A graphic history which tells the story of the landing of the ANZACs on Gallipoli during the 1914 - 1918 War.

Anzac Memories was first published to acclaim in 1994, and has achieved international renown for its pioneering contribution to the study of war memory and mythology. Michael McKernan wrote that the book gave ‘as good a picture of the impact of the Great War on individuals and Australia as we are likely to get in this generation’, and Michael Roper concluded that ‘an immense achievement of this book is that it so clearly illuminates the historical processes that left men like my grandfather forever struggling to fashion myths which they could live by’. In this new edition Alistair Thomson explores how the Anzac legend has transformed over the past quarter century, how a ‘post-memory’ of the Great War creates new challenges and opportunities for making sense of the national past, and how veterans’ war memories can still challenge and complicate national mythologies. He returns to a family war history that he could not write about twenty years ago because of the stigma of war and mental illness, and he uses newly released Repatriation files to question his own earlier account of veterans’ post-war lives and memories and to think afresh about war and memory.

‘A century ago we got it wrong. We sent thousands of young Australians on a military operation that was barely more than a disaster. It’s right that a hundred years later we should feel strongly about that. But have we got our remembrance right? What lessons haven’t we learned about war, and what might be the cost of our Anzac obsession?’ Defence analyst and former army officer James Brown believes that Australia is expending too much time, money and emotion on the Anzac legend, and that today’s soldiers are suffering for it. Vividly evoking the war in Afghanistan, Brown reveals the experience of the modern soldier. He looks closely at the companies and clubs that trade on the Anzac story. He shows that Australians spend a lot more time looking after dead warriors than those who are alive. We focus on a cult of remembrance, instead of understanding a new world of soldiering and strategy. And we make it impossible to criticise the Australian Defence Force, even when it makes the same mistakes over and over. None of this is good for our soldiers or our ability to deal with a changing world. With respect and passion, Brown shines a new light on Anzac’s long shadow and calls for change. "Bold, original, challenging - James Brown tackles the burgenoning Anzac industry and asks Australians to re-examine how we think about the military and modern-day service." - Leigh Sales "The best book yet written, not just on Australia's Afghan war, but on war itself and the creator/destroyer myth of Anzac." - John Birmingham James Brown is a former Australian Army officer, who commanded a cavalry troop in Southern Iraq, served on the Australian taskforce headquarters in Baghdad, and was attached to Special Forces in Afghanistan. Today he is the Military Fellow at the Lowy Institute for International Policy where he works on strategic military issues and defence policy. He also chairs the NSW Government’s Contemporary Veterans Forum. He lives in Sydney.

By the time of the Armistice, Villers-Bretonneux - once a lively and flourishing French town - had been largely destroyed, and half its population had fled or died. From March to August 1918, Villers-Bretonneux formed part of an active front line, at which Australian troops were heavily involved. As a result, it holds a significant place in Australian history. Villers-Bretonneux has since become an open-air memorial to Australia's participation in the First World War. Successive Australian governments have valourised the Australian engagement, contributing to an evolving Anzac narrative that has become entrenched in Australia's national identity. Our Corner of the Somme provides an eye-opening analysis of the memorialisation of Australia's role on the Western Front and the Anzac mythology that so heavily contributes to Australians' understanding of themselves. In this rigorous and richly detailed study, Romain Fathi challenges accepted historiography by examining the assembly, projection and performance of Australia's national identity in northern France.

Anzac Memories was first published to acclaim in 1994 (OUP), and has achieved international renown for its pioneering contribution to the study of war memory and mythology. Michael McKernan wrote that the book gave 'as good a picture of the impact of the Great War on individuals and Australia as we are likely to get in this generation', and Michael Roper concluded that 'an immense achievement of this book is that it so clearly illuminates the historical processes that left men like my grandfather forever struggling to fashion myths which they could live by'. In this new edition Alistair Thomson explores how the Anzac legend has transformed over the past quarter century, how a 'post-memory' of the Great War creates new challenges and opportunities for making sense of the national past, and how veterans' war memories can still challenge and complicate national mythologies. He returns to a family war history that he could not write about twenty years ago because of the stigma of war and mental illness, and he uses newly-released Repatriation files to question his own earlier account of veterans post-war lives and memories and to think afresh about war and memory.

In recent years Anzac, an idea as much as an actual army corps, has become the dominant force within Australian history, overshadowing everything else. The commemoration of Anzac Day is bigger than ever, while Remembrance Day, VE Day, VP Day and other military anniversaries grow in significance each year.

The Ypres salient 'was the favourite battle ground of the devil and his minions' wrote one returned serviceman after the First World War. Few who fought in the infamous third battle of Ypres - now known as Passchendaele - in 1917 would have disagreed. All five of the Australian Imperial Force's (AIF) infantry divisions were engaged in this bloody campaign. Despite early successes, their attacks floundered when autumn rains drenched the battlefield, turning it into an immense quagmire. By the time the AIF withdrew, it had suffered over 38,000 casualties, including 10,000 dead, far outweighing Australian losses in any other Great War campaign. Given the extent of their sacrifices, the Australians' exploits in Belgium ought to be well known in a nation that has fervently commemorated its involvement in the First World War. Yet, Passchendaele occupies an ambiguous place in Australian collective memory. Tracing the commemorative work of official and non-official agents, The Battlefield of Imperishable Memory explores why these battles became, and still remain, peripheral to the dominant First World War narrative in Australia: the Anzac legend.

Gallipoli: the mere name summons the story of this well-known campaign of the First World War. And the story of Gallipoli, where in August 1915 the Allied forces made their last valiant effort against the Turks, is one of infamous might-have-beens. If only the Allies had held out a little longer, pushed a little harder, had better luck—Gallipoli might have been the decisive triumph that knocked the Ottoman Empire out of the First World War. But the story is just that, author Rhys Crawley tells us: a story. Not only was the outcome at Gallipoli not close, but the operation was flawed from the start, and an inevitable failure. A painstaking effort to set the historical record straight, Climax at Gallipoli examines the performance of the Allies’ Mediterranean Expeditionary Force from the beginning of the Gallipoli Campaign to the bitter end. Crawley reminds us that in 1915, the second year of the war, the Allies were still trying to adapt to a new form of warfare, with static defense replacing the maneuver and offensive strategies of earlier British doctrine. In the attempt both the MEF at Gallipoli and the British Expeditionary Force on the Western Front aimed for too much—and both failed. To explain why, Crawley focuses on the operational level of war in the campaign, scrutinizing planning, command, mobility, fire support, interservice cooperation, and logistics. His work draws on unprecedented research into the files of military organizations across the United Kingdom and Australia. The result is a view of the Gallipoli Campaign unique in its detail and scope, as well as in its conclusions—a book that looks past myth and distortion to the facts, and the truth, of what happened at this critical juncture in twentieth-century history.

A picture book series about the extraordinary men and women who have shaped Australia's history, including our brave Anzac soldiers. Anzac stands for Australian and New Zealand Army Corps. It is the name given to the Australian and New Zealand troops who landed at Gallipoli in World War I. The name is now a symbol of bravery and mateship. From Ned Kelly to Saint Mary MacKillop; Captain Cook to Douglas Mawson, the Meet ... series of picture books tells the exciting stories of the men and women who have shaped Australia's history.

The harrowing, dramatic and profoundly moving story of the Australian and New Zealand nurses who served in the Great War. Now a major six-part television series. By the end of the Great War, forty-five Australian and New Zealand nurses had died on overseas service and over two hundred had been decorated. These were the women who left for war looking for adventure and romance but were soon confronted with challenges for which their civilian lives could never have prepared them. Their strength and dignity were remarkable. Using diaries and letters, Peter Rees takes us into the hospital camps and the wards, and the tent surgeries on the edge of some of the most horrific battlefronts of human history. But he also allows the friendships and loves of these courageous and compassionate women to shine through and enrich our experience. Profoundly moving, Anzac Girls is a story of extraordinary courage and humanity shown by a group of women whose contribution to the Anzac legend has barely been recognised in our history. Peter Rees has changed that understanding forever.