Hedrich Blessing has taken over 500,000 photographs, an archive so vast and historically valuable that it was donated to the Chicago Historical Society for preservation."--BOOK JACKET.

The birthplace of the skyscraper, Chicago is famous for an architectural tradition that has influenced building around the globe. It is the cradle of modern architecture. It gave rise to the urban office building and to the flowing, open floor plans of today’s homes. Chicago Architecture and Design chronicles the city’s architecture from the 19th through the early 21st century: from the structural simplicity of Chicago School commercial building to the low-slung Prairie School house, from the streamlined Art Deco skyscraper to the minimalist Miesian tower of glass and steel, and all the way through to the strikingly original, diverse designs of the present day’s second modern period. It examines the evolution of modern architecture in the context of broader historical, social, technological, and artistic currents and explores innovations that pushed buildings ever higher. This third edition adds 10 new buildings from the last decade, including Renzo Piano’s Modern Wing of the Art Institute, John Ronan’s Poetry Foundation, and Helmut Jahn’s Mansueto Library at the University of Chicago.

Publisher Description

Completely revised and updated, AIA Guide to Chicago, Second Edition is the liveliest and most wide-ranging guide ever written about Chicago's architecture. More than a thousand individual buildings are featured, along with more than four hundred photos-many taken expressly for this volume-and thirty-five specially commissioned maps. The book is arranged geographically so that the user, whether Chicago citizen or visitor, can tour each area of the city as conveniently as possible. Building descriptions focus on the illuminating-but easily overlooked-details that give the behind-the-scenes, often unexpected story of why a building took the shape it did. And in the best Chicago tradition, this guide does not shy away from opinions where opinions are called for. Comprehensively researched, meticulously written, and more than thorough.

Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.

Based on the recent discovery of his fully-preserved private archive-models, photos, letters, business files, and drawings-this book tells the story of Theodore Conrad (1910-1994), the most prominent and prolific architectural model-maker of the 20th century. Conrad's innovative models were instrumental in the design and realization of many icons of American Modernism-from the Rockefeller Center to Lever House and the Seagram Building. He revolutionized the production of architectural models and became a model-making entrepreneur in his own right. Yet, despite his success and the well-known buildings he helped to create, until now little has been known about Conrad's work and his impact on 20th century architectural history. With exclusive access to Conrad's archive, as well as that of model photographer Louis Checkman-both of which have lain undiscovered in private storage for decades-this book examines Conrad's work and legacy, accompanied by case studies of his major commissions and full-color photographs of his works. Set against the backdrop of the surge in model-making in the 1950s and 1960s-which Jane Jacobs called “The Miniature Boom”-it explores how Conrad's models prompt broader scholarly questions about the nature of authorship in architecture, the importance of craftsmanship, and about the translation of architectural ideas between different media. The book ultimately presents an alternative history of American modern architecture, highlighting the often-overlooked influence of architectural models and their makers.

The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other. A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era. Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions. He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC. As Emily Bills critically assess Thom’s career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.

Photographic and poetic essay of the Pine Hollow house.

A collection of photocopied articles published about the David Adler exhibition held at the Art Institute of Chicago, December 6, 2002 to May 18, 2003.