Landscape Artist of the Canyon Country Winner of the 2016 Evans Handcart Award While this beautiful book showcases the fabulous artwork of renowned Utah landscape artist Jimmie Jones, it also delves into his history, motivation, education, and progression as an artist. Author James Aton, through his meticulous research and writing, weaves an interesting and in-depth narrative of Jones' life, accented with archival photographs, to accompany the numerous art images. The art presented in this book begins from Jones' childhood, crayon colorings saved by his mother, through his portrait period, including works from the fourteen winters Jones lived in San Blas, Mexico, to images from the years he spent painting various views of the Grand Canyon, Zion National Park, and the other exquisite canyons of southern Utah. The Art and Life of Jimmie Jones will be a valued addition to any art lover's book collection. JAMES M. ATON is a professor of English at Southern Utah University in Cedar City, Utah. He is the author of John Wesley Powell and Jim Jones: The San Blas Years and the coauthor of River Flowing from the Sunrise: An Environmental History of the Lower San Juan and The River Knows Everything: Desolation Canyon and the Green.

FOX NFL Sunday analyst and legendary Hall of Fame head football coach Jimmy Johnson—the first to win both a college football championship and a Super Bowl—shares his long-awaited, intimate, no-regrets memoir recounting his extraordinary life and insightful lessons on winning, at every level. Hall of Fame football coach Jimmy Johnson’s house isn’t on the way to anything. Yet, his private sanctuary on the Florida Keys’ Islamorada islands is a popular destination to which college and professional coaches, general managers, and team owners regularly trek to seek advice—how to build a positive team culture, draft elite players, balance work and family life, and lead a team to win. Why? Because Jimmy Johnson has done it all—rising through the college coaching ranks to lead the University of Miami Hurricanes to a national championship, winning two consecutive Super Bowls with the Dallas Cowboys, and handling public triumphs while dealing with private adversity. Now, written with veteran sports journalist Dave Hyde, Johnson shares a candid account of his life experiences that have turned him into a legend in the coaching world. From his early days on the college football fields at Louisiana Tech to his arrival as the Cowboys’ coach in 1989, Swagger traces the history of Johnson’s career, and his lifelong mission to win. His larger-than-life personality and hard-driving, tough-talking coaching style led him to become one of only six coaches in NFL history to win back-to-back Super Bowls. Swagger shows the behind-the-scenes details of his professional conflict with Cowboys owner Jerry Jones and his personal revelations following his mother’s death and his son’s struggle with addiction. It reveals Johnson’s formula for winning, including his criteria for identifying talent, his core beliefs, how he replaced legendary coaches like Tom Landry and Don Shula, coached stars from a young Troy Aikman to an aging Dan Marino, and established the ever-elusive sense of “culture” that every team leader hopes to achieve. More than a highlight reel, Swagger reveals the hard-won lessons Jimmy Johnson has learned both as a man and as a coach through a lifetime dedicated to excellence.

Utah Art, Utah Artists surveys 150 years of the extraordinary talent and achievements of Utah artists. This overview ranges from the sublime paintings of a resourceful ranching woman to the polished work of artists trained in Paris, Rome, and New York. It highlights the rural and the cosmopolitan, the traditional and the modern, the concrete and the transcendent that encompass Utah art. This sweeping exhibition showcases 300 works of art by 220 artists painstakingly compiled from a list of 10,000 Utah artists. Selection was made in light of five considerations: quality of the work; critical acclaim and professional success of the artist; belated but deserved recognition of the artist; young emerging artists who are the future of art in Utah; and a representative sampling of periods, styles, mediums and geographic regions of the state. One hundred twenty of the artworks are reproduced in rich color, most illustrated for the first time. Selected works and biographical material on the artists are presented chronologically, providing a perspective on Utah art that will make this volume an essential reference for collectors, scholars, and enthusiasts of Utah art. Vern G. Swanson, Ph.D., has been the director of the Springville Museum of Art since 1980. He has written numerous books and articles and he is coauthor with Drs. R. S. Olpin and W. C. Seifrit of Utah Art, Utah Painting and Sculpture, and Utah Arts. Robert S. Olpin, Ph.D., a University of Utah Professor of Art History, has become a familiar face on his eighteen-part television course on the Art Life in Utah series. He has acted as a consultant to such organizations as the National Gallery and Vose Galleries. Donna L. Poulton, Ph.D., is the Assistant Curator of Exhibitions at the Springville Museum if Art. For the past three years she has been documenting and chronicling, on film, the lives and works of Utah artists. Janie L. Rogers, M.A., wrote her master's thesis on Utah architecture. Rogers is a founding member of the Associated Art Historians, Inc., Salt Lake City.

From Aagard to Zwara with artists in-between, the authors have detailed the many and varied artists, photographers, sculptors, architects, and craftspeople who inhabited Utah at one time or another. ARTISTS OF UTAH brings the reader up to date on the expanding face of Utah and its native, adopted, and itinerant artists. Hardback; 150 color

"In 1931 a group from Harvard University's Peabody Museum accomplished something that had never been attempted in the history of American archaeology: a six-week, four-hundred-mile horseback survey of Fremont prehistoric sites through some of the West's most rugged terrain. The expedition was successful, but a report on the findings was never completed. What should have been one of the great archaeological stories in American history was relegated to boxes and files in the basement of the Peabody Museum at Harvard. Now, based on over a thousand pages of documents (field journals, correspondence, and receipts) and over four hundred photographs, this book recounts the remarkable day-to-day adventures of this crew of one professor, five students, and three Utah guides who braved heat, fatigue, and the dangerous canyon wilderness to reveal vestiges of the Fremont culture in the Tavaputs Plateau and Uinta Basin areas. To better tell this story, authors Spangler and Aton undertook extensive fieldwork to confirm the sites; their recent photographs and those of the original expedition are shared on these pages. This engaging narrative situates the 1931 survey and its discoveries within the history of American archaeology"--Provided by publisher.

"Novelistic, perfectly plotted and quite possibly the best pop-star autobiography yet written." - The Wall Street Journal Jimmy Webb’s words have been sung to his music by a rich and deep roster of pop artists, including Glen Campbell, Art Garfunkel, Frank Sinatra, Donna Summer and Linda Ronstadt. He’s the only artist ever to win Grammy Awards for music, lyrics, and orchestration, and his chart-topping career has, so far, lasted fifty years, most recently with a Kanye West rap hit and a new classical nocturne. Now, in his first memoir, Webb delivers a snapshot of his life from 1955 to 1970, from simple and sere Oklahoma to fast and fantastical Los Angeles, from the crucible of his family to the top of his longed-for profession. Webb was a preacher’s son whose father climbed off a tractor to receive his epiphany, and Jimmy, barely out of his teen age years, sank down into the driver’s seat of a Cobra to speed to Las Vegas to meet with Elvis. Classics such as “Up, Up and Away”, “By the Time I Get to Phoenix”, “Wichita Lineman”, “Galveston”, “The Worst that Could Happen”, “All I Know”, and “MacArthur Park” were all recorded by some of the most important voices in pop before Webb’s twenty-fifth birthday: he thought it was easy. The sixties were a supernova, and Webb was at their center, whipsawed from the proverbial humble beginnings into a moneyed and manic international world of beautiful women, drugs, cars and planes. That stew almost took him down—but Webb survived, his passion for music and work among his lifelines. The Cake and The Rain is a surprising and unusual book: Webb’s talent as a writer and storyteller is here on every page. His book is rich with a sense of time and place, and with the voices of characters, vanished and living, famous and not, but all intimately involved with him in his youth, when life seemed nothing more than a party and Webb the eternal guest of honor.

This new edition includes an introduction by Karl Eden putting events in Waco, Texas into context.

Reveals ways Reverend Jim Jones was able to exploit & ultimately exterminate approx. 300 children in Jonestown, Guyana, while authorities looked the other way, & calls for evaluation of guardianship laws.

*"The rhythm and flow of words perfectly match the art while advising readers to choose love and use their voices in a powerful song." --School Library Journal (starred review) From rising country star Jimmie Allen comes a lyrical celebration of the many types of voices that can effect change. From voices tall as a tree, to voices small as a bee, all it takes is confidence and a belief in the goodness of others to change the world. Coming at a time when issues of social justice are at the forefront of our society, this is the perfect book to teach children in and out of the classroom that they're not too young to express what they believe in and that all voices are valuable. The perfect companion for little readers going back to school!

The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Equal parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alike. John Ashbery recalls finding Rimbaud’s poetry through his first gay crush at sixteen; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmy Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women’s Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard. Jarrett Earnest’s wide-ranging conversations with critics, historians, journalists, novelists, poets, and theorists—each of whom approach the subject from unique positions—illustrate different ways of writing, thinking, and looking at art. Interviews with Hilton Als, John Ashbery, Bill Berkson, Yve-Alain Bois, Huey Copeland, Holland Cotter, Douglas Crimp, Darby English, Hal Foster, Michael Fried, Thyrza Nichols Goodeve, Dave Hickey, Siri Hustvedt, Kellie Jones, Chris Kraus, Rosalind Krauss, Lucy Lippard, Fred Moten, Eileen Myles, Molly Nesbit, Jed Perl, Barbara Rose, Jerry Saltz, Peter Schjeldahl, Barry Schwabsky, Paul Chaat Smith, Roberta Smith, Lynne Tillman, Michele Wallace, and John Yau.