Addressing the role which divination played in ancient Greek society, this volume deals with various forms of prophecy and how each was utilised and for what purpose. Chapters bring together key types of divining, such as from birds, celestial phenomena, the entrails of sacrificed animals and dreams. Oracular centres delivered prophetic pronouncements to enquirers, but in addition, there were written collections of oracles in circulation. Many books were available on how to interpret dreams, the birds and entrails, and divination as a religious phenomenon attracted the attention of many writers. Expert diviners were at the heart of Greek prophecy, whether these were Apollo’s priestesses delivering prose or verse answers to questions put to them by consultants, diviners known as manteis, who interpreted entrails and omens, the chresmologoi, who sang the many oracles circulating orally or in writing, or dream interpreters. Divination was utilised not only to foretell the future but also to ensure that the individual or state employing divination acted in accordance with that divinely prescribed future; it was employed by all and had a crucial role to play in what courses of action both states and individuals undertook. Specific attention is paid in this volume not only to the ancient written evidence, but to that of inscriptions and papyri, with emphasis placed on the iconography of Greek divination.

Astronomy and astrology, or the astral sciences, played an enormous, if not a key role in the political and religious life of the Ancient Near East, and, later, of the Greek and Roman world. This is the first comprehensive and up-to-date account of the origins of the astral sciences in the Ancient Near East. Every type of Sumerian or Akkadian text dealing with descriptive or mathematical astronomy, including many individual tablets are thoroughly dealt with. All aspects, such as the history of discovery, reconstruction, and interpretation come to the fore, accompanied by a full bibliography. At that the reader will find descriptions of astronomical contents, an explanation of their scientific meaning and the place a given genre or tablet has in the development of astronomy both within the Mesopotamian culture and outside of it. Because celestial omens are intimately related to astronomy in Mesopotamian science, these are also discussed extensively. The material is arranged both chronologically and thematically, so as to help make Astral Sciences in Mesopotamia a reference work on the subject in its truest sense.

The classic collaboration from the internationally bestselling authors Neil Gaiman and Terry Pratchett, soon to be an original series starring Michael Sheen and David Tennant. ?Season 2 of Good Omens coming soon! “Good Omens . . . is something like what would have happened if Thomas Pynchon, Tom Robbins and Don DeLillo had collaborated. Lots of literary inventiveness in the plotting and chunks of very good writing and characterization. It’s a wow. It would make one hell of a movie. Or a heavenly one. Take your pick.” —Washington Post According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan. Except a somewhat fussy angel and a fast-living demon—both of whom have lived amongst Earth's mortals since The Beginning and have grown rather fond of the lifestyle—are not actually looking forward to the coming Rapture. And someone seems to have misplaced the Antichrist . . .

This collection of essays focuses on divination across the Ancient World from early Mesopotamia to late antiquity. The authors deal with the forms, theory and poetics of this important and still poorly understood ancient phenomenon.

When and where did science begin? Historians have offered different answers to these questions, some pointing to Babylonian observational astronomy, some to the speculations of natural philosophers of ancient Greece. Others have opted for early modern Europe, which saw the triumph of Copernicanism and the birth of experimental science, while yet another view is that the appearance of science was postponed until the nineteenth century. Rather than posit a modern definition of science and search for evidence of it in the past, the contributors to Wrestling with Nature examine how students of nature themselves, in various cultures and periods of history, have understood and represented their work. The aim of each chapter is to explain the content, goals, methods, practices, and institutions associated with the investigation of nature and to articulate the strengths, limitations, and boundaries of these efforts from the perspective of the researchers themselves. With contributions from experts representing different historical periods and different disciplinary specializations, this volume offers a fresh perspective on the history of science and on what it meant, in other times and places, to wrestle with nature.

A detailed study of the earliest forms of astrology in Mesopotamia and their far-reaching hermetic influences from the Renaissance to the present day • Reveals the roots of modern astrology in the Babylonian science of omens, which was concerned not with individuals but with the state and king • Explores Mesopotamian mythology as it relates to the planets and to astrology • Traces the hermetic transmission of this knowledge over the centuries from Mesopotamia to Egypt to Renaissance Italy Among the many significant discoveries excavated from Assyrian king Ashurbanipal’s royal library in Nineveh were tablets documenting the development of Mesopotamian astrology, now recognized as the earliest astrological science. Drawing upon translations of the Nineveh library tablets as well as many other ancient sources, Michael Baigent reveals the roots of modern astrology in the Babylonian science of omens. He explains how astrology in the Babylonian and Assyrian empires was concerned not with individuals but with the king and the state. He shows that by the first dynasty of Babylon, around 1900 to 1600 BC, astrology had become a systematic discipline, the preserve of highly trained specialists intent upon interpreting omens from the movements of planets and stars. He explores Mesopotamian mythology as it relates to the planets and to astrology as well as to Mesopotamian religion, magic, and politics--for the mythology of Babylon and Assyria served the state and thus changed as the state changed. He shows how this ancient form of astrology uniquely represents both Sun and Moon as masculine entities and Saturn (Ninurta) as the principle of order imposed on chaos. He examines the connections between ancient astrology and the symbolism of Western religions, such as how the “Greek” or “Templar” cross may symbolize the Babylonian god Nabu, now known as Mercury. Tracing the hermetic transmission of this knowledge over the centuries from Mesopotamia to Egypt to Florence, Baigent reveals how the religious and magical aspects of early Babylonian cosmological speculation played a significant role in the Renaissance, influencing prominent figures such as Cosimo de Medici, Marsilio Ficino, and Botticelli.

This book represents the first comprehensive, interdisciplinary presentation of ancient Near Eastern civilization. The author's study includes treatments of the history of language and systems of writing, the state and society, nutrition and agriculture, artisanry, economics, law, science, religion and magic, art, music, and more.

Mesopotamian Medicine and Magic. Studies in Honour of Markham J. Geller offers 34 brand-new text editions and analytical studies concerned with diverse healing traditions and practices in Ancient Western Asia.

"Praised by the New York Times as "a highly important exhibition book," this lavishly produced catalog reproduces illustrated texts from the groundbreaking exhibition at the Arthur M. Sackler Gallery. Called "fabulous" by the Washington Post, Falnama was the first show of its kind dedicated to the art of divination in the Islamic world. The Falnama were brilliantly painted compositions created in Safavid Iran and Ottoman Turkey in the sixteenth and early seventeenth centuries. Falnama: The Book of Omens combines rare images with scholarly texts on the deeper meaning of dreams, omens, and divination. Featured in this first publication ever devoted to the Falnama as a genre are intact volumes as well as text folios and illustrations now dispersed among international public and private collections. Essays by scholars of Safavid, Ottoman, and Byzantine history and language, complemented by full-color illustrations, offer detailed analysis of the form, content, and meaning of these rarely seen works of art. The first-ever translations of three of the four monumental copies provide insight into a vivid and enduring aspect of human concern--the unknown."--Publisher's website.