Outside of scientific journals, archaeologists are depicted as searching for lost cities and mystical artifacts in news reports, television, video games, and movies like Indiana Jones or The Mummy. This fantastical image has little to do with day-to-day science, yet it is deeply connected to why people are fascinated by the ancient past. By exploring the development of archaeology, this book helps us understand what archaeology is and why it matters. In Spooky Archaeology author Jeb J. Card follows a trail of clues left by adventurers and professional archaeologists that guides the reader through haunted museums, mysterious hieroglyphic inscriptions, fragments of a lost continent that never existed, and deep into an investigation of magic and murder. Card unveils how and why archaeology continues to mystify and why there is an ongoing fascination with exotic artifacts and eerie practices.

Many people are familiar with the Irish archaeological landscapes of Newgrange and the Boyne Valley, and the royal sites of Rathcroghan in Co. Roscommon, Navan in Co. Armagh and Tara in Co. Meath. In this book, John Waddell focuses on aspects of the mythology associated with these places, demonstrating that elements of pre-Christian Celtic myth preserved in medieval Irish literature shed light on older traditions and beliefs, not just in Ireland but elsewhere in Europe as well. Their mythological associations permit the exploration of the archaeological implications of several mythic themes, namely sacral kingship, a sovereignty goddess, solar cosmology and the perception of an Otherworld.

Iron Age Myth and Materiality: an Archaeology of Scandinavia AD 400-1000 considers the relationship between myth and materiality in Scandinavia from the beginning of the post-Roman era and the European Migrations up until the coming of Christianity. It pursues an interdisciplinary interpretation of text and material culture and examines how the documentation of an oral past relates to its material embodiment. While the material evidence is from the Iron Age, most Old Norse texts were written down in the thirteenth century or even later. With a time lag of 300 to 900 years from the archaeological evidence, the textual material has until recently been ruled out as a usable source for any study of the pagan past. However, Hedeager argues that this is true regarding any study of a society’s short-term history, but it should not be the crucial requirement for defining the sources relevant for studying long-term structures of the longue durée, or their potential contributions to a theoretical understanding of cultural changes and transformation. In Iron Age Scandinavia we are dealing with persistent and slow-changing structures of worldviews and ideologies over a wavelength of nearly a millennium. Furthermore, iconography can often date the arrival of new mythical themes anchoring written narratives in a much older archaeological context. Old Norse myths are explored with particular attention to one of the central mythical narratives of the Old Norse canon, the mythic cycle of Odin, king of the Norse pantheon. In addition, contemporaneous historical sources from late Antiquity and the early European Middle Age - the narratives of Jordanes, Gregory of Tours, and Paul the Deacon in particular - will be explored. No other study provides such a broad ranging and authoritative study of the relationship of myth to the archaeology of Scandinavia.

The Jewish people's historical claims to a small area of land bordering the eastern Mediterranean are not only the foundation for the modern state of Israel, they are also at the very heart of Judeo-Christian belief. Yet in The Mythic Past, Thomas Thompson argues that such claims are grounded in literary myth, not history. Among the author's startling conclusions are these: There never was a "united monarch" of Israel in biblical times -- We can no longer talk about a time of the Patriarchs -- The entire notion of "Israel" and its history is a literary fiction. The Mythic Past provides refreshing new ways to read the Old Testament as the great literature it was meant to be. At the same time, its controversial conclusions about Jewish history are sure to prove incendiary in a worldwide debate about one of the world's seminal texts, and one of its most bitterly contested regions.

Applying the legend of the "stranger king" to Caonabo, the mythologized Taino chief of the Hispaniola settlement Columbus invaded in 1492, Keegan examines how myths come to resonate as history--created by the chaotic interactions of the individuals who lived the events of the past as well as those who write and read about them. The "stranger king" story told in many cultures is that of a foreigner who comes from across the water, marries the king's daughter, and deposes the king. In this story, Caonabo, the most important Taíno chief at the time of European conquest, claimed to be imbued with Taino divinity, while Columbus, determined to establish a settlement called La Navidad, described himself as the "Christbearer." Keegan's ambitious historical analysis--knitting evidence from Spanish colonial documents together with data gathered from the archaeological record--provides a new perspective on the encounters between the two men as they vied for control of the settlement, a survey of the early interactions of the Tainos and Spanish people, and a complex view of the interpretive role played by historians and archaeologists. Presenting a new theoretical framework based on chaos and complexity theories, this book argues for a more comprehensive philosophy of archaeology in which oral myths, primary source texts, and archaeological studies can work together to reconstruct a particularly rich view of the past.  A volume in the Florida Museum of Natural History: Ripley P. Bullen Series

Forges innovative connections between monastic archaeology and heritage studies, revealing new perspectives on sacred heritage, identity, medieval healing, magic and memory. This title is available as Open Access.

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Accompanying CD-ROM contains ... "all relevant illustrations from the book, arranged in alphabetical order according to mythological character. To increase the usefulness of the [CD-ROM], supplementary images not in the book have been added[.]"--P. xv.