Akbar the Great is a very familiar figure to most Indians. Hailed as a brilliant warrior, a great administrator, and a visionary ruler whose ideas of pluralism and tolerance sought to unify India with all its diversity of peoples and religions, he is also an increasingly contested figure in the national discourse. And familiar though he might be, Akbar is a mystery too, locked in his own legend: a man to admire but difficult to know. What was Akbar really like—as a child, a father, a friend, a foe? What were his moods like – his anger, his melancholy, his passions and his laughter? How did a thirteen-year-old fatherless boy, surrounded by ambitious advisors and warlords, become one of the world’s most powerful monarchs; and how did he deal with his dizzying rise? Was Akbar a sceptic or did he believe he had divine, miraculous powers? With revealing psychological insights into Akbar’s complex and magnetic personality, this biography is also the story of how Akbar’s ideas and ideals of kingship evolved through his reign; of how he came to concentrate in himself both political and religious authority; of his instances of megalomania, his doubts, and his yearning for justice. Rich in detail, and with a cast of unforgettable characters, it sparkles with humor and drama too, as it vividly evokes the world he lived in. Deeply researched and beautifully written, Parvati Sharma’s portrait of Akbar the Great brings alive as never before a man imperfect and extraordinary, who ruled for fifty years and has lived in the Indian imagination for close to half a millennium.

The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context.

The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The History of Akbar, by Abu'l-Fazl, is one of the most important works of Indo-Persian history and a touchstone of prose artistry. It is at once a biography of the Mughal emperor Akbar that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

This book presents a comprehensive survey of warfare in India up to the point where the British began to dominate the sub-continent. It discusses issues such as how far was the relatively bloodless nature of pre-British Indian warfare the product of stateless Indian society? How far did technology determine the dynamics of warfare in India? Did warfare in this period have a particular Indian nature and was it ritualistic? The book considers land warfare including sieges, naval warfare, the impact of horses, elephants and gunpowder, and the differences made by the arrival of Muslim rulers and by the influx of other foreign influences and techniques. The book concludes by arguing that the presence of standing professional armies supported by centralised bureaucratic states have been underemphasised in the history of India.

The Mughal Empire was one of the great powers of the early modern era, ruling almost all of South Asia, a conquest state, dominated by its military elite. Many historians have viewed the Mughal Empire as relatively backward, the Emperor the head of a traditional warband from Central Asia, with tribalism and the traditions of the Islamic world to the fore, and the Empire not remotely comparable to the forward looking Western European states of the period, with their strong innovative armies implementing the “military revolution”. This book argues that, on the contrary, the military establishment built by the Emperor Babur and his successors was highly sophisticated, an effective combination of personnel, expertise, technology and tactics, drawing on precedents from Europe, the Middle East, Central Asia and India, and that the resulting combined arms system transformed the conduct of warfare in South Asia. The book traces the development of the Mughal Empire chronologically, examines weapons and technology, tactics and operations, organization, recruitment and training, and logistics and non-combat operations, and concludes by assessing the overall achievements of the Mughal Empire, comparing it to its Western counterparts, and analyzing the reasons for its decline.

Focusing on the Deccan Sultanates of 16th- and 17th-century central India, Local States in an Imperial World promotes the idea that some polities of the time were not aspiring to be empires. Instead of the universalist and hierarchical vision typical of the language of empire, the sultanates presented another brand of state - one that prefers negotiation, flexibility and plurality of languages, religions and cultures. Building on theories of early modernity, empire, cosmopolitanism and vernaculars, Roy Fischel considers the components that shaped state and society: people, identities and idioms. He presents a frame for understanding the Deccan Sultanates as a rare case of the early modern non-imperial state, shedding light both on the region and on the imperial world surrounding it.

This book highlights emerging trends and new themes in South Asian history. It covers issues broadly related to religion, materiality and nature from differing perspectives and methods to offer a kaleidoscopic view of Indian history until the late eighteenth century. The essays in the volume focus on understanding questions of premodern religion, material culture processes and their spatial and environmental contexts through a study of networks of commodities and cultural and religious landscapes. From the early history of coastal regions such as Gujarat and Bengal to material networks of political culture, from temples and their connection with maritime trade to the importance of landscape in influencing temple-building, from regions considered peripheral to mainstream historiography to the development of religious sects, this collection of articles maps the diverse networks and connections across regions and time. The volume will be of great interest to scholars and researchers of history, archaeology, museum and heritage studies, religion, especially Hinduism, Sufism and Buddhism, and South Asian studies.