This collection investigates the architecture of focus in linguistic theory from different theoretical perspectives. Research on focus and information structure in the last four decades has shown that the phenomenon of focus is highly complex, the theoretical approaches manifold, and the data highly sensitive. The main emphasis has been placed on the integration of the notion of focus in generative grammar. In recent years, however, the approaches to focus and information structure underwent a radical change in perspective. The theoretical concept of focus, its related terms and phenomena became the object of research. Along with it, the research questions shifted: instead of locating focus in the architecture of grammar, linguists investigate the architecture of focus itself. The central underlying idea of this collection is to document this change in perspective with the aim of isolating essential keystones and research areas in both the theoretical and empirical domain. The book is structured accordingly. Following the introduction, there are four main sections: The general section discusses the theoretical foundations of focus within grammar. The second section hosts papers which investigate the representation of focus and topic at the syntax-pragmatics interface. The third section discusses the phonological representation of focus and its relation to meaning. The papers of the final section investigate different types of focus constructions in a variety languages. The collection of papers on the architecture of focus, its interpretation and representation mirror the establishment of the focus research field.

This title documents the shift from the building as structure to the building as image. This exploration of the use and significance of two-dimensional images in contemporary architecture looks at the works of major designers, including Zaha Hadid, Herzog and de Meuron, Rem Koolhass, and MVRDV, among others.

Light is a prerequisite for architecture, since it is the element that renders walls and spaces visible. With the right light, well-designed buildings and interiors are considerably enhanced. In recent years, supported by groundbreaking technological innovations, the use of light in architecture and interior design has become more creative, lively and colorful than ever. Not only have these developments allowed for more artistry in the field, but lighting design has also become part of energy-saving concepts. Light in Architecture presents 123 projects by architects and designers all around the world, where the use of natural and artificial light is the defining element: the C42 Showroom in Paris, the Air Traffic Control Tower in Vienna, the Supperclub in Singapore, the Greenpix Zero Energy Wall in Beijing, the Ave Maria Chapel in Naples, FL, the Koukjian Jewelry in Beirut and the Deloitte Headquarters in Copenhagen - this volume allows every imaginable use of light in every sector to shine.

Extraordinary architecture addresses so much more than mere practical considerations. It inspires and provokes while creating a seamless experience of the physical world for its users. It is the rare writer that can frame the discussion of a building in a way that allows the reader to see it with new eyes. Writing About Architecture is a handbook on writing effectively and critically about buildings and cities. Each chapter opens with a reprint of a significant essay written by a renowned architecture critic, followed by a close reading and discussion of the writer's strategies. Lange offers her own analysis using contemporary examples as well as a checklist of questions at the end of each chapter to help guide the writer. This important addition to the Architecture Briefs series is based on the author's design writing courses at New York University and the School of Visual Arts. Lange also writes a popular online column for Design Observer and has written for Dwell, Metropolis, New York magazine, and The New York Times. Writing About Architecture includes analysis of critical writings by Ada Louise Huxtable, Lewis Mumford, Herbert Muschamp, Michael Sorkin, Charles Moore, Frederick Law Olmsted, and Jane Jacobs. Architects covered include Marcel Breuer, Diller Scofidio + Renfro, Field Operations, Norman Foster, Frank Gehry, Frederick Law Olmsted, SOM, Louis Sullivan, and Frank Lloyd Wright.

Pharmacies are a special kind of store, because nothing is as important as health. The tightly regulated medicine market is changing, and pharmacists face more and more competition from other healthcare providers as well as within their own profession. As products and prices generally standardized, pharmacists must win customer loyalty in other ways. In addition to professional competence, friendliness, and an extended range of products and services, the atmosphere of pharmacy itself takes on a crucial role. This places particular importance on the interior design, since that is what sets the tone of the consumer experience. This volume presents 75 projects which demonstrate the creative finesse of the pharmacists, architects and designers who face these challenges. The selection includes projects by renowned specialists such as Mobil M and Plaren, as well as top designers like Karim Rashid and Ippolito Fleitz Group, who each approach this special design task from different perspectives.

This book looks at relationships between the organization of physical objects in space and the organization of ideas. Historical, philosophical, psychological and architectural knowledge are united to develop an understanding of the relationship between information and its representation. Despite its potential to break the mould, digital information has relied on metaphors from a pre-digital era. In particular, architectural ideas have pervaded discussions of digital information, from the urbanization of cyberspace in science fiction, through to the adoption of spatial visualizations in the design of graphical user interfaces. This book tackles: the historical importance of physical places to the organization and expression of knowledge the limitations of using the physical organization of objects as the basis for systems of categorization and taxonomy the emergence of digital technologies and the twentieth century new conceptual understandings of knowledge and its organization the concept of disconnecting storage of information objects from their presentation and retrieval ideas surrounding ‘semantic space’ the realities of the types of user interface which now dominate modern computing.

In the age of multichannel commerce, shopping malls and department stores are faced with difficult challenges coupled with new and promising perspectives. The objective for a winning concept is to optimize the quality of stay by indulging visitors so they spend as much time as possible on site. The customer must conceive the visit as an all-around inspiring experience which engages the senses beyond the consumption of goods. This occurs by diversifying the offer with cultural institutions, a variety of dining opportunities and exciting leisure activities. Architectural quality as well as the targeted use of design is playing an increasingly important role. This richly illustrated volume with its detailed planning material presents the newest trends and developments in the context of current projects from around the world.

From Bruno Taut's glass house to the Crystal Palace, geodesic domes to the Millennium Dome, this lavishly illustrated exploration of lightness in architecture explains how and why the movement began, and shows where it will take us in the future. Architecture has been moving towards lightness since the beginning of the twentieth century. As new building materials become available, and as land disappears, architects have focused on efficiency, impermanence and flexibility in structures. Illustrating the achievements of the most visionary architects of the past and present, Featherweights traces the evolution of lightness in architecture from the fantastic glass structures of the early twentieth century to the latest hi-tech materials for the third millennium. Covering everything from pre-fab houses to inflatable buildings, utopian architecture to virtual cities, this fascinating exploration illustrates the ongoing dialogue between shelter and society and offers exciting glimpses into a future in which gravity is optional.

Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new material on the use of energy, particularly solar energy, in human environments. Included in the new material are discussions of Indian pueblos and solar architecture, the Centre Pompidou and other high-tech buildings, and the environmental wisdom of many current architectural vernaculars.

Fuelled by continuing media coverage of issues such as food safety, pollution, GM foods and the risks of new technologies, the public want to know what they can do to protect themselves and their families from harm and their environment from damage. Eco Living is the essential handbook for green living today.