Descriptions of dress, make-up, hair fashion, and physical beauty reflect the strict code of behavior regarding appearance in Victorian England.

This advice book to women details rules of hygiene and beauty and reflects the values placed on maintaining the image of the "lady."

Neither art nor philosophy was kind to beauty during the twentieth century. Much modern art disdains beauty, and many philosophers deeply suspect that beauty merely paints over or distracts us from horrors. Intellectuals consigned the passions of beauty to the margins, replacing them with the anemic and rarefied alternative, "aesthetic pleasure." In Only a Promise of Happiness, Alexander Nehamas reclaims beauty from its critics. He seeks to restore its place in art, to reestablish the connections among art, beauty, and desire, and to show that the values of art, independently of their moral worth, are equally crucial to the rest of life. Nehamas makes his case with characteristic grace, sensitivity, and philosophical depth, supporting his arguments with searching studies of art and literature, high and low, from Thomas Mann's Death in Venice and Manet's Olympia to television. Throughout, the discussion of artworks is generously illustrated. Beauty, Nehamas concludes, may depend on appearance, but this does not make it superficial. The perception of beauty manifests a hope that life would be better if the object of beauty were part of it. This hope can shape and direct our lives for better or worse. We may discover misery in pursuit of beauty, or find that beauty offers no more than a tantalizing promise of happiness. But if beauty is always dangerous, it is also a pressing human concern that we must seek to understand, and not suppress.

The Beauty and the Beast legend has a universal appeal; the tale exists in numerous versions throughout the world. After all of its ups and downs, Disney's Beauty and the Beast was released in 1991 to rave reviews and record-breaking business. The film was widely hailed as a technical and aesthetic breakthrough. It was the first of only three animated features ever to be nominated for an Oscar for Best Picture. Its success has since spun into a smash Broadway musical adaptation, intricately detailed environments at Walt Disney World, and soon a live-action movie musical directed by Bill Condon. This authoritative book features interviews with artists, producers, directors, writers, actors, and more from the various beloved installments-making it a treasure trove of delights for fans of the tale as old as time.

"The Art and Science of Beauty Therapy" is a detailed yet portable reference for esthetics and cosmetology students. Supporting learners as they build their knowledge, treatments and procedures are explained with concise text and demonstrated by clear illustrations and photographs. Including sections of professional practice, anatomy and physiology, and cosmetic science, this book provides the essential groundwork required to become a rounded and successful beauty practitioner.

Reproduction of the original: The Toilet of Flora by Pierre-Joseph Buc’hoz

A curator-led tour through more than one hundred masterworks.

Lacey Yeager is young, captivating, and ambitious enough to take the NYC art world by storm. Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights--and, at times, the dark lows--of the art world and the country from the late 1990s through today.

Leading art critic and philosopher Arthur Danto here explains how the anti-beauty revolution was hatched, and how the modernist avant-garde dislodged beauty from its throne. Danto argues not only that the modernists were right to deny that beauty is vital to art, but also that beauty is essential to human life and need not always be excluded from art.