Revised edition of: The amateur military tradition 1558-1945. Manchester: Manchester University Press, [1991]

Covering the period from the re-establishment of the Irish militia during the Crimean War until the disbandment of the Ulster Defence Regiment in 1992, this book examines the Irish amateur military tradition within the British Army, distinctive from a British amateur military tradition. Irish men and women of both religions and political persuasions made a significant contribution to these forces, and in so doing played an important role within the British Empire, whilst also providing a crucial link between the army and Irish society. Utilising new source material, this book demonstrates the complex nature of Irish involvement with British institutions and its Empire. It argues that within this unique tradition, two divergent Protestant and Catholic traditions emerged, and membership of these organisations was used as a means of social mobility, for political patronage, and, crucially, to demonstrate loyalty to Britain and its Empire.

What exactly is military history? Forty years ago it meant battles, campaigns, great commanders, drums and trumpets. It was largely the preserve of military professionals and was used to support national history and nationalism. Now, though, the study of war has been transformed by the war and society approach, by the examination of identity, memory and gender, and a less Euro-centric and more global perspective. Generally it is recognised that war and conflict must be integrated into the wider narrative of historical development, and this is why Ian Becketts research guide is such a useful tool for anyone working in this growing field. It introduces students to all the key debates, issues and resources. While European and global perspectives are not neglected, there is an emphasis on the British experience of war since 1500. This survey of British military history will be essential reading and reference for anyone who has a professional or amateur interest in the subject, and it will be a valuable introduction for newcomers to it.

Tracing the evolution of the U.S. Army throughout American history, the authors of this four-volume series show that there is no such thing as a “traditional” U.S. military policy. Rather, the laws that authorize, empower, and govern the U.S. armed forces emerged from long-standing debates and a series of legislative compromises between 1903 and 1940. Volume I traces U.S. military policy from the colonial era through the Spanish-American War.

A prevalent view among historians is that both horsed cavalry and the cavalry charge became obviously obsolete in the second half of the nineteenth century in the face of increased infantry and artillery firepower, and that officers of the cavalry clung to both for reasons of prestige and stupidity. It is this view, commonly held but rarely supported by sustained research, that this book challenges. It shows that the achievements of British and Empire cavalry in the First World War, although controversial, are sufficient to contradict the argument that belief in the cavalry was evidence of military incompetence. It offers a case study of how in reality a practical military doctrine for the cavalry was developed and modified over several decades, influenced by wider defence plans and spending, by the experience of combat, by Army politics, and by the rivalries of senior officers. Debate as to how the cavalry was to adjust its tactics in the face of increased infantry and artillery firepower began in the mid nineteenth century, when the increasing size of armies meant a greater need for mobile troops. The cavalry problem was how to deal with a gap in the evolution of warfare between the mass armies of the later nineteenth century and the motorised firepower of the mid twentieth century, an issue that is closely connected with the origins of the deadlock on the Western Front. Tracing this debate, this book shows how, despite serious attempts to ’learn from history’, both European-style wars and colonial wars produced ambiguous or disputed evidence as to the future of cavalry, and doctrine was largely a matter of what appeared practical at the time.

Bringing naval and military campaigns together, this book demonstrates the sheer scale and reach of Britains power during an intense phase of warfare from 1790 to 1830. The book also considers the impact of this period of warfare on the British state, showing how, at the national level, Britain became both the worlds leading commercial country whilst operating as a global military and naval power.

The history of nineteenth-century European warfare is framed by the end of the Napoleonic Wars in 1815 and the outbreak of the First World War in 1914. The Crimean War and the struggles for Italian and German unification divide this century in two. In the first half, armies struggled to emerge from the shadow of Napoleon amidst an era of financial retrenchment, political unrest and accelerating technological change. The mid-century wars left an equally problematic legacy, including aspects that pointed towards 'total war'. The 26 essays in this volume examine these changes from a variety of innovative and fresh perspectives.

The regular Mounted Infantry was one of the most important innovations of the late Victorian and Edwardian British Army. Rather than fight on horseback in the traditional manner of cavalry, they used horses primarily to move swiftly about the battlefield, where they would then dismount and fight on foot, thus anticipating the development of mechanised infantry tactics during the twentieth century. Yet despite this apparent foresight, the mounted infantry concept was abandoned by the British Army in 1913, just at the point when it may have made the transition from a colonial to a continental force as part of the British Expeditionary Force. Exploring the historical background to the Mounted Infantry, this book untangles the debates that raged in the army, Parliament and the press between its advocates and the supporters of the established cavalry. With its origins in the extemporised mounted detachments raised during times of crisis from infantry battalions on overseas imperial garrison duties, Dr Winrow reveals how the Mounted Infantry model, unique among European armies, evolved into a formalised and apparently highly successful organisation of non-cavalry mounted troops. He then analyses why the Mounted Infantry concept fell out of favour just eleven years after its apogee during the South African Anglo-Boer War of 1899-1902. As such the book will be of interest not only to historians of the nineteenth-century British army, but also those tracing the development of modern military doctrine and tactics, to which the Mounted Infantry provided successful - if short lived - inspiration.

Although military music was among the most widespread forms of music making during the nineteenth-century, it has been almost totally overlooked by music historians. Music & the British Military in the Long Nineteenth Century however, shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life. Beginning with a discussion of the place of the military in civilian and social life, authors Trevor Herbert and Helen Barlow plot the story of military music from its sponsorship by military officers to its role as an expression of imperial force, which it took on by the end of the nineteenth century. Herbert and Barlow organize their study around three themes: the use of military status to extend musical patronage by the officer class; the influence of the military on the civilian music establishments; and an incremental movement towards central control of military music making by governments throughout the world. In so doing, they show that military music impacted everything from the configuration of the music profession in the major metropolitan centers, to the development of wind instruments throughout the century, to the emergence of organized amateur music making. A much needed addition to the scholarship on nineteenth century music, Music & the British Military in the Long Nineteenth Century is an essential reference for music, cultural and military historians, the social history of music and nineteenth century studies.