The swirling, organic forms of Art Nouveau have been adapted into sixteen dynamic designs for this beautiful stained glass coloring book. Featuring women, flowers, birds, and animals, these magnificent illustrations are printed on translucent paper — mount them on your windows after coloring for a stained glass glow.

Abundantly illustrated, easy-to-follow introduction lets beginners andadvanced workers create decorative panels, mirrors, vases, lamps 36 attractive projects in all. "

By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts.Beautifully illustrated with color plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.

This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries – the modern era.

The stained glass windows of England's cathedrals and churches are masterpieces of colour and storytelling, and for a thousand years they have brought meaning and beauty to worshippers and visitors alike. This book traces the history of stained glass from its Anglo-Saxon origins until the present day, explaining how some of Europe's greatest artists have created these unique 'paintings with light'. It also offers fascinating insights into how medieval people 'saw' stained glass. A hundred beautiful photographs make this book indispensable reading for anyone interested in church or art history and a helpful gazetteer lists where to see more than 500 outstanding windows.

"Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art"--Provided by publisher.

The magical qualities of stained glass have an enduring appeal, but church windows tend to be ignored as a form of creative and artistic expression. How to Look at Stained Glass is a fresh, unstuffy guide, which explores the medium by themes, patterns, designs, and effects. Using an A-Z format to reveal a multitude of fascinating details - all the way from apples to zig-zags - it makes looking at gloriously colourful, artistically important windows entertaining and rewarding. This layman's guide requires no previous historical, artistic or religious knowledge and the A-Z miscellany is in keeping with the pot-luck mix of windows to be found in most churches. It covers all the major periods and styles from medieval to modern, Victorian to post-war, eighteenth century to Arts and Crafts, figurative to abstract, and examines the fascinating and evolving iconography of stained glass. Illustrated in black & white and colour and with a list of the top 30 places to see outstanding examples, How to Look at Stained Glass is all that is needed to make sense of and enjoy the array of stained glass windows in the churches of England.

The Detroit area boasts many fine examples of stained glass representing a variety of periods and styles. The European stained glass collection at teh Detroit Institute of Arts ranks amongst the most important in the United States. Churches and synagogues contain panels from notable designsers and studios, and exquisite glass can also be found in many public and private buildings like the Detroit Public Library, Cranbrook House, the Guardian Building, and the David Whitney, Jr., house. Discovering Stained Glass in Detroit contains sixty examples of the area's stained glass treasures, each stunningly presented in full color. Author Nola Huse Tutag accompanies each illustration with an explanatory text. Line drawings illustrate the buildings where the panels are located. The windows represent works by designers such as Louis Comfort Tiffany, Charles J. Connick, Frank Lloyd Wright, Henry Matisse, as well as those from European and American studios.