The American Fugitive in Europe. Sketches of Places and People Abroad

Excerpt from The American Fugitive in Europe: Sketches of Places and People Abroad Note To the American Edition. During my sojourn abroad I found it advantageous to my purse to publish a book of travels, which I did under the title of "Three Years in Europe, or Places I have seen and People I have met." The work was reviewed by the ablest journals in Great Britain, and from their favorable criticisms I have been induced to offer it to the American public, with a dozen or more additional chapters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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WHILE I feel conscious that most of the contents of those Letters will be interesting chiefly to American readers, yet I may indulge the hope that the fact of their being the first production of a Fugitive Slave as a history of travels may carry with them novelty enough to secure for them, to some extent, the attention of the reading public of Great Britain. Most of the letters were written for the private perusal of a few personal friends in America; some were contributed to Fredrick Douglass' Paper, a journal published in the United States. In a printed circular sent some weeks since to some of my friends, asking subscriptions to this volume, I stated the reasons for its publication: these need not be repeated here. To those who so promptly and kindly responded to that appeal, I tender my most sincere thanks. It is with no little diffidence that I lay these letters before the public; for I am not blind to the fact that they must contain many errors; and to those who shall find fault with them on that account, it may not be too much for me to ask them kindly to remember that the author was a slave in one of the Southern States of America, until he had attained the age of twenty years; and that the education he has acquired was by his own exertions, he never having had a day's schooling in his life.

Widely considered the first African-American novelist, William Wells Brown's (ca. 1814-1884) 1853 novel, Clotel, or the President's Daughter, chronicled the fate of the daughter of Thomas Jefferson and his black housekeeper. Yet, in his own day, Brown was perhaps more important as a rousing orator, scholar, and cultural critic. He escaped from slavery in 1834 and worked on Lake Erie steamboats in Buffalo, New York, helping slaves escape into Canada and lecturing for the New York Anti-Slavery Society. After moving to Boston in 1847, he began writing his autobiography, The Narrative of William W. Brown. By 1850, the book had appeared in four American and five British editions and rivaled the popularity of Frederick Douglass's Narrative written two years earlier. Throughout the late 1840s and 50s, Brown continued to lecture to further the antislavery cause and wrote prolifically. In addition to Clotel, he published the first drama written by an African American and the first military history of African Americans. In his writings and speeches, William Wells Brown deliberately resists the tone of heroic resistance and eloquent outrage set by Frederick Douglass. Brown's rhetorical strategy involved telling stories of individuals and individual encounters in which the art of simple understatement and guileless self-presentation prevailed over cant, bullying, and hypocrisy. Brown's often humorous and deceptively artless tone appealed to politically active women who were claiming the moral high ground not only on questions of abolition but also on temperance and women's rights. Unlike Douglass, whose literary output can be described as a long conversation with the founding fathers and literary lions about freedom, liberty, and what it means to be an American, Brown emphasized-- with humor and a cosmopolitan gentility-- the concerns of middle class family life: education, parenting, and the damage that slavery was doing to American society. This volume, with a foreword by Henry Louis Gates, Jr., will introduce readers to Brown's lesser-known, but no less powerful works, placed in the context of the era's debates on slavery, gender, morality, and the discursive limits put on anti-slavery advocacy. The collection presents Brown's anti-slavery works and the contemporary response to them in light of Brown's own attention to the role of women writers and political advocates in this period. Garrett's and Robbins's introduction to these texts emphasizes Brown's awareness and even use of women's voices in political discourse as a way of distinguishing himself from other black male voices of the time. The selection of texts also demonstrates Brown's willingness to use and recycle any texts at hand-- including his own-- in order to appeal to his immediate audience or readership. While making Brown's more obviously political work available to a wider audience, the book reclaims Brown as an important black influence in the American nineteenth century.