Fieldwork carrried out 1962-1966; Painting techniques, hand stencils, paint application, painting baler shell, cave paintings at Mamadai restored in part; Origin of Wandjina paintings, power of Wandjinas, behaviour, rituals, conception beliefs, gifts to the Wandjinas, legend of Wodjin, description of painting at Wanalirri; Stone arrangement & battle ground Tunbai Dispersed Wandjinas, sites at Brockmans Cave, Bundjin-moro, Bunggudmana & the owl, Morol, Pindjauri, story of Wadanda at Karendjin; Sea Wandjinas, Indonesian contact, burial practices, legends of Langgi paintings; Paintings & engravings found by G. Grey; Kaiara spirits & children, weather power, sites at Chalangdal, Wurwai, Warabi, West Montalivet Is., Warangala, paintings of European sailors & ships Bigge Is.; archaic art form in Bradshaws figures, legends of Koion & grasshopper, radiocarbon dating of charcoal shows age of stone leaf-shaped spear head depicted in paintings; Kakadja painting Cape Voltaire, Djuari figures, route taken by the dead, legend of Warulu & Ungamin at Djilgu; Unusual engraving Sturt Creek; Animals in human form St. George Basin, Kuri Bay, Doubtful Bay area; Snake mythology Forrest R., Gibb R. Station, Ulu figures & ritual killings Windjina Gorge, Mt. Barnett, Djilgu; Moiety, conception & cult totems; Honey bee legend Secure Bay; Fish, lizards, animals including dingoes Oscar-Napier Ranges; Method of tree carving, boab nuts; Rock engravings Prudhoe Is. & Carpenters Gap; Gurangara figures Ord R. & Linesmans Creek Range; Future of painting, cause of damage; Methods of preservation; Bibliography; Photographer Ray Penrose.

This stunning book is a biography and a generous sharing of Yorna's Culture and traditional beliefs. Explore the meaning of Country, Lalai ('Creation'), Wandjina, Woongudd (the 'Snake'), in the author's Country in the Kimberley region of Western Australia. Full of extraordinary images of the landscape, rock art, stone arrangements and the artist's paintings, Yornadaiyn Woolagoodja is a feast for anyone interested in this rich Cultural heritage. Special feature boxes on Joonba ('Corroborree'), Native Title, Permisson and Respect, Sugarbag, Ancestors' Bones, Collecting Turtle and many more.

Kimberley art: strong in country and law - Kimberley languages - Figurative art of the North-west and Central Kimberley - Paddy Jaminji and the Gurirr Gurirr - The East Kimberley aesthetic - Art of Fitzroy Crossing - Art of Balgo - Kimberley art and material culture - Materials and techniques of the contemporary Kimberley artist.

Visions from the Past is a clear and comprehensive examination of Aboriginal rock art. It also provides a practical overview of precisely how and why archaeologist study prehistoric art.

Tells of a journey in search of Wandjina rock paintings in the Kimberley. Includes traditional Aboriginal stories and songs portraying the North Kimberley Aboriginal view of the universe. Includes a glossary and an index. Malnic is a well-known photographer and co-author of TRock Painting of Aboriginal Australia.' Mowaljarlai was made a Member of the Order of Australia in 1993 and is a member of the Aboriginal Arts Board and a the Western Australian Museum's cultural material committee.

A survey of Australian rock art, presenting detailed case studies revealing the significance of both recent and ancient art for Australia's living indigenous communities.

A survey of the great variety of Aboriginal art.

Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.