"The text of this book is an expanded version of the 'Cohn' Lecture which I gave at the Ashmolean Museum in Oxford in 1976, and the appendix of books with illustrations by Hokusai is intended to supersede the list that I first drew up for my 1954 Hokusai ... "--preface.

The life and work of Katsushika Hokusai, beautifully illustrated with perforated templates to help you learn to create similar art.

This beautifully produced book draws on the latest research, illustrating the complete set of drawings, published for the first time.

This profusely illustrated volume presents groundbreaking scholarship on the Ukiyo-e artist Katsushika Hokusai (1760-1849) and his immediate artistic and literary circles. Achieving worldwide renown for his dramatic landscape print series, such as the "Thirty-six Views of Mt. Fuji," Hokusai also excelled in book illustrations, erotica, and privately commissioned woodcuts called "surimono." Aspects of the artist's innovative and novel approach to the graphic arts are discussed in the first half of this volume. Less well known, Hokusai was a highly accomplished painter who oversaw a studio of several close pupils, including his daughter Ti, who often worked in a style closely resembling his own. The study of Hokusai's corpus of paintings thus raises many complex issues of authorship, dating and authenticity -- further complicated by the abundant production of forgeries both during and after his lifetime. An appendix of recognized Hokuzai seals helps further clarify this aspect of the artist's work. The distinguished roster of contributors includes: Asano Shugo, Gian Carlo Calza, John T. Carpenter, Timothy T. Clark, Doris Croissant, Kobayashi Tadashi, Kubota Kazuhiro Roger Keyes, Matsudaira Susumu, Matthi Forrer, Naito Masato, David Pollack, John M. Rosenfield, Timon Screech, Segi Shin'ichi, Henry D. Smith II, and Tsuji Nobuo. The publication is sponsored by the International Hokusai Research Centre at the University of Venice and the Sainsbury Institute for the Study of Japanese Arts and Cultures (SISJAC), London and Norwich.

A major publication on Hokusai's remarkable late work, incorporating fresh scholarship on the sublime paintings and prints the artist created in the last thirty years of his life

A deluxe, large-format edition of this beautifully illustrated introduction to Katsushika Hokusai, the most prolific artist of Japan's Edo period and master of ukiyo-e--"images of the floating world."

Mad about Painting collects beautiful new translations of Hokusai’s painting tutorials and related essays written by the artist and his peers—a selection made available in English for the first time. Best known for his iconic print Under the Wave off Kanagawa, also known as the Great Wave, Katsushika Hokusai was a revolutionary printmaker. His mastery of ukiyo-e in the nineteenth century has inspired generations of artists since, and his works helped introduce the world to the delicate beauty and power of the Japanese woodblock technique. In addition to his remarkable artistic output, Hokusai was also a dedicated teacher who sought to pass down his unique understanding of color and painting to practicing artists through immensely detailed written tutorials and manuals, many of which are excerpted here, in English, for the first time. Connecting Hokusai’s prints from the Edo period to contemporary Japanese art, the scholar Ryoko Matsuba’s introduction foregrounds Hokusai’s contributions to Japanese creative expression from the 1800s to today. Also included in this book: Vincent van Gogh’s letter about Hokusai’s Great Wave and the contemporary artist Ikeda Manabu’s concise observations about Hokusai’s lasting influence. This volume offers invaluable insight into the psyche of a true master, and a rare personal account of an artist’s life during a fascinating period in Japan’s history.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Latest title in the "Graphic Lives" series

A beautiful collection of Hokusai's prints, all from the largest collection of Japanese prints from outside of Japan The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator and print designer throughout his ninety-year lifespan. Yet his most famous works of all - the colour woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji - were produced within a relatively short time, in an amazing burst of creative energy that lasted from about 1830 to 1836. Hokusai's landscapes not only revolutionized Japanese printmaking but within a few decades of his death had become icons of world art as well. With stunning colour reproductions of works from the largest collection of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai's designs and the circumstances of their creation. All published prints of his eight major landscape series are included.