"Mr. Kaufman has a genuine lyric talent, and his poetry is sensuous, exciting, and charged with vitality." --Publishers Weekly

Rain is elemental, mysterious, precious, destructive. It is the subject of countless poems and paintings; the top of the weather report; the source of the world's water. Yet this is the first book to tell the story of rain. Cynthia Barnett's Rain begins four billion years ago with the torrents that filled the oceans, and builds to the storms of climate change. It weaves together science—the true shape of a raindrop, the mysteries of frog and fish rains—with the human story of our ambition to control rain, from ancient rain dances to the 2,203 miles of levees that attempt to straitjacket the Mississippi River. It offers a glimpse of our "founding forecaster," Thomas Jefferson, who measured every drizzle long before modern meteorology. Two centuries later, rainy skies would help inspire Morrissey’s mopes and Kurt Cobain’s grunge. Rain is also a travelogue, taking readers to Scotland to tell the surprising story of the mackintosh raincoat, and to India, where villagers extract the scent of rain from the monsoon-drenched earth and turn it into perfume. Now, after thousands of years spent praying for rain or worshiping it; burning witches at the stake to stop rain or sacrificing small children to bring it; mocking rain with irrigated agriculture and cities built in floodplains; even trying to blast rain out of the sky with mortars meant for war, humanity has finally managed to change the rain. Only not in ways we intended. As climate change upends rainfall patterns and unleashes increasingly severe storms and drought, Barnett shows rain to be a unifying force in a fractured world. Too much and not nearly enough, rain is a conversation we share, and this is a book for everyone who has ever experienced it.

Edgar Award winner and master of contemporary noir Domenic Stansberry returns to San Francisco's North Beach and Dante Mancuso, the dark PI who grew up on its tough streets. After a career with a shadowy security firm with interests on both sides of the law, Dante has come home to put all that behind him and has gone to work for a private investigator. A call alerts him early one morning that Bill Owens, a fellow PI, has been charged with a notorious thirty-year-old killing. Bill was involved in a political group in the late sixties, which among other pranks and small-time crimes, held up a bank. Except that time, an innocent bystander was shot and killed. To clear Owens of these charges, Dante will have to retrace the original investigation through San Francisco's radical underground and bring in the man who was pulling the strings. The Ancient Rain is a chilling novel from one of crime fiction's finest. Stansberry spools out a narrative filled with deceit and betrayal, and in his hands the line between justice and revenge is razor sharp.

To bring rain to his thirsty village, Pik challenges the rain god to a game of pok-a-tok.

“America’s best novelist” (The Denver Post) brings back one of his most fascinating characters—Texas sheriff Hackberry Holland, cousin to lawman Billy Bob Holland—in this heart-pounding bestseller. In a heat-cracked border town, the bodies of nine illegal aliens—women and girls, killed execution-style—are unearthed in a shallow grave. Haunted by a past he can’t shake and his own private demons, Hack attempts to untangle the grisly case, which may lead to more bloodshed. Damaged young Iraq vet Pete Flores, who saw too much before fleeing the crime scene, and his girlfriend, Vikki Gaddis, are running for their lives. Sorting through the lowlifes who are hunting down Pete, and with Preacher Jack Collins, a Godfearing serial killer for hire, in the mix, Hack is caught up in a terrifying race for survival—for Pete, Vikki, and himself.

In the tradition of celebrated wartime storytellers Somerset Maugham and Graham Greene, Tan Twan Eng's debut novel casts a powerful spell. The recipient of extraordinary acclaim from critics and the bookselling community, Tan Twan Eng's debut novel casts a powerful spell and has garnered comparisons to celebrated wartime storytellers Somerset Maugham and Graham Greene. Set during the tumult of World War II, on the lush Malayan island of Penang, The Gift of Rain tells a riveting and poignant tale about a young man caught in the tangle of wartime loyalties and deceits. In 1939, sixteen-year-old Philip Hutton-the half-Chinese, half-English youngest child of the head of one of Penang's great trading families-feels alienated from both the Chinese and British communities. He at last discovers a sense of belonging in his unexpected friendship with Hayato Endo, a Japanese diplomat. Philip proudly shows his new friend around his adored island, and in return Endo teaches him about Japanese language and culture and trains him in the art and discipline of aikido. But such knowledge comes at a terrible price. When the Japanese savagely invade Malaya, Philip realizes that his mentor and sensei-to whom he owes absolute loyalty-is a Japanese spy. Young Philip has been an unwitting traitor, and must now work in secret to save as many lives as possible, even as his own family is brought to its knees.

Drawing on scholarly research and archaeological evidence, the author examines the accomplishments of the Anasazi people of the American Southwest and speculates on why the culture vanished by the 13th century.

A symbol of power and prestige in ancient Peru, silver also held religious significance, its soft cool sheen symbolising the moon, a female deity. This beautiful book presents objects of silver - items of personal adornment, tomb offerings, and miniatures - from several Peruvian cultures that thrived along the coastal and highland regions of the Andes from the first millennium B.C. to the Spanish conquest of 1532-34. Excavated from the sites of such cultures as the Moche, the Lambayeque, the Chimu, and the Inka, these extremely rare and lovely objects of silver shed new light on a fascinating civilization. This book was published in conjunction with an exhibition held in the fall of 2000 at The Metropolitan Museum of Art

At fifty, Alix Kates Shulman left a city life dense with political activism, family, and literary community, and went to stay alone in a small cabin on an island off the Maine coast.