Just as World War II threatens to break out, Mike Morrison arrives in Greece to collect his late wife's inheritance. Hoping to quickly finish his business and leave before German troops invade, Morrison’s plans are derailed when he receives a letter listing the names of Greek patriots pretending to be German collaborators, a list Nazi strategists desperately need. With the outcome of the war hinging on Morrison's ability to protect the letter, he embarks on an adventure across Greece in an effort to evade Nazi troops and keep the letter from falling into enemy hands. Based on the diaries of Leon Uris's uncle, this action-packed thriller will keep readers in suspense until the very end. A 1959 film adaptation starred Robert Mitchum and Stanley Baker. “The best storyteller of his generation.” —The Denver Post “Uris uses history as the raw material for legend.” —Philadelphia Sunday Bulletin

Based on the diaries of Leon Uris's uncle, this action-packed thriller will keep readers in suspense until the very end. Just as World War II threatens to break out, Mike Morrison arrives in Greece to collect his late wife's inheritance. Hoping to quickly finish his business and leave before German troops invade, Morrison's plans are derailed when he receives a letter listing the names of Greek patriots pretending to be German collaborators, a list Nazi strategists desperately need. With the outcome of the war hinging on Morrison's ability to protect the letter, he embarks on an adventure across Greece in an effort to evade Nazi troops and keep the letter from falling into enemy hands.

In this collection of interviews, the filmmaker tells fascinating stories of making motion pictures with such film legends as Burt Lancaster, Bette Davis, Joan Crawford, Burt Reynolds, and many others

Examines the phenomenon of Leon Uris's Exodus and its largely unrecognized influence on post-World War II understandings of Israels beginnings in America and around the world.

"There was something about Robert Aldrich's artistic temperament that enabled him to transcend the apparent vulgarity of so many of his motion picutres. Besides the great films, such as Kiss Me Deadly which is certainly one of the finest examples of film noir, are several little-seen or underrated later works such as the revisionist Western, Ulzana's Raid, the gangster love story, The Grissom Gang, or the grim cop picture, Hustle. Aldrich's career has long deserved the detailed evaluation which this book provides." - Andrew Sarris

In eleven novels written over four decades, Leon Uris has chronicled the unceasing fight of dedicated individuals against the forces of oppression, in particular fascism, communism, and imperialism. In the tradition of the historical novel, Uris sets his work during times of crisis (World War II, the founding of Israel, the Irish fight for independence), providing his plots with both political and social tensions as well as personal conflicts. Uris's themes include the indomitability of the human spirit, the power of patriotism, and the restorative capacity of romantic love. Through an exploration of these plots, themes, and characters, this study recognizes Leon Uris as a writer whose examination of good and evil in the context of contemporary history raises important issues that have confronted us all. This study is the first full-length examination of the work of Leon Uris. Following a biographical chapter that discusses his work in light of his personal history, the study devotes a chapter to his place in the tradition of the historical and political novel. Each of Uris's novels is discussed in an individual chapter: Battle Cry (1953), The Angry Hills (1955), Exodus (1958), Mila 18 (1961), Armageddon: A Novel of Berlin (1963), Topaz (1967), QB VII (1970), Trinity (1976) and Redemption (1995), The Haj (1984), and Mitla Pass(1988). Each novel is analyzed for plot structure, characterization, and thematic elements. In addition, Cain defines and applies an alternative critical perspective from which to read each novel. A complete bibliography of Uris's writing, along with a listing of secondary sources and critical reviews of his work completes the study.

Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from Murder on the Orient Express and Far From the Madding Crowd to Equus and Four Weddings and a Funeral. For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being. Anthony Meredith, whose two previous collaborations with co-researcher Paul Harris were the highly praised biographies of Malcolm Arnold and Malcolm Williamson, has been a widely published writer over the past twenty-five years. He is a member of MCC, a Friend of Covent Garden and Northern Ballet. His co-researcher, Paul Harris, is a leading music educationalist, well-known for his seminars, workshops and masterclasses, with over 500 books to his name.

How are identities being forged during the age of globalization? This collection of essays, by scholars from various disciplines and regions of the world, discusses both the construction and deconstruction of identity in its engagement with culture, ethnicity, and nationhood. The authors explore the tension resulting from the desire to create a new cultural space for identities that are at once national, regional, linguistic, and religious. Among the wide-ranging approaches, Tanja Stampfl looks at the elusiveness of cultural identity in Khaled Hosseini’s The Kite Runner; Dawn Morais investigates issues of ethnicity and nationality in Malaysia’s tourism advertising; and Cathy Waegner explores ethnic identities as globalized market commodities. Throughout the volume, identity is approached from a variety of sites—fiction, news analysis, film, theme parks, and field work—to contribute new insight and perspective to the well-worn debate over what identity signifies in societies where the existence of minorities, both indigenous and immigrant, challenges the dominant group.

Tackling relationships, career, and family issues, John Kim, LMFT, thinks of himself as a life-styledesigner, not a therapist. His radical new approach, that he sometimes calls “self-help in a shot glass” is easy, real, and to the point. He helps people make changes to their lives so that personal growth happens organically, just by living. Let’s face it, therapy is a luxury. Few of us have the time or money to devote to going to an office every week. With anecdotes illustrating principles in action (in relatable and sometimes irreverent fashion) and stand-alone practices and exercises, Kim gives readers the tools and directions to focus on what's right with them instead of what's wrong. When John Kim was going through the end of a relationship, he began blogging as The Angry Therapist, documenting his personal journey post-divorce. Traditional therapists avoid transparency, but Kim preferred the language of "me too" as opposed to "you should." He blogged about his own shortcomings, revelations, views on relationships, and the world. He spoke a different therapeutic language —open, raw, and at times subversive — and people responded. The Angry Therapist blog, that inspired this book, has been featured in The Atlantic Monthly and on NPR.

The first biography of the massively popular author of Exodus and Trinity, who “was as feisty as any of his fictional creations” (Publishers Weekly). As the #1 New York Times–bestselling author of Exodus, Mila 18, QB VII, and Trinity, Leon Uris blazed a path to celebrity with books that readers couldn’t put down. Uris’s thirteen novels sold millions of copies, appeared in fifty languages, and were adapted into equally successful movies and TV miniseries. Few writers equaled his fame in the mid-twentieth century. His success fueled the rise of mass-market paperbacks, movie tie-ins, and author tours. Beloved by the public, Uris was, not surprisingly, dismissed by literary critics. Until now, his own life—as full of drama as his fiction—has never been the subject of a book. Now Ira Nadel traces Uris from his disruptive youth to his life-changing experiences as a marine in World War II. These experiences, coupled with Uris’s embrace of his Judaism and desire to write, led to his unprecedented success and the lavish excesses of a career as a best-selling author. Nadel reveals that Uris lived the adventures he described, including his war experiences in the Pacific (Battle Cry), life-threatening travels in Israel (Exodus), visit to Communist Poland (Mila 18), libel trial in Britain (QB VII), and dangerous sojourn in fractious Northern Ireland and the Irish Republic (Trinity). Nadel also demonstrates that Uris’s talent for writing action-packed yet thoroughly researched novels meshed perfectly with the public’s desire to revisit and understand the tumultuous events of recent history—making him far more popular (and wealthier) than more literary authors—while paving the way for future blockbuster writers such as Irving Wallace and Tom Clancy.