The story of Australian architecture might be said to parallel the endeavours of Australians to adapt & reconcile themselves with their home & neighbours. It is the story of 200 years of coming to terms with the land: of adaptation, insight & making do. Early settlers were poorly provisioned, profoundly ignorant of the land & richly prejudiced towards its peoples. They pursued many paths over many terrains. From the moist temperate region of Tasmania with heavy Palladian villas to the monsoonal north with open, lightweight stilt houses, the continent has induced most different regional building styles.

Crucial record of the best buildings created in one of the most fascinating and dynamic countries in the world. recording some two hundred of the most significant strauctures and places. These projects range from the breezy east-coast houses of Clare Design and Peter Stutchbury and the stadia built for the Sydney Olympics, to Melbourne's wave of daring monuments by Denton Corker Marshall, Peter Corrigan, Ashton Raggatt McDougall and Wood Marsh.

Developing an improved understanding of emerging flood risk management and urban water management was the goal set for research presented at the 6th International Conference on Flood and Urban Water Management, held in A Coruña, Spain. The published papers look to solve various challenges in this field by drawing on the expertise of numerous disciplines and considering a range of responses. Flooding is a global phenomenon that claims numerous lives worldwide each year. When flooding occurs in urban areas, it can cause substantial damage to property as well as threaten human life. In addition, many more people must endure the homelessness, upset and disruption that are left in the wake of floods. The increased frequency of flooding in the last few years, coupled with climate change predictions and urban development, suggest that these impacts are set to worsen in the future. How we respond and importantly, adapt to these challenges is key to developing our long-term resilience at the property, community and city scale. Apart from the physical damage to buildings, contents and loss of life, which are the most obvious, impacts of floods upon households, other more indirect losses are often overlooked. These indirect and intangible impacts are generally associated with disruption to normal life as well as long-term health issues including community displacements and stress-related illnesses. Flooding represents a major barrier to the alleviation of poverty in many parts of the developing world, where vulnerable communities are often exposed to sudden and life-threatening events. As our cities continue to expand, their urban infrastructures need to be re-evaluated and adapted to new requirements related to the increase in population and the growing areas under urbanization. The papers contained in this book consider these problems and deals with two main urban water topics: water supply systems and urban drainage.

This collection interrogates relationships between court architecture and social justice, from consultation and design to the impact of material (and immaterial) forms on court users, through the lenses of architecture, law, socio-legal studies, criminology, anthropology, and a former senior federal judge. International multidisciplinary collaborations and single-author contributions traverse a range of methodological approaches to present new insights into the relationship between architecture, design, and justice. These include praxis, photography, reflections on process and decolonising practice, postcolonial, feminist, and poststructural analysis, and theory from critical legal scholarship, political science, criminology, literature, sociology, and architecture. While the opening contributions reflect on establishing design principles and architectural methodologies for ethical consultation and collaboration with communities historically marginalised and exploited by law, the central chapters explore the textures and affects of built forms and the spaces between; examining the disjuncture between design intention and use; and investigating the impact of architecture and the design of space. The collection finishes with contemplations of the very real significance of material presence or absence in courtroom spaces and what this might mean for justice. Courthouse Architecture, Design and Social Justice provides tools for those engaged in creating, and reflecting on, ethical design and building use, and deepens the dialogue across disciplinary boundaries towards further collaborative work in the field. It also exists as a new resource for research and teaching, facilitating undergraduate critical thought about the ways in which design enhances and restricts access to justice.

This book examines the Australia-ASEAN Dialogue Partnership since its inception in 1974 and looks at the networks of engagement that have shaped relations across three areas: regionalism, non-traditional security, and economic engagement.

This book provides a comparative assessment of the material and ideational contributions of five countries to the regional architecture of post-Cold War Asia. In contrast to the usual emphasis placed on the role and centrality of the Association of Southeast Asian Nations (ASEAN) in Asia’s multilateral architecture and its component institutions, this book argues that the four non-ASEAN countries of interest here 3⁄4 Australia, Japan, China and the United States 3⁄4 and Indonesia have played and continue to play an influential part in determining the shape and substance of Asian multilateralism from its pre-inception to the present. The work does not contend that existing scholarship overstates ASEAN’s significance to the successes and failures of Asia’s multilateral enterprise. Rather, it claims that the impact of non-ASEAN stakeholders in innovating multilateral architecture in Asia has been understated. Whether ASEAN has fared well or poorly as a custodian of Asia’s regional architecture, the fact remains that the countries considered here, notwithstanding their present discontent over the state of that architecture, are key to understanding the evolution of Asian multilateralism. This book will be of much interest to students of Asian politics, international organisations, security studies and IR more generally.

This book addresses the work of architect John Dalton (1927-2007), an important voice in mid-century modernism in Australia whose work, despite his being exhibited and published internationally and also winning several awards for his designs, is woefully little known. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the book draws on previously unpublished archival documents, including Dalton's drawings and paintings, transcripts of lectures, letters and articles, plans and photographic images of built works, to characterize the architect not only as a very talented designer, but also as a pioneer of environmentalist thinking in Australia. The book reveals how Dalton's architectural preoccupations parallel a transition in mid-century modern architecture globally from functional efficiency and material rationalism, to a concern with being in dialogue with the environment, confirming a wider 'environmental turn' that involved the integration of environmental with cultural considerations through relational thinking, and which preceded and transcends the discipline's fascination with theoretical paradigms such as Critical Regionalism. John Dalton: Subtropical Modernism and the Turn to Environment in Australian Architecture is thus not only an important contribution to the existing scholarship on 20th century modernism, but also to the current renewed interest in environmental design across the globe.

In Australia, the artist’s engagement with the museum is traditionally regarded as having an important role in the colonial project but, as times have changed, the post-colonial viewpoint has come to the fore. The authors of Australian Artists and the Museum propose that the artists’ engagement has moved from politically informed critique taking place in museums of fine art, towards a critique of the creation of knowledge taking place in non-art museums, assuming new forms, including the artist acting as curator, art interventions that highlight the use of taxonomic modes of display and categorization, and the engagement with the aesthetics of collections to suggest different readings of objects and artefacts.

Both architecture and anthropology emerged as autonomous theoretical disciplines in the 18th-century enlightenment. Throughout the 19th century, the fields shared a common icon—the primitive hut—and a common concern with both routine needs and ceremonial behaviours. Both could lay strong claims to a special knowledge of the everyday. And yet, in the 20th century, notwithstanding genre classics such as Bernard Rudofsky’s Architecture without Architects or Paul Oliver’s Shelter, and various attempts to make architecture anthropocentric (such as Corbusier’s Modulor), disciplinary exchanges between architecture and anthropology were often disappointingly slight. This book attempts to locate the various points of departure that might be taken in a contemporary discussion between architecture and anthropology. The results are radical: post-colonial theory is here counterpoised to 19th-century theories of primitivism, archaeology is set against dentistry, fieldwork is juxtaposed against indigenous critique, and climate science is applied to questions of shelter. This publication will be of interest to both architects and anthropologists. The chapters in this book were originally published within two special issues of Architectural Theory Review.