Shown chronologically from Rou McMakin's earliest exhibited work in 1979 until the present, this book includes custom & commissioned furniture, production furniture from his company, permanent installations in galleries, institutions, private homes, exhibition installations images, & recent artworks.

Figuring Color looks at the work of four artists who use color and shape to represent a metaphorical body. For instance, Roy McMakin's sculpture of a chair is at once a body and an implication of an absent body, where two tables intertwined suggest bodies nestled together. Kathy Butterly's ceramic sculptures are miniature bodies, whose sensuality amplifies clay's potential for delightful form. In Felix Gonzalez-Torres's sculptures, piles of wrapped candy and plastic-bead curtains are experienced through touch, privileging the physical body while still evoking a metaphorical body. Sue Williams's riotously colorful paintings explore the body abstracted, represented entirely through color. Poems by Charles Bernstein, Mei-Mei Berssenbrugge, Jen Bervin, Lee Ann Brown, Miles Champion, Marcella Durand, Craig Dworkin, Tonya Foster, Alan Gilbert, Lisa Jarnot, Vincent Katz, Damon Krukowski and others respond to the book's sensuous theme.

Twenty-five-year survey of Domestic Architecture: the architecture of Roy McMakin, with essays from Pilar Vilades and Daniel Friedman. 12-15 case studies of projects in Seattle, Vashon Island, Mercer Island, San Antonio, Red Hook / Brooklyn, Venice Beach, Santa Monica, Beverly Hills, and Mattapoisett, MA.

The Seattle Art Museum's Olympic Sculpture Park, where Alexander Calder's The Eagle soars over Puget Sound, Roxy Paine's stainless-steel Split glistens in the rain, and Richard Serra's Wake beckons visitors to walk within its towering forms, stands out as an exemplary civic project: an urban park open and free to all and a dynamic green space filled with great art. The innovative design turned a former industrial site on Elliott Bay into a remarkable place that not only celebrates the inseparable nature of art, urban infrastructure, and landscape but also captures the majestic character of the Pacific Northwest. Using the park as a model of how public-private partnerships can create innovative civic spaces, this informative and visually stunning book will bring the Olympic Sculpture Park to a broader audience beyond the greater Seattle area and will be a vital resource for museum professionals, architects, urban planners, students, and general art lovers.

The PIN–UP Interviews is a compilation of over 50 of the most fascinating interviews from PIN-UP magazine since its first issue was published in October 2006. Serious, yet accessible, featuring the elegant and modern aesthetic PIN-UP’s readers have come to expect, there is no comparable source available for such a stunning array of contemporary design talent collected in one place. It is indispensable to all lovers of today’s brightest architectural and design ideas. The PIN–UP Interviews is the first book produced by PIN–UP, the award-winning, New York-based, biannual architecture and design magazine. Cheekily dubbing itself the “Magazine for Architectural Entertainment,” PIN–UP features interviews with architects, designers, and artists, and presents their work informally—as a fun assembly of ideas, stories, and conversations, all paired with cutting-edge photography and artwork. Both raw and glossy, this “cult design zine” (The New York Times) is a nimble mix of genres and themes, finding inspiration in the high and the low by casting a refreshingly playful eye on rare architectural gems, amazing interiors, smart design, and that fascinating area where those spheres connect with contemporary art. Included in The PIN-UP Interviews are the architects David Adjaye, Shigeru Ban, Ricardo Bofill, David Chipperfield, Zaha Hadid, Junya Ishigami, Rem Koolhaas, Peter Marino, Richard Meier, and Ettore Sottsass; artists Daniel Arsham, Cyprien Gaillard, Simon Fujiwara, Oscar Tuazon, Francesco Vezzoli, Boris Rebetez, Retna, Robert Wilson, and Andro Wekua; and designers Rafael de Cárdenas, Martino Gamper, Rick Owens, Hedi Slimane, Bethan Laura Wood, and Clémence Seilles.

Edited by Ralph Rugoff. Essays by Douglas Coupland, Lisa Robertson and Matthew Stadler.

From renowned photographer Melanie Acevedo and founding editor of domino magazine Dara Caponigro, comes a lush dive into the private worlds and gorgeous homes of creative trailblazers in art, design, and fashion around the world. The Authentics is a deep exploration into the substance of style through evocative photography and stimulating interviews that seek to unravel the tenets of taste and talent. The featured homeowners, all true originals, help define our culture--including interior designer Miles Redd, actress Peggy Lipton, and Libertine designer Johnson Hartig. With an artful mix of color and black-and-white photography that includes portraits, interiors, gardens, and still-life shots of flowers, food, and more, The Authentics examines the lives and work of these visionaries in an inspiring tribute to confidence, originality, and the power of finding one's own voice.

""Termite Art," in Farber's definition, is art born of observing and acknowledging the transitory nature of daily life. It is also a key antidote to the widespread problem of "White Elephant" art--big, swaggering "masterpiece art" self-consciously striving for greatness. In this book, artists, historians, and critics dive deep into art that forgoes such ambition in order to attend to the pleasures and problems of the everyday. The book is anchored by an essay by editor Helen Molesworth and features four contemporary commissioned artists' projects that exemplify "Termite Art," an interview with filmmaker Jean-Pierre Gorin, and a carefully selected collection of historical essays by and about Farber that functions as a reader on the subject"--

This catalog commemorates the exhibition Irving Gill: Progress & Poetry in Architecture and features essays by four San Diego experts on Gill who approach his buildings from personal hands-on experience, study, and reflection. And, in what may be the first compendium of its kind, we have also gathered the most important period writings by and about Gill and reprinted them here. Lavishly illustrated and published for the first time are historic photographs of Gill buildings made from glass slides circa 1910 that were commissioned and used by Irving Gill in his practice. The over 130-page publication includes essays by Erik Hanson, Paul and Sarai Johnson, and Roy McMakin, with the foreword by Bruce Coons, and introduction by Ann Jarmusch.

The most comprehensive volume on one of the most innovative architects of the 20th-century. Contains many never-published drawings & photographs. -- Tie-in with Museum of Contemporary Art, Los Angeles.