In recent years the world has borne witness to numerous confrontations, many of them violent, between protesters and authorities at pivotal gatherings of the world’s political and economic leaders. While police and the media are quick to paint participants as anarchistic thugs, accurate accounts of their ubsequent treatment at the hands of authorities often go untold—as well as the myriad stories of corporate and government corruption, greed, exploitation, and abuse of power that inspired such protests in the first place. In this startling, politically astute graphic novel, Gord Hill (The 500 Years of Resistance Comic Book) documents the history of capitalism as well as anti-capitalist and anti-globalization movements around the world, from the 1999 “Battle of Seattle” against the World Trade Organization to the Toronto G20 summit in 2010. The dramatic accounts trace the global origins of public protests against those in power, then depict recent events based on eyewitness testimony; they go far to contradict the myths of violence perpetrated by authorities, and instead paint a vivid and historically accurate picture of activists who bring the crimes of governments and multinationals to the world’s attention. As the “Occupy” movements around the world unfold, The Anti-Capitalist Resistance Comic Book is a deft, eye-opening look at the new class warfare, and those brave enough to wage the battle.

In recent years the world has borne witness to numerous confrontations, many of them violent, between protesters and authorities at pivotal gatherings of the world's political and economic leaders. While police and the media are quick to paint participants as anarchistic thugs, accurate accounts of their ubsequent treatment at the hands of authorities often go untold--as well as the myriad stories of corporate and government corruption, greed, exploitation, and abuse of power that inspired such protests in the first place. In this startling, politically astute graphic novel, Gord Hill (author of the ever-popular The 500 Years of Resistance Comic Book) documents the history of capitalism as well as anti-capitalist and anti-globalization movements around the world, from the 1999 "Battle of Seattle" against the World Trade Organization to the Toronto G20 summit in 2010. The dramatic accounts trace the global origins of public protests against those in power, then depict recent events based on eyewitness testimony; they go far to contradict the myths of violence perpetrated by authorities, and instead paint a vivid and historically accurate picture of activists who bring the crimes of governments and multinationals to the world's attention. As the "Occupy" movements around the world unfold, The Anti-Capitalist Resistance Comic Book is a deft, eye-opening look at the new class warfare, and those brave enough to wage the battle. -- Page 4 of cover.

The 500 Years of Resistance Comic Book is a powerful and historically accurate graphic portrayal of Indigenous resistance to the European colonization of the Americas, beginning with the Spanish invasion under Christopher Columbus and ending with the Six Nations land reclamation in Ontario in 2006. Gord Hill spent two years unearthing images and researching historical information to create The 500 Years of Resistance Comic Book, which presents the story of Aboriginal resistance in a far-reaching format. Other events depicted include the 1680 Pueblo Revolt in New Mexico; the Inca insurgency in Peru from the 1500s to the 1780s; Pontiac and the 1763 Rebellion and Royal Proclamation; Geronimo and the 1860s Seminole Wars; Crazy Horse and the 1877 War on the Plains; the rise of the American Indian Movement in the 1960s; 1973's Wounded Knee; the Mohawk Oka Crisis in Quebec in 1990; and the 1995 Aazhoodena/Stoney Point resistance. With strong, plain language and evocative illustrations, The 500 Years of Resistance Comic Book documents the fighting spirit and ongoing resistance of Indigenous peoples through 500 years of genocide, massacres, torture, rape, displacement, and assimilation; a necessary antidote to the conventional history of the Americas.

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

The shocking images of neo-Nazis marching in Charlottesville, North Carolina in the summer of 2017 linger in the mind, but so do those of the passionate protestors who risked their lives to do the right thing. In this stirring graphic non-fiction book by the acclaimed author of The 500 Years of Resistance Comic Book, Gord Hill looks at the history of fascism over the last 100 years, and the concurrent antifa movements that work fastidiously to topple it. Fascism is a relatively new political ideology and movement, yet in its short history some of the greatest atrocities against humanity have been carried out in its name. Its poisonous roots have taken hold in every region of the world, from its beginnings in post-World War I Italy, through Nazi Germany, Franco’s Spain, and the KKK in America. And today, emboldened by the American president, fascism is alive and well again. At the same time, antifa activists have proven, through history and again today, that the spirit of resistance is alive and well, and necessary. In The Antifa Comic Book, Gord Hill documents these powerful moments of conflict and confrontation with a perceptive eye and a powerful sense of resolve. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. Donahue documents and analyzes the works of several Indigenous artists, including Theo Tso, Todd Houseman, and Arigon Starr. Through topically arranged chapters, the author explores a wide array of content produced by Indigenous creators, from superhero and science fiction comics to graphic novels and experimental narratives. While noting the importance of examining how Indigenous works are analyzed, Donahue emphasizes that the creation of artistic and critical spaces for Indigenous comics and graphic novels should be an essential concern for the comics studies field.

A new and expanded version of Gord Hill's seminal illustrated history of Indigenous struggles in the Americas, available in color for the first time.

What does it mean to risk all for your beliefs? How do you fight an enemy in your midst? We Go Where They Go recounts the thrilling story of a massive forgotten youth movement that set the stage for today's anti-fascist organizing in North America. When skinheads and punks in the late 1980s found their communities invaded by white supremacists and neo-nazis, they fought back. Influenced by anarchism, feminism, Black liberation, and Indigenous sovereignty, they created Anti-Racist Action. At ARA’s height in the 1990s, thousands of dedicated activists in hundreds of chapters joined the fights—political and sometimes physical—against nazis, the Ku Klux Klan, anti-abortion fundamentalists, and racist police. Before media pundits, cynical politicians, and your uncle discovered “antifa,” Anti-Racist Action was bringing it to the streets. Based on extensive interviews with dozens of ARA participants, We Go Where They Go tells ARA’s story from within, giving voice to those who risked their safety in their own defense and in solidarity with others. In reproducing the posters, zines, propaganda and photos of the movement itself, this essential work of radical history illustrates how cultural scenes can become powerful forces for change. Here at last is the story of an organic yet highly organized movement, exploring both its triumphs and failures, and offering valuable lessons for today’s generation of activists and rabble-rousers. We Go Where They Go is a page-turning history of grassroots anti-racism. More than just inspiration, it's a roadmap.

Native American literature has always been uniquely embattled. It is marked by divergent opinions about what constitutes authenticity, sovereignty, and even literature. It announces a culture beset by paradox: simultaneously primordial and postmodern; oral and inscribed; outmoded and novel. Its texts are a site of political struggle, shifting to meet external and internal expectations. This Cambridge History endeavors to capture and question the contested character of Indigenous texts and the way they are evaluated. It delineates significant periods of literary and cultural development in four sections: “Traces & Removals” (pre-1870s); “Assimilation and Modernity” (1879-1967); “Native American Renaissance” (post-1960s); and “Visions & Revisions” (21st century). These rubrics highlight how Native literatures have evolved alongside major transitions in federal policy toward the Indian, and via contact with broader cultural phenomena such, as the American Civil Rights movement. There is a balance between a history of canonical authors and traditions, introducing less-studied works and themes, and foregrounding critical discussions, approaches, and controversies.