West Vancouver is a community defined by its geography, bordered on three sides by the ocean, backed by mountainous wilderness and threaded by creeks and ravines. This setting gives the region a distinct identity, attracting people from all over the world with the prospect of stunning scenery and unparalleled opportunities for outdoor activity, but also defines how the community has developed. As West Vancouver transitioned from a beachfront cottage community to a region filled with houses that only the affluent can afford, its growth has been characterized by ongoing tension between efforts to conserve its natural beauty and the drive to open it up to eager would-be West Vancouverites. In recent decades, the Squamish Nation has also become a major player in shaping the future direction of the area. In Dreamers and Designers, Francis Mansbridge traces the history of West Vancouver, examining how its approach to land use has shaped the region and illustrating the consequences of this fight, including the marginalization of its less affluent citizens. The text is enlivened by accounts of the major personalities involved in the shaping of West Vancouver and sidebars featuring the voices of West Vancouverites throughout the ages. With archival and contemporary photographs that provide a visual account of the changing landscape, Dreamers and Designers paints a vivid picture of how West Vancouver’s unique setting has defined the dynamic coastal community and the lives of those who reside there.

Between 1849 and 1930, schooling in what is now British Columbia supported the development of a capitalist settler society. Lessons in Legitimacy examines government-assisted schooling for Indigenous and non-Indigenous peoples – public schools, Indian Day Schools, and Indian Residential Schools – in one analytical frame. Sean Carleton demonstrates how church and state officials administered different school systems that trained Indigenous and settler children and youth to take up and accept unequal roles in the emerging social order. This important study reveals how an understanding of the historical uses of schooling can inform contemporary discussions about the role of education in reconciliation and improving Indigenous–settler relations.

In 1931, Mazie Antone was born into the Squamish Nation, a community caught between its traditional values of respect--for the land, the family and the band--and the secular, capitalistic legislation imposed by European settlers. When she was six, the police carried her off to St. Paul's Indian Residential School, as mandated by the 1920 Indian Act. There, she endured months of beatings, malnourishment and lice infestations before her family collected Mazie and her siblings and fled across the border. After the war, the family return to their home on the Capilano Reserve and Mazie began working at a cannery where she packed salmon for eleven years. Mazie married Alvie Baker, and together they raised nine children, but the legacy of residential school for Mazie and her generation meant they were alienated from their culture and language. Eventually Mazie reconnected with her Squamish identity and she began to mourn the loss of the old style of government by councils of hereditary chiefs and to criticize the corruption in the band leadership created in 1989 by federal legislation. Galvanized by the injustices she saw committed against and within her community--especially against indigenous women, who were denied status and property rights--she began a long career of advocacy. She fought for housing for families in need; she pushed for transparency in local government; she defended ancestral lands; she shone a bright light into the darkest political corners. Her family called her ch'sken: Golden Eagle. This intimate biography of a community leader illuminates a difficult, unresolved chapter of Canadian history and paints a portrait of a resilient and principled woman who faced down her every political foe, unflinching, irreverent, and uncompromising.

Andrew (Andreas) Kauffman (d.1743) migrated from Switzerland to the Palatinate of Germany, and then immigrated via Rotterdam to Philadelphia in 1717. He married twice and settled in Lancaster County, Pennsylvania. Descendants lived in Pennsylvania, Virginia, West Virginia, Ohio, Indiana and elsewhere. Includes " ... miscellaneous lines of Kauffmans scattered throughout the country ... "

Includes inclusive "Errata for the Linage book."

Meet Mazie Phillips: big-hearted and bawdy, she's the truth-telling proprietress of The Venice, the famed New York City movie theater. It's the Jazz Age, with romance and booze aplenty--even when Prohibition kicks in--and Mazie never turns down a night on the town. But her high spirits mask a childhood rooted in poverty, and her diary, always close at hand, holds her dearest secrets. When the Great Depression hits, Mazie's life is on the brink of transformation. Addicts and bums roam the Bowery; homelessness is rampant. If Mazie won't help them, then who? When she opens the doors of The Venice to those in need, this ticket taking, fun-time girl becomes the beating heart of the Lower East Side, and in defining one neighborhood helps define the city. Then, more than ninety years after Mazie began her diary, it's discovered by a documentarian in search of a good story. Who was Mazie Phillips, really? A chorus of voices from the past and present fill in some of the mysterious blanks of her adventurous life. Inspired by the life of a woman who was profiled in Joseph Mitchell's classic Up in the Old Hotel, Saint Mazie is infused with Jami Attenberg's signature wit, bravery, and heart. Mazie's rise to "sainthood"--and her irrepressible spirit--is unforgettable.