Through war, love affairs, children and old age, the Duracks' creative lives were always shaped by the enduring power of the Kimberley region. With unprecedented access to hundreds of private family letters, unpublished memoirs, diaries and papers, Brenda Niall gets to the heart of a uniquely Australian story.

‘... far better than any novel; an incomparable record of a greart family and of a series of great actions.’ The Bulletin When Patrick Durack left Western Ireland for Australia in 1853, he was to found a pioneering dynasty and build a cattle empire across the great stretches of Australia. With a profound sense of family history, his grand-daughter, Mary Durack, reconstructed the Durack saga - a story of intrepid men and ground-breaking adventure. This sweeping tale of Australia and Australians remains a classic nearly fifty years on.

Art & Life contains extracts from diaries, letters, essays, travelogues and poetry written by Elizabeth Durack (1915-2000) over the course of seven decades. With wit and candour, the writing reveals some of the most important influences and episodes - and the paradox - of her life. Durack read and travelled widely and drew inspiration from many sources: from the men and women she knew; from classical Western and ancient Aboriginal traditions; and from contemporary politics.

This gritty, unflinching philosophical detective novel addresses themes of Aboriginal rights, privilege, and art.

Reproduction of the original: Australian Legendary Tales by K. Langloh Parker

Dame Mary Durack Miller was born into a pastoral legacy that made her name famous even before she became one of Australia's most popular literary doyennes of the 20th century. Best known for her history of the Durack family, Kings in Grass Castles, Dame Mary was married to aviation pioneer Horrie Miller and was a sibling to the artist Elizabeth Durack. Among the multifarious threads woven into her life, she became a friend and confident to many celebrated writers, actors, and artists. Drawing on a great accumulation of first-hand sources, principally her mother's diaries and correspondence, Patsy Millett's book is about a well-known family who saw their prospects as blighted. Written from the unique perspective of someone born into the wash-up of the Durack dynasty, Patsy says her account 'will be controversial, as the reality behind the generally accepted facts has never been told.' Millet's story is unflinching. Her sharp, insightful prose and acerbic wit create an intimate portrait of an extraordinary writer whose family life was filled with triumph and tragedy.

This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.