, this research textbook and primer will be of interest to upper undergraduates, postgraduates and scholars of Southeast Asian politics, economics and society and to journalists and professionals working within governments, companies and other organisations.

Women Art Workers provides a new social and cultural history of the Arts and Crafts movement which offers unprecedented insight into how women constructed alternative, creative lifestyles and disseminated the ethos of the social importance of the Arts and Crafts across new local, national, and international spheres of influence.

Burma (Myanmar) is a Southeast Asian country that is emerging from crisis after more than a half century of hard-line military rule and cultural, diplomatic and economic isolation. With the dissolution of its military regime, the State Peace and Development Council, in 2011, a formally civilian but military-dominated constitutional government was inaugurated. By 2012, Burma’s president, retired General Thein Sein, had established a working relationship with Daw Aung San Suu Kyi, the leader of the country’s pro-democracy movement since 1988, and after a 2012 by-election she and members of her opposition party, the National League for Democracy (NLD), entered the new Union Parliament as legislators. However, even with the election victory of Daw Suu Kyi and the NLD in the General Election of November 2015, Burma faces daunting challenges: it is still one of the poorest countries in Southeast, fissured by longstanding ethnic conflicts that have made a nationwide peace agreement elusive and its people’s security and the environment are threatened by foreign economic exploitation. Religious discord is also widely evident, as Buddhist militants instigate violence against the country’s religious minorities, especially Muslims. Today Burma’s prospects are the most hopeful they have been for over half a century, as the country takes steps along the road to a more open society and economy. This edition of the Historical Dictionary of Burma (Myanmar) encompasses not only current developments, but also Burma’s over 1,500 years-old recorded history and the most important features of its cultures, ethnicity, religions, society and economy. This is done through achronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture.